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Володислав Федорович та Артур Ґротґер. Забуті сторінки однієї приязні

100%

Nabytovych I.

Studia Polsko-Ukraińskie

2019

vol. 6

115-134

The article explores the history of the relationship of Volodyslav Fedorovych and Artur Grottger, an almost forgotten page of Ukrainian-Polish intercultural dialogue of the last quarter of the nineteen century. Their friendship undoubtedly had an influence on both of their lives, and it remains an important demonstration of Ukrainian-Polish intercultural and interpersonal dialogue on the border of the two cultures of the two nations. The first of the two aforementioned men was a famous Ukrainian philanthropist, the third head of Prosvita society, a member of the Polish circle in the lower house of the Viennese Parliament. Artur Grottger died at the age of thirty; however, he became a symbol of Polish Romanticism and a champion of the Polish rebellion in January 1863. Volodyslav Fedorovych spent two years in the capital of the Habsburg Monarchy, studying in a privileged educational institution for children of noble families – Collegium Theresianum. At the same time, Volodyslav attended lectures at the University of Vienna. Vienna, one of the cultural capitals of Europe, awakened his interest in paintings and art in general. In Vienna, he met the famous Polish painter Artur Grottger, who was to introduce him later to the Ukrainian painter Kornylo Ustyanovych. Later on, Ustyanovych will become a cult figure in Galicia. The article recounts a story of his cousin Alexandra. Volodyslav was in love with her. She died very young, but Grottger managed to draw a portrait of her.

Życie i twórczość w cieniu trzech epok. Ukraińska biografia intelektualna. Rec.: Ihor Nabytowycz, Derewo żyttia literaturnoho rodu: Iwan Fedorowycz, Wołodysław Fedorowycz, Darija Wikonśka. Kyjiw 2018. „Postati kultury”

58%

Boruszkowska I.

Pamiętnik Literacki

2020

vol. 111

issue 4

261-266

Niniejszy tekst jest recenzją monografii naukowej Ihora Nabytowycza „Derewo żyttia literaturnoho rodu: Iwan Fedorowycz, Wołodysław Fedorowycz, Darija Wikonśka” („Drzewo życia rodziny literackiej: Jan Fedorowicz, Wołodysław Fedorowycz, Darija Wikonśka”, 2018), traktującej o trzech pokoleniach pisarzy z rodziny Fedorowyczów. Każdy z rozdziałów omawianej książki dotyczy także poszczególnych epok literackich: portret Jana Fedorowicza, seniora rodu, odmalowany jest na tle romantyzmu, twórczość Wołodysława Fedorowycza została powiązana z czasami pozytywizmu, a badania i twórczość Dariji Wikonśkiej (Liny z Fedorowyczów Malickiej) są osadzone w modernizmie.

The present text is a review of Ihor Nabytovych’s monograph “Derevo zhyttya literaturnoho rodu: Ivan Fedorovych, Volodyslav Fedorovych, Dariya Vikonska” (“Life Tree of a Literary Family: Ivan Fedorovych, Volodyslav Fedorovych, Dariya Vikonska,” 2018) that treats of three generations of the Fedorovych family. Every chapter of the book in question refers also to a specific literary epoch: the portrait of Jan Fedorowicz (Ivan Fedorovych), the senior, is presented against the background of Romanticism, Volodyslav Fedorovych’s work is linked with Positivism, and the research and output by Dariya Vikonska (Lina Malicka, de domo Fedorovych) are set in Modernism.

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Володислав Федорович та Артур Ґротґер. Забуті сторінки однієї приязні

Życie i twórczość w cieniu trzech epok. Ukraińska biografia intelektualna. Rec.: Ihor Nabytowycz, Derewo żyttia literaturnoho rodu: Iwan Fedorowycz, Wołodysław Fedorowycz, Darija Wikonśka. Kyjiw 2018. „Postati kultury”