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Multimodalność w przekładzie komiksu. Na przykładzie polskich tłumaczeń wybranych scen z serii „Thorgal” Grzegorza Rosińskiego i Jeana Van Hamme’a

100%
Kowalska K.
Linguistische Treffen in Wrocław
|
2021
|
issue 20
227-236
EN
Nowadays, multimodal messages, i.e. messages that combine several semiotic codes, play an increasingly important role in communication. This paper attempts to answer the following questions: how changes made by translators and publishers in the comic book translation process can change the word-image relationship and what impact on the global sense and reception of a multimodal message can such modifications have? The analysis was based on two selected volumes of “Thorgal” comic book series by Jean Van Hamme and Grzegorz Rosiński, and two Polish translations of each of the selected volumes provided by different translators. The word-image combinations classification in the comic proposed by Scott McCloud was used for the study. The analysis has shown that the introduction of changes in word-picture relations in a comic may lead to a change in the global sense of the scenes – in some of the analyzed cases, the modifications led to a decrease in the action’s and characters’ dynamics and in the intensity of emotions felt by the characters, in others – to a stronger emphasis on certain elements of the scenes. The findings broaden the knowledge about the specificity of translating comics as a multi- modal message, in which the verbal and visual elements do not function autonomously, but are linked by a complex network of relations. They also emphasize the role of the translator of such messages as a person who must not only easily navigate in the linguistic space – he/she must also be aware of the aforementioned connections and be able to analyze the impact of individual semiotic codes on each other and – ultimately – on the global meaning of the message.
2
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An Analysis of the Polish Translation of Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth

75%
Elżbieta N.
Anglica. An International Journal of English Studies
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2020
|
issue 29/3
195-210
EN
Grant Morrison’s work has greatly added to the Scottish graphic novel tradition. In this regard, this paper will look at the recent Polish translation of the 25th anniversary edition of one of his iconic and groundbreaking Batman graphic novels, Arkham Asylum: A Serious House on Serious Earth. A brief description and publishing history of the graphic novel will be provided, followed by an analysis of the quality, style and publishing history of the translation in order to produce a final commentary on how Morrison’s work has been rendered into the Polish language. It is concluded the translation is largely faithful to its original although it is marred with a number of careless and confusing errors which ultimately have an impact on the reading experience.
3
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Obrazy i słowa z historią w tle. Kilka uwag krytycznych o polskim przekładzie powieści graficznej „Kinderland”

63%
Tymoszuk K. B.
Rozprawy Społeczne
|
2019
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vol. 13
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issue 3
70-83
EN
This article presents the results of a critical translational analysis of the translation of the German graphic novel “Kinderland” by Grzegorz Janusz into Polish. The necessary background for analytical considerations is provided by: a brief outline of the reception of the comic, its most important features from a perspective of a translator, the characteristics of graphic novel as one of the types of comic book narrative, which is represented by “Kinderland”. Later in the article, translation problems will be presented, both in the visual and linguistic layers of selected fragments of the comic. Also, the translation solutions used by the Polish translator will become the subject of the author’s critical considerations.
PL
Niniejszy tekst prezentuje wyniki krytycznej analizy translatorycznej przekładu niemieckiej powieści graficznej „Kinderland” autorstwa Grzegorza Janusza na język polski. Skrótowy zarys recepcji komiksu, jego cech najistotniejszych z perspektywy translatorycznej oraz charakterystyka powieści graficznej, jako jednego z typów narracji komiksowej, którego reprezentantem jest również Kinderland, stanowią niezbędne tło dla rozważań analitycznych. W dalszej części artykułu zostaną przedstawione problemy przekładowe, mające swoje podłoże zarówno w warstwie wizualnej jak i językowej wybranych fragmentów komiksu, a zastosowane przez polskiego tłumacza rozwiązania translatorskie staną się przedmiotem krytycznych rozważań autorki.
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