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BÔMOLOCHOS IN ARISTOPHANEAN COMEDY

100%
Borowski Y., Zakład Literatury Greckiej i Kultury Śródziemnomorskiej W. F., Yvonne Borowski – mgr Z. L. G. i. K. Ś.
Collectanea Philologica
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2013
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vol. 16
DE
Dieser Artikel diskutiert die Rolle des Narren in den vollständig erhaltenen Werken des Aristophanes. Zu Beginn wird die Bedeutung des Begriffes „bômolochus“ analysiert, um daraufhin die Charakteristika einer solchen Person herauszuarbeiten. Anschließend erfolgt die Untersuchung der in den Komödien des Aristophanes auftauchenden Narren, die in zwei Kategorien eingeteilt sind: (1.) der Narr in der Nebenrolle und (2.) der närrische Protagonist. Neben den für einen Narren typischen Techniken der Komik, spielt die Obszönität eine wichtige Rolle. Die Hauptaufgabe des Narren in den Werken von Aristophanes ist es, eine derbe Form des Humors zu kreieren.
2
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Поэтика игры в романе М. А. Булгакова «Мастер и Маргарита»: образ кота Бегемота

75%
Golikova G.
Przegląd Wschodnioeuropejski
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2018
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vol. 1
321-329
EN
The article deals with the question of the functioning of the game code of M. Bulgakov’s novel “Master and Margarita”. The focus of the researcher is the image of the cat Begemoth, one of the members of the Woland suite. The article explores the connection between the image of the cat and the figure of Hans Sachs, a well-known representative of the German Renaissance. Principles of game conjugation of two figures are buffoonery, carnival, satire. At the same time, the three hypostases of the cat Begemoth (the cat – fat man – a boy with a knight (pazh) refer the reader to the figure of Leo Taxil (the French writer Gabriel Zhogan Pazhes), the punning allusion which is found in the last chapters of the novel and is determined by the writer’s position in depicting the religious question.
3
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«Вечные темы» в юмористических рассказах Аркадия Аверченко

63%
Polakowska E.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
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2018
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issue 8
107-114
EN
The paper describes the early period of Averchenko’s work. His stories were based on hilarious topics, humour and caricatures. The writer used all this means of expression very freely, easily, with a gentle tact and power of conviction, and what is even more important, with humour and wittily. During this period, he chose topics focused on a common big city life, stories of ordinary people, “new” trends in art, always up-to-date topic of man and woman, as well as relations between fathers and their children. Showing the portrait of a common citizen, the satirists laughed at defects of the contemporary world. This is how the particular humour Averchenko’s manifested.
4
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Jurodství a klaunství: Dvě tváře karnevalového smíchu v ruské kultuře

45%
Jesaulov I. A.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2018
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vol. 58
21-28
EN
The article revises the view that the concept of “carnival” (one of the main contributions of M. M. Bakhtin in humanities worldwide) can have a single ontological nature (either negative or positive). It argues for the necessity to differentiate within this “unofficial” area of culture — based on Russian material. Holy foolishness and buffoonery are kinds of ontological extremes of “serious-laughing” space of carnival. On the surface they are similar — as a parody of dominating world order norms. However, their “deviance” has different vectors in Russian tradition. While buffoonery in one way or another gravitates towards the area of “sin”, holy foolishness in Russian culture is related by those who represent it to the area of «holiness» one way or the other. In other words, while buffoonery indicates “unlawfulness” violating the “norms” of a generally accepted Law (even though this “violation” is always performed within certain boundaries, which are defined by Law itself), holy foolishness is a “supra lawful” cultural factor and gravitates towards another axiological extreme: Grace. In Russian literature, one should differentiate between the gravitation of authors towards either holy foolishness, or buffoonery, and in some cases one can talk about the contamination of holy foolishness and buffoonery.
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