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EN
Based on a sample of comments gleaned from the Onet.pl portal, the author discusses positive and negative evaluations (axiological charge) found in internet language, and she examines some of the language devices used in such evaluations. In internet comments, it is definitely negative evaluation that prevails, and the positive evaluation of a single object creates only a background for a negative object. Samples which encode aggression and insults can also be found in the data. In the material under inspection, Internet users mploy all sorts of language devices used in an evaluative function; most of them are illustrative of economic, social and ethical values. Along with these values, emotions are also frequently expressed. Internet users resort to all sorts of language devices to signal evaluative functions, a number of them are marked and illustrate a colloquial style.
EN
Based on a sample of comments gleaned from the Onet.pl portal, the author discusses positive and negative evaluations (axiological charge) found in internet language, and she examines some of the language devices used in such evaluations. In internet comments, it is definitely negative evaluation that prevails, and the positive evaluation of a single object creates only a background for a negative object. Samples which encode aggression and insults can also be found in the data. In the material under inspection, Internet users mploy all sorts of language devices used in an evaluative function; most of them are illustrative of economic, social and ethical values. Along with these values, emotions are also frequently expressed. Internet users resort to all sorts of language devices to signal evaluative functions, a number of them are marked and illustrate a colloquial style.
EN
This paper aims to examine selected proverbs that derive from the Holy Bible. It seems that the issue of proverbs is widely discussed by linguists; however, the examination of proverbs that come from the Holy Scripture appear to require more attention. Since it is impossible to provide an exhaustive description of the abundance of proverbs that permeate the Holy Bible, animals have been chosen to constitute the focal motif. The selected proverbs are analysed according to the assumptions of the Axiological Invariance Principle and the Great Chain of Being metaphors. Making reference to the symbolism of particular motifs, the axiological charges of the proverbs are explained. We conclude that the majority of the presented proverbs reveal negative axiological charges; however, it would be inappropriate to conclude that all animals depicted in the Holy Bible are regarded as an incarnation of purely evil phenomena.
EN
This paper focuses on the issue of valuations and values in the chosen movies linked by the relationship of remaking. Its goal is to show that the complexity of multimodal texts, to which filmic texts and therefore remakes belong, makes it necessary to examine the axiological level of film texts too. In this way we hope to prove that the amply justified and evidenced axiological aspects of language (cf. Krzeszowski, Angels, Aspekty, Equivalence; Puzynina, “Językoznawstwo”, Język) are also a property of primarily visual film texts. Consequently, the very aspects of the relationship of remaking itself that the two films share, i.e. the fact that the film A Fistful of Dollars (1964) is a remake of Yojimbo (1961), is not examined in this paper. Instead, we restricted our attempt to showing how axiological charges and values are expressed in the process of remaking. The basis of the analysis is the compositional level and the compositional-narrative structure of filmic texts, a choice which correlates with the approach to multimodality of filmic texts described in Post (Film). The sample axiological analysis presented in the fourth section of this paper relies on the approaches of Krzeszowski (Angels, Meaning), Puzynina (“Językoznawstwo”, Język) and Post (Film). With the instruments selected from these works we underline the differences and similarities between values and axiological charges present in both films as well as their importance and impact on the overall meaning of filmic segments.
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