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„Afryka, która nadchodzi”. Nie-utopijna wizja przyszłości w powieści Rouge impératrice Léonory Miano

100%
Mrowińska A.
Przegląd Kulturoznawczy
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2021
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issue 3 (49) „Powrót futuryzmów”
525-538
EN
This article seeks to present the way in which the Afrofuturism as a literary genre can be used to reflect on the potential of the African future. In the novel Rouge impératrice, published in 2019, Cameroonian author Léonora Miano introduces a vision of the future united state of Katiopa which enables her to reconsider some present problems and offered socio-political solutions. The image of the possible future of the African states constitutes a clever and innovative analysis of the current political and cultural issues of the African continent, and its possibilities for a stable and peaceful progress. At the same time, Miano tries to stay clear of the category of Black utopia.
2
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Mestizaje y expresiones culturales identitarias en Latinoamérica. Una reflexión sobre el costumbrismo del siglo XIX, la música tradicional y la música pop

63%
Franco Cárdenas D. H.
Review of International American Studies
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2022
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vol. 15
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issue 2
129-143
EN
The costumbrista illustration of the 19th century in Colombia, after independence, focused on the representation of national cultural expressions. From the iconographic analysis of two representative illustrations, made by Ramón Torres Méndez in that period of time, it is possible to identify elements that contribute to the construction of a cultural identity. The elements that make up these expressions, however, are the result of a mixture of other forms of cultural expression, namely European, American, and African. This miscegenation, always present, extends even today and can be seen in more contemporary manifestations such as pop, in particular, of which is the key focus of this article.
ES
La ilustración costumbrista del siglo XIX en Colombia se concentró en la representación de las expresiones culturales nacionales. Desde el análisis iconográfico de dos ilustraciones representativas, realizadas por Ramón Torres Méndez en ese periodo, identificaremos elementos que sirvieron para la construcción de una identidad cultural. Los elementos que conforman dichas expresiones, sin embargo, son el resultado de una mezcla de otras formas de expresión cultural; europeas, americanas y africanas. Este mestizaje, siempre presente, se extiende hasta nuestros días y se puede apreciar en manifestaciones más contemporáneas como el pop, en particular, el movimiento del rock en español en la década de 1990.
3
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Současná ukrajinská literatura ve světle postkoloniálního přístupu: Serhij Žadan a Stepan Procjuk

63%
Merzová R.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2016
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vol. 53
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issue 26
133-142
EN
The article deals with the current issues in Ukrainian literary criticism concentrating on the post- -colonial and post-modern approach and its particular manifestation in the works of contemporary Ukrainian writers. The latest studies and monographs focusing on themes in post-colonial criticism are presented at the beginning of the article, as well as definitions of anti-colonialism and post-colonialism in Ukrainian literary criticism, followed by a brief description of the situation in Ukrainian literature after gaining independence in 1991. The article also discusses specific examples and features of Eastern post-colonialism in the works of two contemporary Ukrainian writers — Serhii Zhadan and Stepan Prociuk.
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