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Визуальная поэтика женского тела у Александра Блока и сред- невековый канон красоты

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Titarienko S.
Slavica Wratislaviensia
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2011
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vol. 153
317-326
EN
In the article Visual poetics of woman’s body in Alexander Blok’s poetry and the medieval cannon of beauty by Svetlana Titarenko, the body is considered as an aesthetic subject, the sign of interaction between literature and art. Alexander Blok’s visual poetics is based on this interaction; the sign of the body is a symbolic code of visuality, which was created on the basis of the medieval cannon of beauty. This cannon formed Alexander Blok’s aesthetics under the influence of the medieval and Renaissance art. The principle of theurgy, which was elaborated by Vladimir Soloviev, affected Alexander Blok. According to the cannon the main principles of beauty are spirituality and transparence of the image.
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K ZÁKLADNÝM ATRIBÚTOM VÝTVARNEJ POETIKY PETRA ČANECKÉHO SO ZAMERANÍM SA NA INSCENÁCIE V RÉŽII ROMANA POLÁKA

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Nagyová N.
Slovenské divadlo (Slovak Theatre)
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2020
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vol. 68
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issue 1
47 – 60
EN
The study draws attention to the fundamental attributes of the poetics of Peter Čanecký, a prominent representative of Slovak costume design. The author concentrates on productions created in collaboration with her long-time colleague, director Roman Polák, and on a sample of concrete theatre titles she ventures to name and describe the basic features of Čanecký’s visual poetics.
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