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  1. 2 ARS

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  1. 1 Gamerith A.

  2. 1 Haltrich M.

  3. 1 Telesko W.

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  1. 1 2014

  2. 1 2013

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1

“PICTOR DOCTUS?” – FRAGEN ZUR IKONOLOGISCHEN KOMPETENZ PAUL TROGERS ANHAND DES ZWETTLER CONCEPTUS PINGENDI

100%
Gamerith A.
ARS
|
2014
|
vol. 47
|
issue 1
27 – 39
EN
The case of conceptus pingendi in Zwettl, which contains several differences between text and image media, calls attention to the problem of a questionable authorship of content concepts of the frescoes, respectively the question of its definitive confirmation. Exactly the "spontaneity" in the implementation of the paintings in the library of Zwettl reminds to the fact, that the possible authority, competence or responsibility for the intellectual concept of the work, is to be interpreted with respect to the concrete executive artist, in this case Paul Troger.
2

“BIBLIOTHECA NOSTRA“. STUDIEN ZUR BAU- UND AUSSTATTUNGSGESCHICHTE DER BAROCKEN BIBLIOTHEK DES ZISTERZIENSERSTIFTES ZWETTL (NIEDEROSTERREICH)

72%
Telesko W., Haltrich M.
ARS
|
2013
|
vol. 46
|
issue 2
188 – 208
EN
The existing library building of the Cistercian Monastery in Zwettl (Lower Austria) was built relatively quickly after a previous building in the years 1730 to 1732 and then, after completion of the painting decoration by Paul Troger (1733), also furnished. The building process and the intentions regarding the library system are easy to follow thanks to archival – so far unpublished – sources. They will be fully reflected for the first time in the presented paper. The construction of the new library is likely to have to do with the aspirations of the ambitious and scientifically oriented Abbot Melchior Zaunagg, who might the viewed as the "Spiritus rector" of the painting decoration (Hercules myth).
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