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  1. 2 Vox Patrum

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  1. 1 Longosz S.

  2. 1 Piórecka A.

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  2. 1 2003

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Dramatyzowane homilie o Janie Chrzcicielu i chrzcie Chrystusa

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Longosz S.
Vox Patrum
|
2003
|
vol. 44
65-75
EN
Hac in brevi dissertatiuncula explicantur duae dramaticae homiliae: faise attributa Gregorio Thaumaturgo patriarchae Gregorii Antiocheni et Pseudo-Eusebii Alexandrini, quae iuxta auctorem constituunt validum momentum in processu formandi dramatis christiani; uti appendix proponitur prima Polonorum translatio homiliae pseudo-Eusebianae de baptismo.
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Kilka uwag o wpływie hezychazmu na przedstawienie chrztu Chrystusa na przykładzie sztuki z terenów Królestwa Serbii

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Piórecka A.
Vox Patrum
|
2018
|
vol. 70
485-497
EN
The influence of hesychasm on representation on Christ’s baptism isn’t so obvious as in the case of transfiguration, anastasis or koimesis. On the contrary to the mentioned above, it hasn’t had its own study. We can assume, that the rise of interest in hesychasm during the kingship of Milutin is connected to Milutin’s pro­gramme of translation important theological and philosophical texts into Serbian language. In all referred images, we can see a manifestation of the mystical light of God. In the case of transfigurations, koimesis and anastasis, this light is illustra­ted by mandorla (almond-shaped aureole) around Christ. In depictions of baptism, mandorla surround the dove of the Holy Spirit. In the Serbian art mandorla takes, repeatedly, very complicated shapes. Additionally, in the baptism and koimesis scenes, above Christ’s head, appear open doors of Heaven. This can emphasise presence of God.
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