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PŮSOBENÍ MILOŠE WASSERBAUERA VE SLOVENSKÉM NÁRODNÍM DIVADLE V BRATISLAVĚ V PADESÁTÝCH LETECH A NA ZAČÁTKU ŠEDESÁTÝCH LET 20. STOLETÍ

100%

Havlíčková Kysová Š.

Slovenské divadlo (Slovak Theatre)

2018

vol. 66

issue 4

362 – 379

The article examines the work of opera director Miloš Wasserbauer during the 50s and at the beginning of the 60s of the 20th century in the Slovak National Theatre. The author analyses Wasserbauer’s approach to the productions and Slovak staging tradition from the perspective of the Czech director and the critical reflection of the performances. He focuses on the staging of new Slovak operas Ján Cikker’s Juro Jánošík and Beg Bajazid, and Eugen Suchoň’s Svätopluk. Special attention is paid to the conceptualisation of Slovak national feeling in the corpus of archive materials.

KRÁTKY EXURZ DO PROBLEMATIKY IMAGINATÍVNOSTI SLOVENSKÉHO OPERNÉHO DIVADLA

88%

Mojžišová M.

Slovenské divadlo (Slovak Theatre)

2012

vol. 60

issue 3

305 - 313

On the example of specific productions, the paper explores the issues of imaginativeness of the Slovak opera theatre. The official descriptive realism favoured in the early 1950s denied both, the author and the audience, space for imagination. Since the late fifties, our opera theatre has discovered increasingly advancing cinematic and lighting technology as an effective means to achieve the visual and emotional impact. The study monitors the use of these means, from the pioneering work of Miloš Wasserbauer in the turn of the fifties and sixties up to the contemporary opera productions.

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2 Slovenské divadlo (Slovak Theatre)

1 Havlíčková Kysová Š.

1 Mojžišová M.

1 2018

1 2012

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PŮSOBENÍ MILOŠE WASSERBAUERA VE SLOVENSKÉM NÁRODNÍM DIVADLE V BRATISLAVĚ V PADESÁTÝCH LETECH A NA ZAČÁTKU ŠEDESÁTÝCH LET 20. STOLETÍ

KRÁTKY EXURZ DO PROBLEMATIKY IMAGINATÍVNOSTI SLOVENSKÉHO OPERNÉHO DIVADLA