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Rymowanie starości – starość jako argument. Na marginesie kilku dziewiętnastowiecznych tekstów nieznanych

100%
Kowalczuk U.
Prace Filologiczne. Literaturoznawstwo
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2016
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issue 6(9)
13-32
EN
The subject of the article is a volume of poetry Kwiatki polne (1884), written by Maciej Józef Brodowicz, a renowned Krakovian physician, who at the age of ninety-four published autobiographical poems. The main theme in most of them is old age understood as existential experience and a biographical circumstance, justifying the attempts to synthesize the author’s life in the form of verse. Two reviews of the volume by Lucjan Siemieński and Stanisław Tarnowski constitute the context for reading his poems. The reviews also bring up the question of old age as an essential component of the language of the critique itself, allowing to fill the gap originating from the lack of more precise and appropriate criteria for the analysis of conventional poems.
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Religiosity of the future members of the Stańczycy group in their youth in comparison with their later religious views

100%
Gancewski M. P.
Folia Historica Cracoviensia
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2021
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vol. 27
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issue 2
115-144
PL
W artykule omówione zostały poglądy religijne Stanisława Koźmiana, Ludwika Wodzickiego oraz Stanisława Tarnowskiego, a także kształt ich pobożności przed powstaniem styczniowym. Religijność ich młodzieńczych lat skonfrontowana i porównana została z ich późniejszymi zapatrywaniami religijnymi, co pozwoliło ukazać zmianę ich poglądów na przestrzeni lat. Pracę rozpoczyna omówienie formacji duchowej bohaterów tego artykułu, na którą olbrzymi wpływ miało środowisko rodzinne, w którym zostali wychowani – środowisko patriotycznej szlachty i arystokracji, szczerze oddanej katolicyzmowi (z osobistego i narodowego powodu). Mimo przywiązania do religii oraz wypełniania praktyk religijnych (zwłaszcza w przypadku Stanisława Tarnowskiego i Ludwika Wodzickiego) przyszli stańczycy nie byli jednak bezkrytycznie nastawieni do Kościoła katolickiego. Wprost przeciwnie – podobnie jak większość generacji, do której należeli –  niejednokrotnie negatywnie wypowiadali się na temat kondycji moralnej kleru, a także byli przeciwnikami świeckiej władzy papieża, co stawiało ich w opozycji do ultramontańsko nastawionych członków ich rodzin oraz niektórych członków Hotelu Lambert – organizacji z którą byli ideowo-politycznie związani. Po powstaniu styczniowym następowała stopniowa ewolucja ich poglądów w kierunku niemal całkowitego posłuszeństwa Kościołowi instytucjonalnemu. Niemniej jeszcze przez kilkanaście lat ich zapatrywania religijne naznaczone były pewnym liberalizmem, a spojrzenie na postępowanie Kościoła katolickiego było niejednokrotnie krytyczne, co skutkowało oskarżeniami o moderantyzm kierowanymi w ich stronę przez ultramontańskie środowisko „Przeglądu Lwowskiego”.   
EN
This article discusses the religious views of Stanisław Koźmian, Ludwik Wodzicki and Stanisław Tarnowski, as well as the shape of their piety before the January Uprising. The religiousness of their youth was confronted and compared with their later religious views, which allowed for a change in their views over the years. This work begins with a discussion of the spiritual formation of the heroes of this article, which was greatly influenced by the family environment in which they were brought up - an environment of patriotic nobility and aristocracy, sincerely devoted to Catholicism (for personal and national reasons). However, despite their attachment to religion and fulfilment of religious practices (especially in the case of Stanisław Tarnowski and Ludwik Wodzicki), the future Staśniks were not uncritically inclined towards the Catholic Church. On the contrary - just like the majority of the generation to which they belonged - they often expressed negative opinions about the moral condition of the clergy, and were opposed to the secular power of the Pope, which put them in opposition to ultra-Montane members of their families and some members of the Hotel Lambert - the organisation with which they were ideologically and politically associated. After the January Uprising there was a gradual evolution of their views towards almost complete obedience to the institutional Church. Nevertheless, for several more years their religious outlook was marked by a certain liberalism, and their views on the behaviour of the Catholic Church were often critical, which resulted in accusations of moderantism being levelled at them by the ultramontane milieu of the "Przeglad Lwowski".
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Galicyjska recepcja Chopina. W kręgu Marceliny Czartoryskiej i Stanisława Tarnowskiego

99%
Stachura-Lupa R.
Poznańskie Studia Polonistyczne. Seria Literacka
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2021
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issue 41
125-149
EN
The paper is dedicated to the role of princess Marcelina Czartoryska, a friend and student of Chopin, as an initiator of the research into his life and work, and to Stanisław Tarnowski’s essay about the composer. On 19 March 1871, in the hall of the Saski Hotel, a public lecture on Chopin was presented by Tarnowski, accompanied by Czartoryska’s magnificent performance. The income from this event was donated to Towarzystwo Wzajemnej Pomocy (mutual help association) for the support of the poor students of the Jagiellonian University. Czartoryska accompanied Tarnowski, illustrating his speech by playing the piano. Tarnowski published his work twice: in 1871 and 1892. He set the life and work of Chopin in the context of the period. Based on the sources, he reconstructed the spiritual biography of the artist, his creative personality both in terms of the psychological and the social aspects. He saw in Chopin “the fourth greatest poet of the divided Poland,” the fourth Bard.
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Turystyka, patriotyzm i dziedzictwo kulturowe. Na podstawie relacji z podróży na Pomorze hrabiego Stanisława Tarnowskiego

99%
Kijak-Sawska A.
Turystyka Kulturowa
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2016
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issue 4
70-79
PL
Przedmiotem analizy w artykule są związki pomiędzy turystyką a dziedzictwem kulturowym. W badaniach wykorzystano kategorię gestu kulturowego. Kategoria ta posłużyła do zbudowania definicji turystyki. Materiał badawczy stanowi relacja z podróży na Pomorze hrabiego Stanisława Tarnowskiego z 1881 roku.
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Kremer, Tarnowski, Rydel - związki nie tylko tekstowe

87%
Stachura-Lupa R.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2019
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vol. 19
66-78
RU
The paper shows connections between Stanisław Tarnowski and Lucjan Rydel and his family. Tarnowski was a disciple of Józef Kremer, while Rydel was a pupil of Tarnowski. Kremer’s views on art, to some extent, shaped Tarnowski’s aesthetic thought, especially when it comes to the perception of beauty and creative act. Kremer accompanied Tarnowski at the beginning of his scientific career. Rydel used to attend Tarnowski’s speeches in his gymnasium period, and then as a student of the Jagiellonian University. He belonged to a narrow group of Young Poland writers, whose work was appreciated by the critic. He included papers about Rydel in Przegląd Polski. [78] Renata Stachura-Lupa In 1899 Tarnowski welcomed a debut volume by Rydel, appreciating his ‘inherent gift, acquired skill, good taste and musical ear, as well as playing with the difficulty of form,’ which contributed to ‘truly brilliant results.’ He praised the author for ‘his honest feelings’, at the same time noticing the dominance of sadness in his poetry, which was supposed to be typical of ‘young’ poetry, reflecting the depressing mood in the nation, caused by ‘the state of the motherland.’ In 1901 in Przegląd Polski he published a dissertation Nowe kierunki dramatu i „Zaczarowane koło” Lucjana Rydla, in which he made an ‘analysis’ of his disciple’s art. What he found particularly valuable was the method of presenting the countryside, which proved he was well-acquainted with its reality. However, it was only the trilogy Zygmunt August that he regarded as a masterpiece and ‘the best historical tragedy we’ve ever had’.
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Jan Kochanowski w 1888 roku. Raport o stanie badań

87%
Kowalczuk U.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2020
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vol. 20
221-247
RU
In this paper, the author reconstructs a critical‑literary discussion, which took place in 1888 after the release of the monograph devoted to Jan Kochanowski by Stanisław Tarnowski. It was an attempt at combining previous findings on the biography and work of the Renaissance poet. Reading the most important critical statements evoked by Tarnowski’s book made it possible to characterise an important state of research into Kochanowski’s work and indicate essential problematic issues (religious matters, ‘the Ronsard question’, the case of Kochanowski’s artistic creativity, assessing the advancement of knowledge about his works), which in the 19th century were regarded as arguable, unresolved or demanding a particular cognitive effort. The authors in those days, thanks to their joint effort, managedto determine the scope of issues which would be investigated by researchers in the following years.
7
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Chopin - Grottger

85%
Poniatowska I.
Interdisciplinary Studies in Musicology
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2010
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issue 9
101-114
PL
Is Stanisław Tarnowski’s linking of Fryderyk Chopin and Artur Grottger in his Dwa szkice [Two sketches] justified? Well, the connection is substantiated by the “Romantic-leaning” point of view and the idea of the correspondance des arts that characterised the nineteenth century in which the two creative artists (and Tarnowski himself) lived, although they represented different creative fields. Both the musician Chopin and the artist Grottger were regarded as poets. The former on account of the poetic of his piano playing and musical works, the latter for the poetical dimension of his pictures devoted to the January Rising. Tarnowski called Chopin the fourth bard of Poland, alongside Adam Mickiewicz, Juliusz Słowacki and Zygmunt Krasiński, and Grottger the poet of the Rising, since - as he paradoxically stated - the poetical narrator of those events could only be an artist. Terminology of a literary character belonged to the lexicon of notions employed by critics of art and music at that time. Besides this, the national character is inscribed in the idiom of the work of both these creative artists - the thoroughly patriotic stance that was so strongly manifest in the output of Polish romanticism. Another common denominator in their work is the concept of the cycle. With Chopin, the 24 Preludes, Op. 28 comprise a cycle in which the bonding element is the succession of major keys and their relative minor keys according to the circle of fifths, but they are also an expressive cycle of various states of mind, from despair to joyous reverie. The Preludes show both the semantic capacities and the suppleness of Chopin’s musical language; that is, the ability to express the same feelings through various purely musical means, without any programmatic motto. With Grottger, we have the cycles Warszawa [Warsaw] (two cycles), Polonia, Lituania and Wojna [War]. In them, the metonymy of the narrative sequences is coupled with the notional exposition, with the symbolism. Grottger portrays not the historical scenes of the Rising, but the feelings of grief, despair and fear of individual people, reflecting their experiences. And so the concept is similar. Chopin’s Preludes are like sketches, aphoristic utterances; sketches are also important in the work of Grottger, partly as a self-contained genre. A third plane of analogy is the reduction of media. Chopin confines himself essentially to the piano, from which he produces startling tonal qualities, although he did write several works for chamber or orchestral forces. Grottger, meanwhile, draws his cycles solely in black pencil, using white only to heighten contrasts and give the effect of chiaroscuro. He did not wish to distract the attention of viewers, but wanted them to concentrate on the symbol.
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Podróże kulturowe krakowskich stańczyków ze szczególnym uwzględnieniem relacji Stanisława Koźmiana

80%
Menz M.
Galicja. Studia i materiały
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2020
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issue 6
218-237
EN
The 19th century brought a rapid development of tourism, which caused an enormous development of descriptions of journeys, i.e. travel literature. Travels the aim of which was to visit important cultural places (e.g. Greece, Italy, the Holy Land) were an essential element of the upbringing of sons of aristocracy and rich nobility. Such travels could be called cultural ones. The article describes selected accounts from the travels of two members of the “Stańczycy” faction from Cracow, i.e. Stanisław Tarnowski and Stanisław Koźmian in their early lives. The frst part presents the journey of twenty-year-old Tarnowski to the Holy Land, together with another subsequent “Stańczycy” member, Ludwik Wodzicki. The journey lasted fve months – from November 1857 to April of the following year. The second part of the article is dedicated to the accounts of Koźmian, where he describes his student journey to the Tatra Mountains in 1853 (he was 17 at that time) and another three journeys to the Netherlands, Pest and Prague (in the years 1869–1871). Koźmian’s last accounts conform to the Austro-Polish idea promoted by himself and other “Stańczycy” members.
PL
W XIX w. nastąpił gwałtowny rozwój turystyki, co przyniosło m.in. ogromny rozwój opisów podróży, czyli tzw. podróżopisarstwa. Podróże, których celem było poznanie ważnych miejsc kulturowych (np. Grecja, Włochy, Ziemia Święta), były istotnym elementem wychowania synów arystokracji i bogatej szlachty. Podróże te możemy nazwać podróżami kulturowymi. Artykuł opisuje wybrane relacje z podróży dwóch krakowskich stańczyków, Stanisława Tarnowskiego i Stanisława Koźmiana, które odbywali w młodości. W pierwszej części zostaje przedstawiona podróż dwudziestoletniego Tarnowskiego do Ziemi Świętej, którą odbył razem z innym późniejszym stańczykiem, Ludwikiem Wodzickim. Podróż trwała pięć miesięcy – od listopada 1857 r. do kwietnia roku następnego. Druga część artykułu poświęcona jest relacjom Koźmiana z jego studenckiej wyprawy do Tatr w 1853 r. (miał wówczas 17 lat) oraz trzy późniejsze podróże do Holandii, Pesztu i Pragi (w latach 1869–1871). Te ostanie relacje Koźmian podporządkował promowanej przez siebie i innych stańczyków idei austro-polskiej.
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Od postulatów do społecznej praktyki. Kwestia włościańska w programie krakowskich obchodów 200-lecia odsieczy wiedeńskiej (1883)

57%
Stachura-Lupa R.
Colloquia Litteraria
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2021
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vol. 30
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issue 1-2
27-44
EN
The paper is dedicated to the issue of the mass participation of peasants in the 200th anniversary of the Battle of Vienna in Cracow (1883). The author pays attention to the attempts made by the organizers of the ceremony at clarifying historical knowledge about John III Sobieski and the events of 1863 to the peasant recipient, as well as analyses the role which was attributed to the peasants in the celebrations. Among the texts analysed in the article there are for example: the play by Władysław Ludwik Anczyc Kościuszko pod Racławicami and Stanisław Tarnowski’s brochure Wspomnienie o Janie III Sobieskim, królu polskim. Na pamiątkę obchodu dwóchsetnej rocznicy zwycięstwa Jana III Sobieskiego nad Turkami pod Wiedniem, which was released by the authorities of Cracow in the circulation of 25000 copies and was intended to be distributed free among the participants of this ceremony.
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