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EN
This article focuses on religious healing practices in the monastery of St. Menas in Sofia, Bulgaria which involve the touching of a famous miracle-working icon of a saint. I use the practice as a springboard for discussing the relevance of two anthropological concepts known as “sensualism” (Polish: sensualizm) and “non-differentiation” (Polish: nierozróżnialność) for describing multi-sensory religious imageries of pilgrims. Th e concept of sensualism was fi rst proposed by Stefan Czarnowski and relates to religious practice centred primarily on sensory experience. Non-differentiation as an anthropological concept has been adapted from Gadamer by the Polish anthropologist Joanna Tokarska-Bakir. The two concepts have been applied to analyses of non-official practices in Catholic religiosity, a fact which poses certain methodological problems when the concepts are applied to Orthodox Christianity. This article relies on the Orthodox theological concept of the icon to propose a revision to our treatment of those two useful concepts.
EN
The excavations in Selib have brought to light a few objects used in the liturgical practices performed in the local churches. Among a dozen or so fragmentarily preserved chalices, juglets and patens, there is a terracotta roundel provided with a circular aperture in the upper side. Made of pinkish red clay, it is decorated with a repeated stamped motif of a haloed orant figure shown en face with arms held parallel to the upper body. It is accompanied by figures of animals set in profile. The masterly execution of the animal figures enables the recognition of the images of lionesses. Consequently the orant figure in between two metopes with a lioness each could only be St Thecla. The author suggests that the Selib roundel plausibly served as an altar casket placed on an altar to house a Eucharistic chalice. An alternative use would have been as a stand for a peculiar Nubian paten(?) with a depression in the bottom. Regardless of the real purpose, in the case of the Selib roundel the label of ‘altar casket’ is valid.
EN
The Polish archaeological project excavating at the Nubian sites of Banganarti and Selib concentrated on uncovering domestic architecture: the northeastern and southwestern districts at medieval Christian Banganarti and selected houses of Meroitic date at Selib 2. The conservation and restoration program put the finishing touches on the Raphaelion church in Banganarti and did substantial work on the remains of the earlier churches. The oldest church from Selib 1 was investigated and dated to the 6th–7th century based on a study of a well stratified ceramic assemblage. Pottery from the northern and southern refuse dumps ranged in date from the 9th to the 12th/13th century. A group of liturgical vessels, containing mostly small juglets and chalices, was distinguished in this assemblage. Exploration of the earlier Northern Building revealed pottery contemporaneous with the earliest phase of the church on site. Anthropological research was carried out on skeletal remains from the medieval cemeteries of Selib 1 and from individual graves at Banganarti. The results of ceramic studies and of the anthropological examination are reported in separate appendices to the main report.
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