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EN
The source material for the present research contains chants and sermons written in honour of Saint Ladislaus from 1634 to 1836. A precise survey shows a variety of motifs dealing with the figure of Saint Ladislaus. The main question of the study is to what extent the Baroque speeches transmit the figure of St. Ladislaus as described in medieval sermons? It is showed that there are many links but it it impossible to find a direct relationship between baroque literature and medieval texts.
EN
The task of this study is to present a supplementary consideration of selected liturgical and confessional traits of cantionals coming mainly from the first half of the sixteenth century. An important starting point for these reflections is the Kolin Cantional, whose unique position as a link between the Hussite period and later cantionals of the sixteenth century allows us to gain deeper insight into the principles of internal organization and liturgy peculiar to Czech Reformation cantionals – principles we should keep in mind in association with the concept of a cantional. The opening summarizes issues explored by earlier researches in relation to these sources. Then the author devotes herself in greater detail both to shared traits in the organization of the cantionals examined and, subsequently, to respects in which they differ according to the influence of the confessions to which they belong.
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PL
The article discusses the place of the spruce in Slavic and Baltic customs, folk medicine, chants, and superstitions. The research has demonstrated that the tree has many meanings in Slavic culture (it is treated there as a female tree, which is suggested by its name in East Slavic languages), and although it seems to be straight and simple (because it is the way it grows) it has turned out to be a liminal tree of borderlands, connecting life with death, and allowing for a reconciliation with inevitability of passing, facilitating the passage of a dead person’s soul to the other dimension of eternal life. The spruce combines the joy of wedding (because it is included in the wedding tree) with the threat of infertility (if it is planted too close to home). Additionally, it protects cattle from witches and evil spirits (for the first pasture outing, cattle was driven with a spruce twig, or a tree was laid before the building from which the animals were driven out). Its blades, twigs, and cones were widely used as designates in folk medicine chants, and for infusions, extracts, and ointments used externally and internally as medicines.
PL
The 7th Pilgrimage of the Holy Father to Poland was a special time for the Tarnowski Church community, because during the pilgrimage John Paul II was to come to Stary Sącz to canonize Saint Kinga. An important element of any liturgical meeting are song sand liturgical music. The present study aims to show various aspects of preparations in the musical field, from the liturgical theme of the celebration, through the performers, to the planned repertoire of songs. The canonization of Saint Kinga decided the subject matter of the texts, the performers were joined by choirs and orchestras, while the repertoire consisted of songs in honor of Saint Kinga, Eucharistic songs intended for the common singing of the entire community and choral works with orchestra accompaniment. Its character emphasized the very festive mood of this feast of faith.
EN
The environment of football fans is unknown phenomenon for the rest of the public. This article offers basic view on formation and functioning of the most numerous and the most active ultras group in Slovakia, Trnava fans. First part of the text encompasses a history overview of ultras movement, as well as an overview of basic activities of ultras fans during a football match and also outside of it. The second part of this text deals with the most debated activity of football fans, which is violence during a football match.
PL
Artykuł zwraca uwagę na procesy historyczno-społeczne, które wpłynęły na osobliwości rozwoju kultury ukraińskiej, w szczególności ukształtowały specyfikę życia kościelno-oświatowego i praktyki liturgiczno-chóralnej Galicji w końcu XIX i pierwszej połowie XX wieku. Podkreślano ścisłą współpracę elit duchowych i artystycznych, co zaowocowało podniesieniem poziomu edukacji artystycznej, intensyfikacją działalności licznych towarzystw chóralnych i kompozytorów. Na podstawie analizy utworów liturgicznych P. Bazhansky’ego, W. Matyuka, J. Kishakevycha, S. Liudkevycha ujawniono prerogatywy kompozycji autorskiej w wykorzystaniu stylu monodii.
EN
The article draws attention to the historical and social processes that influenced the peculiarities of the development of Ukrainian culture, in particular, formed the specifics of church-educational life and liturgical-choral practice of Galicia in the late nineteenth and first half of the twentieth centuries. The close cooperation of the spiritual and artistic elite was emphasized, which resulted in the improvement of the level of art education, intensification of the activities of numerous choral societies and composers. Based on the analysis of the liturgical works of P. Bazhansky, V. Matyuk, J. Kishakevych, S. Liudkevych, the prerogatives of the author’s composition in the use of monody style were revealed.
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