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Between words and images: Jacob Lawrence’s linguistic and visual pictures of the Great Migration

100%
Klęczaj-Siara E.
Językoznawstwo
|
2016
|
vol. 10
123-133
EN
Having a reputation as a painter of historical subjects, Jacob Lawrence (1917-2000) is particularly recognized for his illustrations of the early twentieth-century African-American migration. His best known series of paintings, The Migration of the Negro (1941), challenges earlier interpretations of Black Americans’ journeys to the North and their everyday lives in the cities. The article explores Lawrence’s visual narratives together with the accompanying textual elements and the ways they present the social, political and cultural implications of the largest ever movement of African-American people across the country. It also considers the series from the perspective of form with a view to reconfiguring the relation between words and images.
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O podpisach pod materiałami wizualnymi z perspektywy mediolingwistycznej – próba typologii na podstawie polsko- i niemieckojęzycznej prasy codziennej

84%
Zielińska K.
Forum Lingwistyczne
|
2017
|
issue 4
31-40
EN
The captions under visual materials located in the press fit into a category, which, against the background of numerous works devoted to the variant of language used by the press, seems to be almost completely unnoticed by researchers of the language used in media. One can ask oneself at this point the question of whether this constitutes a wilful lack of attention by media linguists convinced of the sterility of captions as a potential area of study or is actually a result of a peculiar oversight. Based on the assumption that captions posted by media broadcasters under the photographs can comprise an interesting field of scientific exploration, an attempt will be made of their systematization. The captions coming from a total of six Polish-German newspapers will serve as the basis for the research material.
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