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Coercion, Compulsion, Forced Emigrations. Experiences of Polish Artists during the Martial Law in Poland

100%
Ferenc T.
Studia Migracyjne - Przegląd Polonijny
|
2020
|
vol. 46
|
issue 3 (177)
33–50
EN
A sociological look at artists’ biographies makes one reflect on their increased mobility. Purposes and reasons of the artists’ migratory journeys are various, they have a different character and their effects also vary. The article based on the narratives of the Polish artists shows three variants of making decisions to emigrate from Poland following the imposition of the martial law in December of 1981. The purpose of the article is also an attempt to modify the dominant definitions of forced emigration by extending it to the aspect of internal coercion generating a strong push impulse. This internal factor seems to be very important in the cases analysed in the article. The biographical interview method allows to indicate that, apart from external coercion, various entanglements of circumstances and trajectories are revealed, which in some cases lead to the decision to leave the home country.
2

Autobiografia Alice Salomon- struktury procesowe biografii a losy narodu niemieckiego

86%
Kolodziej-Durnas A.
Przegląd Socjologii Jakościowej
|
2010
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vol. 6
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issue 2
60-80
EN
In the article the issue of process structures in the autobiography of Alice Salomon and a relation between biographical and collective trajectory. Besides the introductory information on the pioneer of social work in Germany herself and her international career in organizations of women's movement in the article the analysis of process structures in her autobiography is presented together with theoretical inspirations, methodological remarks and data on the text. In contrast to the analysis of autobiographical utterances of Rudolph Hoess enclosed in three articles by M.Czyzewski and A.Rokuszewska-Pawelek, which to some extent constituted the pattern of construction of the plot, the analysis of Alice Salomon autobiography allows to notice the situation when the collective trajectory does not absorb individuals but makes them build their own identity by means of biographical projects despite experiencing suffering associated with the collective trajectory. By the comparison of R.Hoess and A.Salomon autobiographies an attempt was made to emphasize the complexity of the German nation's fate of the Nazi period.
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