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Richard Weiner stále aktuální aneb Nad dvěma novými weinerovskými edicemi

100%
Košnarová V.
Česká literatura (Czech Literature)
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2022
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vol. 70
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issue 2
183-200
EN
On the basis of two new publications associated with Richard Weiner the man and his work, i.e. an edition of Weiner’s French correspondence with members of the French group Le Grand Jeu, published under the title Correspondances croisées 1927–1937 (eds. Erika Abrams and Billy Dranty) and a collection of early prose works compiled by Michal Jareš (The Broken Thread and Other Prose), this article reflects on selected issues, problems and themes involving textology, editology and text interpretation.
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Medialita nepřítomného subjektu. Estetika absence, dianarace a postmoderní impulzy „Prázdné židle“ Richarda Weinera

80%
Jirsa T.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2017
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vol. 55
109-131
EN
This paper deals with the aesthetics of absence and pre-postmodern strategies as carried out in the short story “Prázdná židle [Empty Chair]” (1916) by Richard Weiner. Drawing on the methodological fusion of narrative analysis, media philosophy, and visual anthropology, I argue that Weiner’s text offers a specific “portrait of absence”, which is able to intensify the subject despite its physical non-presence. In the first part, Weiner’s discursive strategy of feigning, revealing common features with postmodern metafiction and producing a rupture between what the text says and what it does, is explained. The second part analyzes an ironization of its affective and thematic center while bringing forth a new concept of “dia-narrative”. The third part explores the main figure of the empty chair in its intermedial relations with the portraits of Vincent van Gogh (1888) and the founding work of the conceptual art by Joseph Kosuth (1965).
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Sensualne oblicza śmierci w opowiadaniach Richarda Weinera (na wybranych przykładach)

71%
Woźniak K.
Slavica Wratislaviensia
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2019
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vol. 168
303-313
EN
Sensual images of death in short stories by Richard Weiner (selected examples) The author of the article analyzes a selection of stories by Richard Weiner with regard to the leading theme — a sensual image of death. Attention is drawn to polisensuality of expression and the construction of the world depicted on the basis of sensual antinomies, e.g. silence/sound, movement/stillness, dead/alive, visible/invisible. The author refers to selected short stories from Weiner’s collections: Netečný divák (1917), Lítice (1918), Škleb (1919), and Lazebník (1929).
CS
Smyslná tvář smrti v povídkách Richarda Weinera (ve vybraných příkladech) Autorka článku analyzuje vybrané povídky Richarda Weinera z pohledu úvodního motivu, jímž je smyslná tvář smrti. Věnuje pozornost mnohasmyslnosti výpovědi a stavbě světa představeného na základu smyslových antinomií jako například: ticho–zvuk, pohyb–klid, mrtvé–živé, viditelné–neviditelné. Autorka se odvolává na vybrané povídky Weinera ze sbírek: Netečný divák (1917), Lítice (1918), Škleb (1919) i Lazebník (1929).
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Rzeczywistość jako spisek (na podstawie wybranych opowiadań Richarda Weinera)

71%
Woźniak K.
Slavica Wratislaviensia
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2019
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vol. 169
57-69
EN
Reality as a conspiracy (based on selected short stories by Richard Weiner) In this draft, the main theme is an attempt to analyse a conspiracy theory for its philosophical and ontological aspects but in the literary context. The author refers to selected stories by Richard Weiner. She presents her insights on the development of plots and conspiracy themes that depart from their commonly understood form. She shows the theme of reality as a mysterious set of certain premonitions and predetermined rules that control the life of the characters.
CS
Realita jako spiknutí (na základě vybraných povídek Richarda Weinera) Hlavním tématem tohoto námětu je pokus o analýzu konspirační teorie z filozofického a ontologického hlediska, avšak v literárním kontextu. Autorka odkazuje na vybrané povídky Richarda Weinera. Uvádí jeho myšlenky důležité pro realizaci témat a motivů spiknutí, jež se od jejich běžně srozumitelné formy liší. Ukazuje motiv reality jako tajemnou sadu určitých pocitů a předem stanovených pravidel, která ovládají život hlavních postav.
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1929. Rok (nejen) Lazebníka: Poetika, sen, polemika

41%
Málek P.
Slovo a smysl - Word & Sense
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2019
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vol. 16
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issue 32
32-108
EN
Drawing its methodological inspiration from A History of New Modernism. Czech Literature, 1905–1923 (2010), this study aims to present the development of Czech literature over the course of a single year: 1929. The objective, however, is not to portray the literary events and literary production of this year in the manner of a chronicle, nor in their entirety, but to capture certain ‘nodal’ characteristics of the imagination and literary language. There is one event that allows the author to take this approach — i.e. to identify themes, images and figures that are typical of the artistic discourse of the period —, namely the publication of Richard Weiner’s The Barber-Surgeon. The themes, motives, and figures found in this text (dream and dream writing, language, failure, literary polemics) constitute a point of departure for grasping the dominant features of a literary period which is otherwise rather amorphous. By virtue of Weiner’s poetics, a thread of sense begins to emerge, and eventually the ‘story’ or ‘drama’ of 1929, out of the re-constructed configurations and correlations of several different literary texts. Through its ‘otherness’, Weiner’s ‘dream poetics’ separated itself from the universalizing aesthetic concept of its time, thus falling ‘out of the picture’ from the perspective of literary history. By contrast, the author considers it as the central feature of a network of relations among a number of texts published in 1929: the short story AM from Jakub Deml’s collection My Purgatory; the poem The New Icarus by Konstantin Biebl; Karel Čapek’s Tales from Two Pockets; Jaroslav Durych’s essay on Poetics; and Vladislav Vančura’s novel The Last Judgement. The themes and figures under consideration here — poetics, dreams, dream writing and literary polemics — are all related to the writer’s self-consciousness in the creative process and the attention paid by the writer to material elements of the work. This manifests itself as an interest in the question of poetics and in a vivid ‘linguistic awareness’, which is also manifested in the widespread interest in questions of language and the culture of language that Czech linguists, especially those associated with the Prague Linguistic Circle, studied in accordance with — and in dialogue with — contemporary trends in modern art.
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