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ETNOGRAFIA DVOCH SPÔSOBOV VYJADROVANIA ŽENSKEJ A MUŽSKEJ TELESNOSTI

100%
Murin I.
Etnologické rozpravy (Ethnological Disputes)
|
2017
|
vol. 24
|
issue 1
68 – 81
EN
The body ethnography is perceived as a field documentation of the expressing of women and men body sensuality. A human body has its biological shapes which are cultural created. The visual perception of body and body sensuality is comprised from basic shape body recognition and recognition of cultural signs covered up by clothing and by makeup. The somatotypes and patterns created as body camouflage are cultural transmitted by communication canals, where are currently preferred social networking websites. The women stereotypes of creation collective contents illustrate a blonde, the bodybuilder by a representative for man stereotype. Field ethnographic examples refer to impact of global patterns on change perception of common body sensuality in everyday culture.
2
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KANT'S METAPHYSICS OF PERCEPTION (Kantowska metafizyka percepcji)

86%
Sikora P.
Analiza i Egzystencja. Czasopismo Filozoficzne
|
2009
|
issue 9
61-83
EN
This article treats of an issue of Kant's metaphysics of perception as a specific sphere where concept of sense perception within transcendental philosophy seems to be rooted into a wider context of metaphysical presuppositions. The text is an epitome of a few Kant's aporias which appear when he does not notice a metaphysical background which constitutes basic relation between subject and object in sense perception.
3

TELÁ A SUBJEKTY V MESTSKEJ VEREJNEJ DOPRAVE. DOPRAVNÁ EROTIKA V SLOVENSKEJ LYRIKE TRETEJ TRETINY 20. STOROČIA

86%
Šrank J.
Slovenská literatúra (Slovak Literature)
|
2024
|
vol. 71
|
issue 3
311 – 324
EN
The article examines Slovak poems by a wide range of authors published in the last third of the 20th century and linked by taking as its theme erotic social interactions in urban public transport. The analysis is conceptually related to Bakhtin’s chronotope of the journey and the topos of the encounter and to existing research on poetry with the motifs of accidental male-female encounters in the urban environment and especially in the context of public transport (Walter Benjamin, Alejandro Hermida de Blas, Josef Hrdlička, Pavol Minár). The essay also makes connections with related topoi and paradigmatic texts. The core of the paper focuses on encounters that are motivated erotically on the part of the subject and notices their various forms and distinctive features. It explores both the sensual side of the erotic theme and its reflexive overlaps that are typical of these poems. The encounter at the place of transit acts in the poetry as an opportunity for the subject to observe and gain knowledge and self-knowledge.
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