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António Feijó i Leopold Staff – poetyckie wizje Orientu na tle polsko-portugalskich relacji literackich i kulturalnych (od parnasizmu do palimpsestu)

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Kalewska A.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2021
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vol. 21
167-200
EN
The article aims to discuss the Chinese culture inspirations in Polish and Portuguese modernist poetry. In the context of Polish-Portuguese literary relationships, late Romantic, Symbolic, Parnassianism-related and Oriental tendencies are presented in the works of a Portuguese poet Antón Feijó (1859-1917), with references to a selected aspect of Leopold Staff’s works (1878-1957). A historical-literary analysis is accompanied by literary and cultural comparative studies. Within the comparative method of presenting the Parnassian palimpsests, as 'The Chinese Lyric Book' ('Cancioneiro Chinês', 1890) by António Feijó and 'Chinese Flute' ('Fletnia chińska', 1922) by Leopold Staff are categorised, the thesis about the independent status of the works in question was built. Modernist visions of the Orient, understood to date a paraphrase or an adaptation of Chinese poetry read in translations from French, gain the status of original works. In view of blurring the differences between the European adaptations - Portuguese poem and Polish poetic prose, based on Oriental motifs drawn from two different French sources (translations): Judith Gautier’s and Franz Touissant’s works - and the Chinese original, the methodological approach to the text as to a palimpsest is justified. Feijó’s “Chinese Poetry” and Oriental poetic landscapes in Staff’s prose are therefore independent literary works, analysed in parallel, as mirror reflections of the fascination with the Orient’s culture. The literary works in question fully deserve the title of cultural texts, the recipient of which will be a Polish reader, a lover of poetry inspired by French Parnassianism.
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„Polska Południa”? Wizerunek Portugalii w "Czterech powstaniach" Karola Hoffmana

100%
Bąk M.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2021
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vol. 21
100-111
EN
The aim of this article is to analyse the image of Portugal as presented by Karol Hoffman in his book 'Cztery powstania czyli krótki wykład sposobów jakimi dobijały się o niepodległość Grecja, Holandia, Portugalia i Polska' [Four insurrections that is how Greece, Holland, Portugal, and Poland were fighting for their independence] (1837). Hoffman creates an analogy between the situation of Poland in the partition era and the situation of Portugal when it was united with Spain under the Iberian Union (1580-1640). Comparing Polish efforts with the efforts of the representatives of other European nations,Hoffman tries to revealthe causes ofthe defeat of Poles. However, he has also managed to create an interesting image of the Portuguese that influenced the way the Polish readers regarded this nation in the 19th century.
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