The case of conceptus pingendi in Zwettl, which contains several differences between text and image media, calls attention to the problem of a questionable authorship of content concepts of the frescoes, respectively the question of its definitive confirmation. Exactly the "spontaneity" in the implementation of the paintings in the library of Zwettl reminds to the fact, that the possible authority, competence or responsibility for the intellectual concept of the work, is to be interpreted with respect to the concrete executive artist, in this case Paul Troger.
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