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Gatunkowe poszukiwania we współczesnej kulturze zaangażowanej. Kilka uwag na temat „Patriotyzmu jutra” duetu Siksa

100%
Florczyk T.
Zagadnienia Rodzajów Literackich
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2019
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vol. 62
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issue 1 (129)
97-113
EN
The paper is an analysis of the “Siksa” duet’s work, The Patriotism of Tomorrow (2018) deeply rooted in a contemporary feministic punk culture. The author looks at the work from a genre studies perspective, finding a genological novum (basing on E. Balcerzan’s theory of “multimedia genology”). The analysis of the work (a verbal-musical collage), consists of the search for its genological place in contemporary engaged culture. The author demonstrates that the uniqueness of its genre frames is not wide enough to be described as “antigenre” or “authorial genre”, the terms introduced by Polish scientists; he suggests that the term “post-genre” ought to be used instead.
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Between Aesthetics and Politics: Socially Engaged Art on the Internet

86%
Winiecka E.
Poznańskie Studia Slawistyczne
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2019
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issue 17
303-319
EN
The author discusses the changes in the model of democracy that have occurred since the Internet began. The hierarchical model of representative democracy is replaced on the Web by participatory democracy. On the example of Siksa and Bread Resolution (Rozdzielczość Chleba), the author shows up the transformations of the model of literary communication on the Internet. She also indicates ethic role engaged art takes in the contemporary society. Artists that produce socially engaged art do it in the name of those who do not exist in public space, those whose voice is not heard and who cannot defend themselves. Nevertheless, the author comes to the conclusion that the real democratic revolution can only take place outside the Web.
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