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Muzyka jako nośnik „niewyrażalnego” w filmie Podwójne życie Weroniki Krzysztofa Kieślowskiego

100%
Al-Araj A.
Przestrzenie Teorii
|
2015
|
issue 24
261-274
EN
In this article I try to interpret the music aspect of Krzysztof Kieslowski’s famous movie The Double Life of Véronique (1991, music: Z. Preisner). The director, whose works are full of allusions to music and generally to art, always paid special attention to the sound of his movies. The Double Life of Véronique, though not the last “fruit” of the cooperation between Kieslowski and Zbigniew Preisner, is the best illustration of this fact. The musical elements permeate almost all aspects of this work, from the plot to the structure of the movie (the use of the leitmotif technique), and correspond closely to the action. The key importance of music is illustrated by a description of what I consider to be the film’s three most significant scenes: two from the “Polish” and one from the “French” part of this work.
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Cztery kolędy Ewy Lipskiej

75%
Marciniak P.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2018
|
issue 32
251-264
EN
The article contains the reflection on four texts of Ewa Lipska, written in association with Zbigniew Preisner. The discussed works belong to a genre of a literary carol and as a result they have been included in the republication of the album W poszukiwaniu dróg  [Searching for the paths ] Therefore, a new area of poetics activity of Lipska appears. The authoress of Sefer  makes use of stylization, deforming a specified pattern and thereby revaluating the tradition of a carol. The scrutinised texts were designed as being ready for the musical performance, emphasising Lipska’s interest in the song genre. The creation of a Cracovian poetess has been tilting towards popular culture since some longer time now.
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