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1

Cultural Images as an Issue in the Process of Translation

100%
Anoca D. M.
Acta Universitatis Sapientiae, Philologica
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2014
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vol. 5
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issue 2
149-158
EN
In this paper we present some issues that occur during the translation of literary works, especially from Slovak, but also from Slavic cultural sphere, into Romanian, as a result of differences regarding cultural images or linguistic issues. This will be followed by a more thorough systematization in the future. On the basis of Miko’s theory of style, we have analysed texts by Slovak writers such as Samo Chalupka, Ivan Štrpka and others, as translated into Romanian by professor Barborică and Ondrej Štefanko. We have highlighted the fact that in some cases the cultural images are within cultural tradition due to the grammatical gender of the word-the main groundwork for an image, analysing the instances in which they cause issues in translation, requiring the translator to resort to different solutions, including displacing the meaning either towards the iconic, or towards the operative, or finding an adequate substitution. Similar situations also occur in the case of a confrontation between two languages, two codes-the linguistic and the artistic, which involve a knowledgeable recipient, trained in the field of art and languages. The issue is also of interest in the context of comparatism.
2
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Institutul de teorie și critică literară G. Călinescu, Bucureşti

88%
Cofan A.
Studia Romanica Posnaniensia
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2014
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vol. 41
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issue 2
59-71
EN
We are trying in the following phenomenological approach to go on with our description concerning the grotesque in Romanian literature. In the first part of our work, we will make a short and diachronic review of the most important writings belonging to Romanian authors from the XIX-th century till the first decade of the XX-th century. It is then when a mysterious and shy Romanian writer, called URMUZ, gave birth to a few but influential literary pages of the absurd and the grotesque. In the second part of our work we will analyze the distinguishing traits of his ten works of prose through the mirror of the grotesque. This ignored Romanian writer was baptized “a new Alfred Jarry”, although he never had heard about this French author and never read about Ubu. The hidden influence of Urmuz unknowingly modernized the concept of literarity.
3
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Budząc wampira. Z Jakubem Kornhauserem o Gherasimie Luce, rumuńskim surrealizmie i niespełnieniu rozmawiają Marta Baron-Milian i Piotr Bogalecki

63%
Kornhauser J., Baron-Milian M., Bogalecki P.
Śląskie Studia Polonistyczne
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2021
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vol. 17
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issue 1
1-15
EN
The interview by Marta Baron-Milian and Piotr Bogalecki with Jakub Kornhauser, who has been translating Gherasim Luca’s prose works from Romanian and French and popularizing them, aims at locating the bilingual oeuvre of the author of The Passive Vampire within the field of Romanian and French literature and on the map of avant-garde practices, particularly considering the history of surrealism. The problems raised in the interview focus on the workings of history in Luca’s texts, on their political character, and the undertaken interpretations are directed at attempts to capture the oeuvre of this author inter alia through the prism of the marrano figure, economic metaphors and stammer, which is a peculiarity of Luca’s language both in poetry and in prose.
PL
Jeden z głównych tematów rozmowy Marty Baron-Milian i Piotra Bogaleckiego z Jakubem Kornhauserem, tłumaczem prozy Gherasima Luki z języka rumuńskiego i francuskiego, badaczem i popularyzatorem jego twórczości, stanowi próba usytuowania dwujęzycznej twórczości autora Biernego wampira w obszarze literatury rumuńskiej i francuskiej oraz na mapie praktyk awangardowych, ze szczególnym uwzględnieniem historii surrealizmu. Poruszona w rozmowie problematyka ogniskuje się wokół zagadnień związanych z działaniem historii w tekstach Luki, ich politycznym charakterem, a podjęte tu interpretacje zmierzają do prób uchwycenia twórczości tego artysty między innymi przez pryzmat figury marana, ekonomicznych metafor czy jąkania, stanowiącego osobliwą właściwość języka zarówno prozy, jak i poezji Gherasima Luki.
4
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Miron Costin – cronista e poeta

51%
Janas J.
Fabrica Litterarum Polono-Italica
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2020
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issue 2
179-184
PL
Artykuł poświęcony jest analizie dzieła historiograficznego i literackiego Mirona Costina, który był znaczącą postacią w życiu wojskowym, administracyjnym i politycznym Księstwa Mołdawii w środkowych dekadach XVII wieku. W szczególności zbadane zostały struktury narracyjne jego kronik, ich wkład w kształtowanie się narodu rumuńskiego. W twórczości Mirona Costina docierają do nas echa klasycyzmu greckiego i łacińskiego, nasycone motywami i objawieniami wybuchowego ducha epoki baroku.
EN
The volume is based on the analysis of the historiographic and literary work of Miron Costin, who held positions of primary importance in the military, administrative and political life of the Principality of Moldavia during the central decades of the seventeenth century. In particular, are examined the narrative structures of his chronicles, which often are inspired by the creations of contemporary and previous Polish historians. Furthermore, the contribution to the affirmation of the latinity of the Romanian people is clarified, when the question had not yet been put on the agenda. Moreover, the echoes of Greek and Latin classicism are identified in the verses of the poem La vita del mondo (The life of the world), steeped in motifs and modules of the overflowing spirit of the Baroque era.
5
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Dimitre Cantemir - O języku Mołdawian, tłumaczenie wraz z komentarzem

51%
Borowy A.
Balcanica Posnaniensia Acta et studia
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2021
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vol. 28
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issue 2
193-206
EN
The main aim of this paper is the Polish translation and the comment of the chapter De lingua Moldavorum, a part of the work called Descriptio Moldaviae written by Dimitrie Cantemir, voivode of Moldavia, in the early 18th century at the request of the Royal Academy in Berlin. The translation is based on the Latin text. It is the first attempt to introduce the text of Descriptio Moldaviae to Polish readers. The commentary is based on the philological methodology and contains primarily grammar and lexical remarks. The first part of the paper is a historical and cultural introduction to the topic.
PL
Głównym celem artykułu jest przedstawienie polskiego tłumaczenia tekstu De lingua Moldavorum wraz z komentarzem. Tekst napisany został przez Dimitrie Cantemira na początku XVIII wieku na zamówienie Akademii w Berlinie. Tłumaczenie zostało dokonane z tekstu oryginału na język polski. Jest to pierwsza próba przybliżenia tekstu Dimitrie Cantemira polskiemu czytelnikowi. Tekst został opatrzony komentarzem z uwagami gramatycznymi, leksykalnymi i kulturowymi.
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