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Zagadnienia realizacji filmów z ukrytej kamery stanowiących część telewizyjnych programów rozrywkowych

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Bareja S.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2014
|
vol. 14
|
issue 23
195-110
EN
Stanisław Bareja’s master’s thesis Zagadnienia realizacji filmów z  ukrytej kamery stanowiących część telewizyjnych programów rozrywkowych (Candid camera filmmaking for entertainment TV programs); defended in 1974; hasn’t been published yet in any part. As its title precisely indicates, Bareja’s paper revolves around a multi-stage process of making candid camera film clips. Bareja writes about his own experiences from the time of making TV show Tu Telewizja Warszawa w Programie 5 (Here is Warsaw TV on Channel 5, 1972; candid camera clips were a part of it). Thus, the theoretical deliberations are frequently illustrated with the examples from director’s practice.
PL
Stanisław Bareja’s master’s thesis Zagadnienia realizacji filmów z  ukrytej kamery stanowiących część telewizyjnych programów rozrywkowych (Candid camera filmmaking for entertainment TV programs); defended in 1974; hasn’t been published yet in any part. As its title precisely indicates, Bareja’s paper revolves around a multi-stage process of making candid camera film clips. Bareja writes about his own experiences from the time of making TV show Tu Telewizja Warszawa w Programie 5 (Here is Warsaw TV on Channel 5, 1972; candid camera clips were a part of it). Thus, the theoretical deliberations are frequently illustrated with the examples from director’s practice. 
2
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Ukryte kamery Stanisława Barei

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Pławuszewski P.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2014
|
vol. 14
|
issue 23
179-188
EN
The article is the introduction to Stanisław Bareja’s master’s thesis Zagadnienia realizacji filmów z ukrytej kamery stanowiących część telewizyjnych programów rozrywkowych [Candid camera filmmaking for entertainment TV programs, 1974]. It points out the American background of the candid camera genre, like Allen Funt’s production, which started in 1948 [ABC], and specifies the main focus of Bareja’ thesis, e.g. multi-stage process of making candid camera clips for Polish TV and the mechanics of making audience laugh.
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