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1

Vzťah náboženstva a umenia v literatúre svetovej a slovenskej moderny

100%

Bátorová M.

Slavia Occidentalis

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2016

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issue 73/2

7-21

PL

The study analyzes the relation between religion and art in the world, and in Slovak modernist literature. It also examines religion and art from the point of view of its scholarly reception in the context of European literature. It builds on the division of artists of religious orientation based on Bernhard Rang’s two types:a) Claudelian and b) Green-ian. A part of the study provides new insights into Slovak literary modernism. Despite the expectation that modernism would exclude Christian works of literature, the opposite happened:modernism tested Christian works of art and emphasized their ability to capture the subtle aspects of human existence. In this way, a weakness of modernism was exposed: its degenerative function when it focuses only on material aspects. A historical overview has shown that Slovak intellectuals were used to living in an alternative cultural environment and nurturing an alternative culture. This experience proved useful to them in the 20th century, particularly after 1945. During communist rule, the underground church played a major role in Poland and in Slovakia. In Slovakia, Catholic dissidents were of great importance to the developments that led to theVelvet Revolution in November 1989.

2

Umění a religiozita v esteticko-filozofickém systému Dmitrije Sergejeviče Merežkovského

84%

Vorel J.

Poznańskie Studia Slawistyczne

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2015

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issue 8

EN

The study is aimed on traces of religiosity in aesthetic-philosophical system of a Russian symbolistic poet, prosaic writer and thinker D.S. Merezhkovsky. The study analyses selected Merezhkovsky’s works with focus on aesthetics, his essays, historiosophic prose and philosophic religious treatises. For Russian spiritual and art culture, importance of Merezhovsky is obvious, especially in connection with his effort to overcome crisis processes in religious, philosophical and art sphere, realized by means of synthesis and transcendence in modern culture.

CS

The study is aimed on traces of religiosity in aesthetic-philosophical system of a Russian symbolistic poet, prosaic writer and thinker D.S. Merezhkovsky. The study analyses selected Merezhkovsky’s works with focus on aesthetics, his essays, historiosophic prose and philosophic religious treatises. For Russian spiritual and art culture, importance of Merezhovsky is obvious, especially in connection with his effort to overcome crisis processes in religious, philosophical and art sphere, realized by means of synthesis and transcendence in modern culture.

3

Polish sources of inspiration in the cultural work of Czech Catholic Modernists at the turn of the 19th and 20th centuries. The example of the Catholic priest Emanuel Masák (1883–1964)

67%

Husák P.

Historia Slavorum Occidentis

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2020

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issue 4 (27)

132-149

EN

This study looks at the Czech Catholic Modernism and its attempts to renew the Church. An attempt has been made to highlight the fact that the sources of inspiration came not only from Western Europe but that Czech Catholic priests were also influenced by Polish culture.

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1 Historia Slavorum Occidentis

1 Poznańskie Studia Slawistyczne

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1 Bátorová M.

1 Husák P.

1 Vorel J.

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1 2016

1 2015

Vzťah náboženstva a umenia v literatúre svetovej a slovenskej moderny

Umění a religiozita v esteticko-filozofickém systému Dmitrije Sergejeviče Merežkovského

Polish sources of inspiration in the cultural work of Czech Catholic Modernists at the turn of the 19th and 20th centuries. The example of the Catholic priest Emanuel Masák (1883–1964)