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Pola Nireńska, la moglie dell’“ebreo cristiano” Jan Karski

100%
Tomassucci G.
pl.it / rassegna italiana di argomenti polacchi
|
2014
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issue 5
116-127
2
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Mnogie natury spektaklu. O konieczności przekraczania estetyki performatywności w badaniach nad nowym tańcem

71%
Berendt Z.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
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2020
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vol. 111
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issue 4
145-156
EN
This article suggests that the already classic paradigm of research in performing arts – developed by Erika Fischer-Lichte in The Transformative Power of Performance: A New Aesthetics – needs reconsidering, with a particular focus on new dance and chorography. This proposal results from the recent hybridisation of performing arts, inclusion of discursive content in performances on a par with choreography, and the changed position of the viewer in new dance performances. An analysis is offered of Druga natura (Second Nature), a dance performance by Karolina Grzywnowicz (visual artist) and Agata Siniarska (choreographer and performer), which takes place within the space of an artistic installation. A broader perspective is adopted which includes a discussion of the institutional (production and operation) and aesthetic conditions for new dance in Poland. The characteristics of the performance’s contexts (modern dance aesthetics, Pola Nireńska’s biography, the history of the Holocaust in the dance community) are analysed alongside the viewer’s experience designed as a multi-sensory and intellectual experience.
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Nireńska: o kruchości archiwum i ciele tańczącym tu i teraz

57%
Bojarska K.
Pamiętnik Teatralny
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2020
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vol. 69
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issue 3
209-224
EN
The point of departure for this article is the question of the possibility of a biography of a woman – an artist – a survivor of the Holocaust. This question is answered through the juxtaposition of two attempts to examine the history of the life and art of Pola Nireńska, which came into circulation more or less at the same time. One of them is an artistic project: the cooperation of a choreographer, dancer and visual artist - Druga natura Grzywnowicz / Siniarska / Wolinska, while the other is a written biography by Weronika Kostyrko entitled Tancerka i Zagłada. Historia Poli Nireńskiej. The author reconstructs the assumptions of both of these projects, the way they treat Nireńska and poses fundamental questions about the meaning of biography today, taking into account both the most recent diagnoses from the field of biographical writing, such as trauma theory and Holocaust  research. (Transl. K. Bojarska)
PL
Punktem wyjścia do refleksji nad możliwością biografii kobiety – artystki – ocalałej z Zagłady jest zestawienie dwóch projektów będących próbą zmierzenia się z historią życia i sztuką Poli Nireńskiej, które weszły do obiegu mniej więcej w tym samym czasie. Jednym z nich jest projekt artystyczny: współpraca choreografki, tancerki i artystki wizualnej – Druga natura Grzywnowicz / Siniarska / Wolińska, drugim zaś reportaż biograficzny Weroniki Kostyrko zatytułowany Tancerka i Zagłada. Historia Poli Nireńskiej. Autorka rekonstruuje założenia obu projektów, sposób, w jaki traktują one Nireńską, i stawia zasadnicze pytania o sens biografii dziś, uwzględniając najnowsze rozpoznania zarówno z pola pisarstwa biograficznego, jak i z teorii traumy i badań nad Zagładą.
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