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1

EXPERIMENTÁLNÍ ZKOUMÁNÍ STRUKTURY ZKUŠENOSTI

100%
Koubová A.
Filozofia (Philosophy)
|
2013
|
vol. 68
|
issue 5
393 – 401
EN
The article investigates the possibilities of philosophy conceived as a movement, in which cognition and self-cognition are in balance and which thus has the capacity to act on the reader as well as the author. The theatre discipline (Inter)acting with the inner partner developed by Ivan Vyskočil serves at least as the exemplification of this sort of philosophy. It is, however, intertwined with non-philosophical aspects: it is corporeal, per formative, determined by refined sensitivity as well as reflectivity. A closer view on this practice discovers structures of experience, topology of self-relationship and the relationship between the philosophical and non-philosophical which all have a more general validity. Dialogical action and its philosophical interpretation serve as an example of embodied thinking proposed by Merleau-Ponty in his Visible and Invisible. The article also shows how the resentment in the philosophical attitude can be abandoned.
2

PARALIPOMENA TO P. VILIKOVSKY'S ESKALACIA CITU I (Paralipomena k Eskalacii citu I P. Vilikovskeho)

100%
Matejov F.
Slovenská literatúra (Slovak Literature)
|
2011
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vol. 58
|
issue 3
271-280
EN
The present article deals with P. Vilikovsky's prose Eskalacia citu I (Emotion Escalation I, written in the mid 1970s, published in a magazine in 1982, in the collection of short stories Eskalacia citu in 1989) - in a latent discussion with P. Zajac's interpretations and comments accompanying the edition P. Vilikovsky: Prozy (2005). The study advances in four steps. 1. It makes the inter-textual bonds with J. M. Hurban's romantic historical prose Olejkar (Medicine man) more precise, raises a question of the book's motifs, synonymic fictional prose in forming a story plot and its disillusioned reassessment, touches two potential inter-textual traces more (I. Bunin, V. Holan). 2. It pays attention to the text's lyric dimension (the handicapped heroine's lyric sensibility, the exploiting of idiomatic expressions and key words, analogically with contemporary poetry) and its parallel rhetoric dimension (negotiations of the characters when facing misunderstandings), named ad hoc as 'enthymeme'. 3. It outlines 'Piestany topos' of Slovak literature in the early 1970s (D. Tatarka, P. Vilikovsky) and 'spa semantics' in the plot of Eskalacia citu I. 4. It returns to the prose Olejkar and in discussion correlates its final scene of the trial with the culprits with the subject of 'love', excess, violence, rape in Eskalacia citu I, with the characters' interpretations and assessment. - Notes on P. Vilikovsky's prose end in a statement that it is disturbingly 'open' in reading and interpreting of text.
3

FENOMENOLOGICKÁ INTERPRETÁCIA ARCHITEKTÚRY CHRISTIANA NORBERGA-SCHULZA

84%
Zervan M.
Filozofia (Philosophy)
|
2014
|
vol. 69
|
issue 8
653 – 665
EN
The paper´s focus is on a proposed reconstruction of Norberg-Schulz’s phenomenological method of interpretation. This reconstruction derives from two of his relevant writings: the book Intentions of Architecture (1963) and the paper Kahn, Heidegger and the Language of Architecture (1979), while taking into the consideration the whole corpus of his completed theoretical, historiographical-architectural work. The reconstruction proceeds in two steps: first, we reconstruct Norberg-Schulz’s models of architectural work and following is the reconstruction of interpreting models. The proposed reconstruction also aims at introducing terminological instruments for both of the above-mentioned steps and aspects of interpretation. While preserving the continuity, we redefine basic Norberg-Schulz’s categories. This enables us to enter the discussion about two stages of Norberg-Schulz’s thinking and about two Norberg-Schulzs, respectively: structural-semiotic and phenomenological-existentialist ones.
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