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Comparing the incomarable

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The presented book is a contribution to the discussion about modernity and comparatistics in Norwid’s works, going on for about two decades. This publication was created by Polish specialists on Norwid, half of them affiliated with the Jagiellonian University. There is no predominant method in the volume under discussion - the range of subjects covers modernity and the transition between the epochs. What is left of the comparatistics proper is music and opera, visual arts, conceptual reflection, and translation issues.
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Porównywanie nieporównywalnego

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EN
The presented book is a contribution to the discussion about modernity and comparatistics in Norwid’s works, going on for about two decades. This publication was created by Polish specialists on Norwid, half of them affiliated with the Jagiellonian University. There is no predominant method in the volume under discussion-the range of subjects covers modernity and the transition between the epochs. What is left of the comparatistics proper is music and opera, visual arts, conceptual reflection, and translation issues.
PL
Omawiana książka wpisuje się w otwartą od ponad dwudziestu lat dyskusję o nowoczesności i komparatystyce u Norwida. Publikację stworzyli norwidolodzy polscy, z czego połowa artykułów wyszła spod pióra naukowców z Uniwersytetu Jagiellońskiego. W omawianym tomie nie ma przeważającej metody – dominuje tematyka nowoczesności i przełomu epok. Z komparatystyki sensu stricto pozostają pogranicza sztuk: muzyki i opery, sztuk plastycznych, refleksji konceptualnej i problematyka przekładowa.
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Z zagadnień komparatystyki prawniczej

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EN
Legal comparatistics has always been critically important for passing and applying the law, but in emerging supranational spaces is indispensable. Under these circumstances the text discusses four chosen issues: studying law and reflections on it, looking for similarities and differences, pragmatic research in the European administrative-legal space and nominal legal comparatistics.
EN
Hendrykowska Małgorzata, O szczególnych powinowactwach literatury i kina w refleksji Stefanii Zahorskiej [Particular Affinities between Literature and Film in Stefania Zahorska’s Reflections]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 167–178. ISSN 1644-6763. DOI 10.14746/pt.2019.32.8. The author provides an in-depth analysis of and original essay written by the Polish film critic Stefania Zahorska in the middle of the 1930s. The essay deals with socio-cultural and aesthetic theory regarding the mutual connections between cinema and literature.
EN
The aim of the study is to initiate the considerations over the systemic ways of Vade-mecum’s reading that at the same time may determine the new starting point to rearrange the comparative reflection on the cycle and its precursorship. Possibilities of reading as such seem to be given by so called synthetic comparatistics, and in that spirit there is being coinstuted the basic line of compilating and comparing – Vade-mecum with Alfred Tennyson’s In Memoriam, Walt Whitman’s Leaves of Grass as well as Gerard Manley Hopkins’s Poems. The result of confronting of those perspectives have been expressed in specific conclusions, among others – the strong cycle’s semanticising tendency in Norwid’s, Tennyson’s, Whitman’s and Hopkins’s cases and, after all, the experiments in the area of maintaining and breaking the continuity of cycle’s diegesis – clearly outlined within the Norwid’s and Whitman’s cycles. Studying as well as comparing the structural aspects of cycles of Norwid, Tennyson, Whitman and Hopkins may lead to the cautious fixing the new point zero of research – literary comparatistics, which could be named the conditional and analytical ones.
PL
Celem studium jest zainicjowanie rozważań nad systemowymi sposobami czytania Vade-mecum, które zarazem stanowić mogłyby punkt wyjścia do uporządkowania porównawczego namysłu nad cyklem i jego prekursorstwem. Możliwości lektury podobnego typu wydaje się stwarzać tzw. komparatystyka syntetyczna i to w jej duchu ustanawiana jest w niniejszym artykule podstawowa linia zestawiania, a także porównywania: Vade-mecum z In Memoriam Alfreda Tennysona, Leaves of Grass Walta Whitmana, a także Poems Gerarda Manleya Hopkinsa. Rezultatem konfrontowania tych ujęć stają się konkretne wnioski, m.in. silna tendencja semantyzacyjna cyklu obecna zarówno u Norwida, jak i u Tennysona, Whitmana albo Hopkinsa, a także eksperymenty w zakresie utrzymywania i zrywania ciągłości diegezy cyklu pojętego jako całość, widocznie zarysowujące się w obrębie cyklów Norwida i Whitmana. Badanie i porównywanie aspektów strukturalnych cyklów Norwida, Tennysona, Whitmana oraz Hopkinsa może wieść w kierunku ostrożnego ustalania nowego punktu wyjścia w badaniach: komparatystyki, którą można by naraz określić mianem warunkowej i analitycznej.
EN
An author is a Polish professor of literature at the Jagiellonian Unversity in Cracow. The author shows in her book entitled The Reading "Sacred" some essays on literature and "sacred", especially she describes some Polish poetry and prose and literary letters from 20th century. She focuses on the problem hermeneutics of a text, comparatistics of literature and methodology of literature. There are many chapters on theme Polish poetry or prose, e.g. about such authors as Stanisław Barańczak, Teresa Ferenc, Konstanty Ildefons Gałczyński, Julia Hartwig, Zbigniew Herbert, Zbigniew Jankowski, Wojciech Kudyba, Maria Kuncewiczowa, Czesław Miłosz, Joanna Pollakówna, Tadeusz Różewicz, Wisława Szymborska, Marcin Świetlicki, Jan Twardowski, Karol Wojtyła, Adam Zagajewski. There are some essays about foreign (e.g. French, German, Russian) authors of literature in the context of ‘sacred’: Paul Auster, Georges Bernanos, Josif Brodski, Hermann Hesse, Thomas Merton, Rainer Maria Rilke.
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