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Процесс индивидуации как ключ к интерпретации главного героя романа Федора Достоевского „Бесы”

100%

Stryjakowska A.

Kultury Wschodniosłowiańskie - Oblicza i Dialog

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2016

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issue 6

235-244

EN

The article is an attempt to interpret Nikolay Stavrogin, the main character of Fyodor Dostoyevsky’s novel The Possessed, in the key of the analytical psychology. It is argued that Stavrogin may be undergoing the process of individuation by dealing with the collective unconscious. The attention is drawn particularly to the character of Matryosha, who can be perceived as the protagonist’s anima, showing him the way out of the tragic impasse.

RU

The article is an attempt to interpret Nikolay Stavrogin, the main character of Fyodor Dostoyevsky’s novel The Possessed, in the key of the analytical psychology. It is argued that Stavrogin may be undergoing the process of individuation by dealing with the collective unconscious. The attention is drawn particularly to the character of Matryosha, who can be perceived as the protagonist’s anima, showing him the way out of the tragic impasse.

2

Исповедь ставрогина: текст и контекст

86%

Łucewicz L.

Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego

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2014

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issue 6(32)

385-394

EN

The paper attempts to examine Stavrogin’s confession in the context of biblical and literary traditions. Both the structure based on plots and the character of the narrative are a testament to the literary nature of the text. A profound meaning of the religious confession determined not only by repentance, but also by intention is implicit in the text so that homo confitens would “alter his mind”. The analysis shows that, when Stavrogin “crossed the border” of his self‑acceptance saturated with hubris, he was no longer afraid of crime or punishment. Hence, he was incapable of expressing Christian remorse. As a result, the so‑called Stavrogin’s confession was merely a lofty declaration in which he confessed to being involved in the “case of Matriosha”, so, in other words, it was a sort

3

(Nie) Chcieć być wszystkim. Stawrogin i najgłębsza otchłań Dostojewskiego

61%

Kruszelnicki M.

Przestrzenie Teorii

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2015

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issue 24

195-218

EN

This paper proposes a new interpretation of Niyevsky’s novel The Devils. This reading opposes the very influential line of interpretation employed in wkolai Vsevolodowich Stavrogin – a relentlessly intriguing character in Fyodor Dostoorks of thinkers working within the current of Russian symbolism and “cultural renaissance” from the beginning of the 20th century. The author argues that this “religious” interpretive tradition contributes to one of the greatest misunderstand-ings concerning Dostoyevsky’s work in that it oversimplifies its ambivalence and obscures one of Dostoyevsky’s darkest insights into the human soul, initially revealed in Notes From the Under-ground and from that time on recurring in each of his major novels. In the first part of the article, several classic Russian interpretations of Stavrogin are examined in order to show their common tendency to morally judge Stavrogin from the Orthodox point of view, recognize his greatest sin in the lack of faith in God and for that reason see before him only the perspective of self-disintegration and inevitable death. The author argues that “religious” interpretations do not explain the mystery of Stavrogin. What is more, they homogenize the complexity of his character and offer an all-to-easy solution to the vital philosophical problem which reiterates in Dostoyevsky’s entire mature fiction and which finds its greatest artistic representation in Stavrogin himself.

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1 Kultury Wschodniosłowiańskie - Oblicza i Dialog

1 Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego

1 Przestrzenie Teorii

1 Kruszelnicki M.

1 Stryjakowska A.

1 Łucewicz L.

1 2016

1 2015

1 2014

Процесс индивидуации как ключ к интерпретации главного героя романа Федора Достоевского „Бесы”

Исповедь ставрогина: текст и контекст

(Nie) Chcieć być wszystkim. Stawrogin i najgłębsza otchłań Dostojewskiego