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Investigation on the collation of the first Fight book (Leeds, Royal Armouries, Ms I.33)

100%
Binard F., Jaquet D.
Acta Periodica Duellatorum
|
2016
|
vol. 2016
|
issue 1
3-22
EN
This paper investigates the collation of the first Fight Book, the Leeds, Royal Armouries, Ms I.33. It critically reviews previous hypotheses about the composition of the quires and the identification of the material lacuna, and proposes a new hypothesis. This investigation is based on observation of the original after restoration (2012) and the simulation of the previous hypotheses with a working document composed of laminated sheets into which reproductions were inserted. Bifolia were physically attached, forming quires by successive folds. This simulation phase allowed us to analyse textual and pictorial content according to the various postulates and to propose identification of the material lacuna. The pivot point allowing a new argumentation are the two counterfoils of the two flying leaves (fol. 19 and 26), which were not taken into account by previous researchers. Several synoptical diagrams of the representation of the quire are enclosed for the reader to follow the developments.
2
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Kolacjonowanie przekazów wierszy Franciszka Dionizego Kniaźnina na podstawie wybranych liryków zawartych w autografie poety – dylematy edytorskie

100%
Bednarek B., Uniwersytet Łódzki W. F., beatkaprokopczyk@gmail.com
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 34
|
issue 4
EN
Franciszek Dionizy Kniaźnin has created manuscript for a few years. It was a kind of his poetica will. In this collection, titled Poezje Franciszka Dionizego Kniaźnina ręką własną pisane, author included works published in three previous collections volumes of verse as well as completely new poems. Reused works had many editorial alterations compared to original ones. First time published works had been totally unknown before. Poezje Franciszka Dionizego Kniaźnina ręką własną pisane was not published as printed, scientific edition yet. This article describes today’s editor dilemmas about making a critical edition of four first book contained in the first volume of autograph. Mainly it is focused on the problem of comparasion variants of particular texts, which often are very different.
3
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Nie(do)czytany. Problemy recepcji twórczości Tomasza Olizarowskiego (Kilka uwag)

80%
Supeł K.
Ruch Literacki
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2021
|
issue 6
803-819
EN
Tomasz Olizarowski (1811–1879) is a largely forgotten author, prolific poet and playwright, known only to a small group of specialists, who have recently started work on restoring his reputation. To do him justice is not easy task as we possess neither a complete list of his publications with basic textual and bibliographic data nor a reliable picture of the critical response they met with. While the body of materials on Olizarowski that have already been identified needs to be ordered and re-examined, the burden of work is growing as new items, also in bad need of verification, continue to surface both in Poland and abroad. This is a progress report of sorts with a number of updates, corrections and clarifications by the author of this article herself.
4
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Kolacjonowanie przekazów wierszy Franciszka Dionizego Kniaźnina na podstawie wybranych liryków zawartych w autografie poety – dylematy edytorskie

80%
Bednarek B.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
|
2016
|
vol. 34
|
issue 4
235-246
EN
Franciszek Dionizy Kniaźnin has created manuscript for a few years. It was a kind of his poetica will. In this collection, titled Poezje Franciszka Dionizego Kniaźnina ręką własną pisane, author included works published in three previous collections volumes of verse as well as completely new poems. Reused works had many editorial alterations compared to original ones. First time published works had been totally unknown before. Poezje Franciszka Dionizego Kniaźnina ręką własną pisane was not published as printed, scientific edition yet. This article describes today’s editor dilemmas about making a critical edition of four first book contained in the first volume of autograph. Mainly it is focused on the problem of comparasion variants of particular texts, which often are very different.
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