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Funkcje (i konsekwencje) wybranych paratekstów w edycjach baśni Grimmowskich wydanych w latach 2000–2021. Prolegomena

100%
Kowalczyk K.
Porównania
|
2023
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vol. 33
|
issue 1
85-105
EN
This article focuses on representative paratexts accompanying Polish language editions in fairy tales from Jacob and Wilhelm Grimms’ selection published in the Polish market in 2000-2021. On a basis of, among others, forewords, afterwords, blurbs, information included in prelims, and colophons, an attempt was made to signal research problems concerning the cultural status of Grimms' Fairy Tale emerging from paratexts. A particular attention was paid to communication strategies of editors, publishers and translators, as well as to potential receiving consequences of elements surrounding and supplementing the actual text of a tale.  
PL
Artykuł koncentruje się na reprezentatywnych paratekstach towarzyszących polskojęzycznym edycjom baśni ze zbioru Jakuba i Wilhelma Grimmów wydanych na polskim rynku wydawniczym w latach 2000–2021. Na podstawie m.in. przedmów posłowi, blurbów, informacji zawartych na czwórce tytułowej, kolofonów podjęto próbę zasygnalizowania problemów badawczych, dotyczących kulturowego statusu baśni Grimmowskich, jaki wyłania się z paratekstów. Szczególną uwagę zwrócono na strategie nadawcze redaktorów, wydawców i tłumaczy oraz potencjalne odbiorcze konsekwencje elementów stanowiących obudowę i uzupełnienie tekstu właściwego baśni.
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Grimms’ Fairy Tales in Poland. The analysis of publishing production in the years 1895–2011

85%
Staniów B.
Annales Universitatis Paedagogicae Cracoviensis Studia ad Bibliothecarum Scientiam Pertinentia
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2014
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vol. 12
5-18
EN
Two hundred years after the original edition of Kinder- und Hausmärchen (1812–1815) was published there is a possibility to ponder upon how books of the Brothers Grimm were edited in Poland. The review presents fairy tales in self-contained issues in periods: 1895–1939, 1939–1945, 1945–1989, 1990–2011. The first book by Brothers Grimm in Poland was Baśnie dla dzieci i młodzieży (1895) translated by Cecylia Niewiadomska, edited by Gebethner & Wolff. A big number of single fairy tales were published in the years 1918–1939. After the Second World War the most popular collection of fairy tales by W. and J. Grimm was Baśnie translated by Marceli Tarnowski and edited by Nasza Księgarnia in 1956. Up to year 2000 it was reprinted 18 times! In 1982 Ludowa Spółdzielnia Wydawnicza published the first critical edition: Baśnie braci Grimm (transl. by Emilia Bielicka and Marceli Tarnowski, with afterword and comments by Helena Kapełuś) and in 2010 Media Rodzina published the first full version of W. and J. Grimm’s fairy tales: Baśnie dla dzieci i dla domu (translation and afterword by Eliza Pieciul-Karmińska). After 1989 we can observe “chains of books” – multiple adaptations and other editions “related to” those fairy tales. Mass culture and commercial aspects brought many variants of text and visual representations. Many of them have new authors. Present- day adaptations are – like in the 19th century – books for the youngest children, but sometimes they are also new fairy tales inspired by the plot (e.g. Bohdan Butenko’s book). In present times there are possibilities to familiarize children with the original text of the canonic fairy tales, but more and more often only specialists are interested in it.
3

Wycinki z polskiej grimmosfery. Baśnie ze zbioru Kinder- und Hausmärchen Wilhelma i Jakuba Grimmów w piśmiennictwie polskim (1865–1939)

85%
Kowalczyk K.
Roczniki Biblioteczne
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2018
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vol. 62
35-52
EN
The article is an overview of the reception of fairy tales from the collection Kinder- und Hausmärchen by Wilhelm and Jacob Grimm in 1865–1939 in Poland, taking into account the cultural factors infl uencing the form of the analysed sources. The author refers to and comments on reviews, notes, articles, reports, commentaries, publishing catalogues, encyclopaedic entries as well as introductions to the various Polish-language editions of the fairy tales which explicitly tackled the topic of the collection Kinder- und Hausmärchen. The article also contains a terminological suggestion in the form of “Grimmosphere” treated as a structure made up of cultural phenomena and encompassing both Wilhelm and Jacob Grimm’s writings, collections, studies and scholarly theories, and their reception.
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