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EN
An old find of a bronze arm protection spiral of the Salgótarján type from the former ‘Stampfen’ in today‘s south-west Slovakia is presented. This typical product of the Carpathian Piliny culture (Slovakia and Hungary) dates from the late Middle Bronze Age to the late Bronze Age (BC–BD and HA 1). Mineralized textile residues are a special feature at some points of the spiral. Here it is made clear that even old finds can still bring surprises when viewed closely.
EN
This article briefly presents the history of textile archaeology in Slovakia, the foundations of which were laid out by Karol Pieta. With his scientific curiosity and hunger for the new adventures, Karol Pieta has been crossing the boundaries of his discipline his whole life. The conditions for the preservation of organic materials are generally very unfavourable, which is why they were often overlooked by archaeologists. Interest for textiles first started with remains hidden in tubular anklets dated to the La Tène Period, initially noticed and studied by Karol Pieta. The most unique ones come from Nové Zámky and shed light on an embroidery technique of the Late Iron Age. The majority of prehistoric textiles in Slovakia are dated to the La Tène Period and it is comparable with finds from the Czech Republic and Austria. A find from an unknown location analysed in 2021, can with certainty be assigned to the corpus of La Tène Period textiles. It can be assumed that linen tabbies made of simple z-spun threads were preferred in this period. Textiles were found in different circumstances, usually mineralised on metal artefacts in graves. The primary use of these textiles was for clothing and ritual wrappings. A secondary use is evidenced by textile fillings of bronze hollow anklets. A Celtic female dress was reconstructed based on the position of artefacts found in the graves, as well on the observations of La Tène Period textiles, in particular the Nové Zámky embroidery. It is interesting to see, that textiles were apparently used as a code to reflect social and aesthetic values. In society they played an important role in the definition and expression of social space and of group relations.
PL
The  most important source for the research into weaving products are excavated fabrics. By defining its weave, spin direction of the thread, raw materials used or the employed dyestuff the origin of the fabric may be determined, as well as the loom on which it was weft. Iconography is also greatly useful in the reconstruction of weaving work.  The first loom known inRomewas the vertical warp-weighted loom. This loom, despite offering the possibility of weaving very broad fabrics, quickly went out of use inItaly, probably because weaving on it requires earlier preparation, such as weaving the starting border. Also, we do not know any representation of this type of loom in Roman art.   The vertical two-beam loom resembles the warp-weighted loom, with the exception that the row of weights is replaced with a horizontal beam. It is easier to use, as it does not require preliminary work, so weaving can be begun at once.     We also know representations of this loom in Roman art, which facilitate the reconstruction of its use in antiquity. The most interesting issue is the question of familiarity with the horizontal loom. The written sources do not mention it, nor is there any representation in art that we know of, therefore we must rely on what the fabrics themselves present. However, one may venture a claim that the more complicated the pattern, the greater the likelihood of the horizontal loom having been used.   Furthermore, its knowledge might be attested to by the contents of Diocletian’s edict. One cannot underestimate the evidence for the existence of a horizontal loom, yet it should be assumed that it had not been introduced on a wide scale. Consequently, it appears that the Romans made use primarily of vertical looms, with the prevalence, from the turn of of the two-beam loom.  
EN
Archaeological textiles belong to uncommon findings in the Central European Area. Thanks to the corrosion processes, some small pieces of textiles with various structures have been preserved on several metal objects from graves from Streda nad Bodrogom until today. The Collection from National Museum contains also three ring-shaped fragments of textile (Inv. No. H1-119016-H1119018) from Streda nad Bodrogom (tomb I - 1/1926). The textiles are in good condition, except of the signs of mechanical damage. The more detailed textile research established the type of the fabric - 'samitum' - weft-faced compound weave. It is a type of silk fabric, employing a main warp, a binding warp, and a weft composed of two or more series of threads, usually of different colours. 'Samitum', which was produced in the Near East, belonged to the imported goods, connected with the social elite.
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