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PL
Peaceful dream of Clytemnestra, or what is missing in Euripides’ Electra   Clytemnestra’s dream features as an important element of the vengeance dramas of both Aeschylus and Sophocles: still, is remains absent from the Euripidean version. This short essay sketches the possible implications of such an ‘omission’, while simultaneously highlighting the highly contrasting implications of the dream in the Choephorae and in the Sophoclean Electra.
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Oidipus redivivus. Teatro Olimpico 1585

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EN
The first modern production of classical Greek tragedy was put on in Vicenza in 1585 in a then newly opened theatre, today known as Teatro Olimpico. The author of the building plan was Andrea Palladio, renowned architect who died before the construction of the theatre was finished. It was completed by Vicenzo Scamozzi, another famous Italian architect, who enhanced the stage by an illusionary decorative background. The completed theatre building, the architectonic plan of which was inspired by Vitruvius’ Ten Books on Architecture, is a combination of classical Roman and Renaissance architectonic principles, representing an ideal image of Antiquity created by Palladio and Scamozzi’s fellows – a contemporary utopia projected into the past. The play chosen for the opening of the house, Sophocles’ Oedipus the King, underlined the prestige of the institution, as well as of the whole city and its Academia. What can be learnt about the production from various contemporary resources is a subject of the present paper.
CS
První zaznamenaná inscenace řecké tragédie v nové době se konala ve Vicenze v r. 1585, a to v nově otevřeném divadle (dnes známém jako Teatro Olimpico). Autorem stavby byl známý architekt Andrea Palladio, po jehož smrti ji dokončil Vicenzo Scamozzi, který Palladiův návrh obohatil o iluzivní dekoraci. Divadlo inspirované Vitruviovým spisem Deset knih o architektuře je jistou kombinací římských a renesančních architektonických principů, z nichž je utkán ideální obraz návratu k antice, této utopie promítnuté do minulosti. Titul zvolený ke slavnostnímu otevření divadla byl vybrán tak, aby podpořil prestiž divadla i Vicenzy a její Accademie.
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Lekcja choroby dla zdrowych

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EN
The article discusses the situation of the sick, who is excluded from the community of the healthy people. The author describes the way, in which the literature helps to abolish the border between the sick and the healthy. Philoctetes by Sophocles is the subject of the analysis. The study of the main character allows the reader to understand the situation of the sick person, as well as the mechanisms of the exclusion and the inability to forgive.
PL
Niniejszy artykuł stanowi kontynuację studium podjętego w 2017 r. na łamach drugiego numeru czasopisma Colloquia Theologica Ottoniana (s. 57–67). Zaproponowana wówczas argumentacja, uzasadniająca odczytanie słowa πύλαι w Mt 16,18 jako „gardziele”, jest tu wzbogacona o kolejne dwie racje przemawiające za takim właśnie zrozumieniem analizowanego greckiego rzeczownika. Przytaczane dowody pochodzą z Antygony Sofoklesa i niejako utwierdzają w słuszności proponowanej interpretacji.
EN
This article follows a study undertaken 2017 in the journal Colloquia Theologica Ottoniana (pp. 57–67). The argumentation proposed at that time justifying the reading of the term πύλαι in Mt 16,18 as “throats” is here enriched with two other reasons for just such understanding of the analyzed Greek noun. The recited evidence comes from Sophocles’ Antigone and in some measure confirms the correctness of the proposed interpretation.
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