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„Przywracając widza do zmysłów”. O kinestetycznym doświadczeniu w interdyscyplinarnych instalacjach choreograficznych

100%
Lissowska-Postaremczak R.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
|
2020
|
vol. 111
|
issue 4
122-134
EN
This article discusses creative strategies employed by artists to redefine the role of visuality in the presentation and reception of dance. By doing it, they undermine the well-established aesthetic and interpretative approaches to the art of dance, focusing on perception mechanisms and sensory experiences of the audience. Four choreographic projects/installations are discussed in which audio, visual, and audiovisual media are used: an installation that designs the choreographic environment, a choreoauratic installation, a performance installation that uses the AR technology, and an immersive VR 3D 360° installation. They emphasise the proprioceptive and haptic experiences and the kinaesthetic awareness in the processes of creation and reception, concentrating on the body as the perceiving subject rather than the perceived object. Focusing on the viewer’s corporeal experience, they do not only step beyond the conventional visuality-based approach to dance but also broaden our thinking about its possible (and by definition sightcantered) audiovisual presentation, thus acknowledging a wider spectrum of sensory experiences.
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