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Images recadrées et pensées du détail dans « Les sentiers de la création »

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Scheer A.
Quêtes littéraires
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2015
|
issue 5
161-170
FR
Among all pictures present in Albert Skira’s series « Les sentiers de la création », the reframed ones are worth considering. A personal eye appears through the details that become their main subject. What thoughts on detail do the reframed pictures express? They show a particular way of borrowing and quoting other people’s work. The way of inserting those pictures in the text are various and sometimes, the detail seems to be diverted from its original function or meaning. How are other people’s works quoted in those books? What is at stake in pictorial quotation when, being part of an author’s reflection on his own creation, the picture passes, through reframing, from an imaginative world to another. This paper will focus on the books containing “reframed details” that is to say those written by Pierre Alechinsky, Yves Bonnefoy, Michel Butor, Octavio Paz, Gaëtan Picon, Elsa Triolet and Claude Simon.
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Kairos fotografii – moment i wartość

57%
Spalińska-Mazu J.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
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2011
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issue 2
27-37
EN
Since we have handed over the manufacturing process to machines, the art-photography reaches the limit where creation is identified with cropping. The article essentially focuses on works by Georges Rousse, who can hardly be placed in the indicated paradigm and who often declares that his painting interventions in places of different architecture result from his drive for sanctification of the places that may disappear or become empty. In case of this type of activities, we are not dealing with the reflection of the actual history of the places or a narrative that can be presented, but with the exploration of the possible time orders – not so much logical as imaginary; we are dealing with a higher register of sensations – with heterotopia. Geometric and monochromatic paintings that Rousse creates, based on simple architectural patterns to better modify the perception, disappear along with the places that contain them. The explosive moment of this art-photography, its kairos, urges the audience to learn the mystery of the documented places; to travel in search of their original shape and energy.
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