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  1. 1 Musicologica Slovaca

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  1. 1 Štefková M.

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  1. 1 2012

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VÝZNAM KLAVÍRNEJ ŠKOLY JOHANNA NEPOMUKA HUMMELA PRE VÝVIN ESTETICKÝCH IDEÁLOV KLAVÍRNEJ INTERPRETÁCIE V 19. STOROČÍ

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Štefková M.
Musicologica Slovaca
|
2012
|
vol. 3 (29)
|
issue 2
216 - 253
EN
The author focuses attention on the importance of the piano textbook Anweisung zum PianoForte-Spiel by Johann Nepomuk Hummel (1828). Associating himself with the bel canto technique and Mozart’s poetics, Hummel enriched the repertoire with pianistic figures and created a specific lyric-cantabile idiomatic, which had a marked influence on the generation of early romantics. The author defines the status of Hummel ś textbooks in the field of the 18th - the 19th century. Particular attention is devoted to comparison with Franz Paul Rigler, from whom Hummel borrowed a number of examples, and also to comparing the performance ideals of Hummel and Beethoven, which became the basis for the paradigm of a new aesthetic ideal of piano playing, represented by Fryderyk Chopin and Franz Liszt. While Hummel gave essential stimuli to Chopin, Liszt took his inspiration rather from the poetics of Beethoven.
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