Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  autographs
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
The content of this article is based on source studies in creative activity of Johann Jocob Froberger (1616–1667). The author aims to present the current stage of these studies, which are based on surviving sheet music from the Baroque period, as well as modern editions of Froberger’s works. Musical sources such as the composer’s autographs, copies of his works from the XVII and XVIII centuries, and the earliest printed editions are presented. Froberger’s most valuable preserved sources are his autographs: Libro Secondo di Toccate, Fantasie, Canzone, Allemande, Courante, Sarabande, Gigue, et altre Partite; Libro quarto di Toccate, Ricercari, Capricci, Allemande, Gigue, Courante, Sarabande, and Libro di capricci e ricercati), located at the Österreiche Nationalbibliothek in Vienna; also, a new autograph was recently found and sold in the Sotheby in London on 30 November 2006. Besides the above-mentioned autographs, there are many preserved copies that include compositions other than those in the surviving autographs. In recent years, several valuable sources with Froberger’s compositions have been found. First of all, manuscript No. SA 4450 (Berlin, Sing-Akademie) and Bulyowsky Ms. (Dresden, Sächsische Landesbibliothek Staats- und Universitäts-Bibliothek). First editions of Froberger’s works are of no lesser value to the studies in his music. These sources are the basis of modern editions of Froberger’s works. Until now, there have been several critical editions of “complete works” of the composer.
EN
This article is based on provenance research done on the historical library of the Kielce chapter house. This research has allowed to prepare a list of priests who owned book collections which were subsequently bequeathed to the chapter library. Particular books were matched with their owners and thus catalogues of private libraries came into existence. In some cases these “catalogues” contain only one or two printed books. The private libraries stored in the chapter library contain monuments of printing since the fifteenth century. The priests who owned these books were either members of the chapter house or curates of the Kielce collegiate church in the period from the sixteenth to the eighteenth century. The members of the chapter house as well as the curates owned printed books connected with their sacerdotal activity, such as collections of sermons, handbooks for priests or liturgical books. Some of them owned also works of the Fathers of the Church as well as biblical, theological and legal prints. The contents of the private book collections cast light on the interests and the theological culture of the environment of the Kielce chapter.
EN
The article is dedicated to an unknown letters of Kazimierz Wyka and Stanisław Pigoń to the priest Jan Wiśniewski, which were found in the Diocesan Library in Sandomierz. Both resarchers wishd to gain access to the works of Adam Mickiewicz and Cyprian Kamil Norwid. The main contents of these letters are requests for a possibility of reading authographs of these works. Jan Wiśniewski was a known and worthy collector of Polish memorabilia. Stanisław Pigoń was reasercher and publisher of the works of Adam Mickiewicz. Kazimierz Wyka, as a historian of Polish literature, studied works of Cyprian Kamil Norwid.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.