Search results

1

Bariery w randkowaniu kobiet z niepełnosprawnością ruchową

100%

Zawiślak A.

Interdyscyplinarne Konteksty Pedagogiki Specjalnej

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2018

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issue 20

181-198

PL

The article addresses the issue of dating barriers of women with physical disability. This phenomenon was presented with reference to available research results and analysis. Dating barriers were described considering division of external and internal barriers. External barriers considered social issues which encompassed negative stereotypes, patterns, attitudes and architectural barriers. Internal barriers related directly women with physical disability including their attitudes towards oneself, self-esteem and social skills. The analysis showed that the women with physical disability may have more difficulty in finding partners and forming personal relationships leading to intimacy than do women without disabilities.

2

Datowanie materiałów kultury trypolskiej ze stanowiska Myrogoszcza 15 odkrytych w 2017 roku

100%

Verteletskyi D., Bardetskyi A.

Materiały i Sprawozdania Rzeszowskiego Ośrodka Archeologicznego

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2018

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vol. 39

117-127

EN

This article is devoted to the issue of dating materials from Trypillian culture discovered in Myrogoszcz site 15 in 2017. An interesting object at the site was the ditch, which was explored. Among others, there were fragments of pottery from the Trypillian culture and a fragment of animal bone that was used to established radiocarbon dating (date 4450±35 BP) uncovered there. In the vicinity of the ditch, a cluster of human bones was found.

3

Documentary context for dating and interpreting Christian literary and semi-literary papyri: some notes

100%

Berkes L.

The Journal of Juristic Papyrology

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2022

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issue 52

29-34

EN

The article collects some notes on dating and interpreting Christian literary and semi-literary papyri from Byzantine and early Arab Egypt.

4

Uzbrojenie na malowidłach ściennych w kościele w Lubecku

75%

Przybyłok A.

Acta Universitatis Lodziensis. Folia Archaeologica

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2015

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issue 30

249-262

EN

Paintings revealed in the Assumption of Holy Virgin Mary church in Lubecko during the conservation works have been pre-dated to the beginning of 15th century. However, after military parts shown on the painting were analyzed, this doens’t seem to be true anymore. All of depicted soldiers wear full plate armours, composed of plate legs and arms protection some of which have gilded protection parts on their joints. Breastplates are rounded and have radiate cannelures. Soldiers’ hips are covered with skirts with foil tassels. That type of breastplates as mentioned above appeared twice in known history of armament: in 2nd half of 15th century and in turn of 15th and 16th. Foil tassels suggest rather that second period. This is the type of armour that was popular in that time; numerous tombstones, examples of iconography and single preserved parts of armours are the proof here. There are few types of helmets shown on the painting: kettle hats, simple shallow skull caps and rare kind of helmet similar to findings from Toruń and Mielno – storczhelme/pekilhube. All pieces of weapon are depicted as schematically as armours. It is worth to notice that swords have pointy forms, good for stabbing. The most interesting one, handled by one of angels, has an even-armed cross-shaped pommel. Additionaly to swords, there are also halberds, hammer-axe and misericorde. Wholeness of the armament seems to be typical for the gothic period. It is highly likely that the author portrayed the reality he knew.

PL

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5

The settlements of the Przeworsk culture in Hungary

75%

Soós E.

Acta Archaeologica Carpathica

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2019

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vol. LIV

227-258

EN

In the last decade, the Hungarian research of settlements belonging to the Przeworsk culture, generally identified with the Germanic Vandals, yielded important new results. The aim of this paper is to summarize these latest results based on which it also discusses the extension of the settlement territory, the problems of relative chronology, the evolution of material culture as well as the relations of the above-mentioned Germanic ethnic group in the Roman Imperial Age.

6

Architektura randki a kryzys matrymonialny

75%

Wróblewska-Skrzek J.

Dyskursy Młodych Andragogów / Adult Education Discourses

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2017

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vol. 18

389-402

PL

Przemiany w zakresie obyczajów seksualnych i relacji między płciami obserwowane są w kulturze zachodniej od początków XX w. Randka jako miłosne spotkanie dwojga młodych ludzi, mających (bądź nie) wobec siebie matrymonialne zamiary, zaczęła funkcjonować dopiero na przełomie XIX i XX w. Stało się to możliwe dzięki głębokim przemianom obyczajowym, które zaszły w tym czasie w społeczeństwach zachodnich i na zawsze uwolniły miłość i namiętność z ciasnych wiktoriańskich gorsetów. Od momentu narodzin randka wciąż ewoluuje i staje się współcześnie centralnym elementem relacji międzyludzkich. Kształtuje rodzinę i charakter związków matrymonialnych. Celem artykułu jest zwrócenie uwagi na zmiany, jakie zaszły w obrębie systemu rand-kowania. Po pierwsze obecnie randka została oddzielona od celów matrymonialnych, po drugie zaloty zostały przeniesione ze sfery prywatnej do publicznej (a nawet do sfery wir-tualnej) i po trzecie randka została oddzielona od miłości romantycznej. Celem pracy jest próba zdefiniowania reguł kształtowania relacji intymnych oraz wyjaśnienia preferencji wyboru kandydata na randkę. Proponowany tekst ukazuje randkę przez pryzmat miłości romantycznej oraz miłości współbieżnej, a także ukazuje konsekwencje, jakie niesie ze sobą przyjęcie takiej, a nie innej definicji miłości.

EN

The changes in sexual habits and relationships between the sexes have been observed in western culture since the beginning of the 20th century. Dating as a loving meeting of two young people with or without matrimonial intentions began to function only at the turn of the nineteenth century. This was possible due to the profound moral changes that took place in western societies at that time, and they have forever freed the love and passion of the tight Victorian corsets. Since birth, dating has evolved and is becoming a central element of interpersonal relations. It shapes the family and character of matrimonial relationships. The aim of the article is to draw attention to the changes that have taken place within the dating system. First of all, dating has been separated from matrimonial purposes; secondly, courtship has been transferred from the private sphere to the public (and even to the virtual sphere); and thirdly, the date has been separated from romantic love. The aim of this paper is to try to define the rules of intimate relationships and to explain the preferences of the candidate for a date. The proposed text shows a date through the prism of romantic love and concurrent love, it also shows the consequences of adopting such a definition of love.

7

Siedem kartek, siedem nieszczęść. Fragmenty dziennika Marii z Trębickich Faleńskiej w zbiorach Biblioteki Narodowej

63%

Agnieszka Bąbel A.

Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej

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2017

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vol. 23: List jako szczególny gatunek literacki

241-248

EN

The article is an editorial analysis of the fragments of a diary found in the archives of the National Library in Warsaw (manuscript 5905 II), which belonged to Maria Faleńska, a translator, writer, columnist, and wife of poet Felicjan Faleński. The text is published for the first time and it consists of six pages of the diary dated between 1879-1893 and a single page entitled Silva rerum with citations and golden thoughts. It depicts a portrait of an intelligent, educated and reserved woman, showing a lively interest in a daily life of Warsaw of the second half of the 19th century of which she was a keen observer. The notes were taken very irregularly. The writer’s attention is focused on the outside world and the selection of described events (mainly tragic, such as deaths, illnesses, crimes etc.) and it seems to indicate her pessimistic attitude towards life.

8

O ZNACZENIU ARCHEOLOGICZNEGO KONTEKSTU ZNALEZISK TAKŻE W BADANIACH HISTORYKOW W ZWIĄZKU Z NOWSZYMI HIPOTEZAMI NA TEMAT ATRYBUCJI TZW. BRAKTEATÓW TAMAŃSKICH

63%

Kollinger K.

Archeologia Polski

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2018

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vol. 63

159-173

EN

The author presents the state of research and a critical review of existing hypotheses, as well as a historical summary of issues related to the dating and attribution of the so-called Taman bracteates. It is an excellent example of the importance of the archaeological context, without which any interpretation is doomed to be based on more or less probable hypotheses. The author does not believe it possible today to attribute these „bracteates” to Vsevolod II Olgovič or to Mstislav Vladimirovič, at least for now; he is also critical of any consideration in this context of the seal attributed to Michael Oleg Svyatoslavič, as this artifact may very well be a modern fake. He shares the doubts of some researchers regarding the authenticity of newer finds of single „bracteates”. He favors distinguishing three separate „bracteate” types: the first, bearing the so-called sign of the Rurikids, should be viewed as being of 11th c. date (it resembles the sign on coins of Svyatopolk I), whereas the other two, both with representations of the archangel Michael, would be of 12th and 13th c. date respectively. The source base today is insufficient in the author’s opinion to determine who issued these so-called Taman bracteates and when. The situation may change with new finds coming from archaeological contexts.

9

W sprawie obrazu kultury materialnej dworów rycerskich w średniowieczu

63%

Marciniak-Kajzer A.

Acta Universitatis Lodziensis. Folia Archaeologica

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2016

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issue 31

EN

Most archaeological sites, which were considered remains of medieval knight`s manor have readable (separated) terrain form. Most frequently they were situated on artificial mounds, placed in boggy areas, often in valleys of small rivers. As can be seen from the query in all kinds of archaeological publications, on the territory of medieval Polish state (conventionally within the reign of Casimir the Great) about 200 mansions that are relics of knight’s abodes ware investigated in varying degrees. The degree of their knowledge is very different. Only about 46% sites being excavated were elaborated and the results were published with different accuracy. Their scientific level is unfortunately very diverse. While the form of the seats are usually described in a very detailed way, the artifacts found during excavations are mostly only mentioned. Most often we do not know from which part of the site they come from. Although they are sometimes discussed in the framework of the excavation, but it is hard to know if they were in the building or in the courtyard, and perhaps in the moat? Paradoxically, most numerous finds – potsherds – are the least described. They are only enumerated, without even trying to identify forms (vase, pot, jag…). Also, in the case of metal objects, they description very often ends up on the development of an accurate list of the every, even the slightest, iron nuggets. Unfortunately, there are too many lists of objects referred to as „undefined”. With the greatest care archaeologists treat all and any findings in the field of armament, but this is the category of monuments which sometimes introduces a lot of confusion in trying the dating of the settlement. The armament usually is considered to be the so-called „a good dating device” and of course, it is true, provided that it date back itself. Sometimes the total opposition raises in a situation where, for example, dating of one found spur, is considered to be more important than dating established on the basis of hundreds found fragments of vessels and stove tiles. Therefore the necessity to use written and iconographic sources in order to reconstruct the whole material culture is widely appreciated. Here it is necessary to work with medievalist and art historians. It is not a simple matter because dealing with material culture is not very popular among the historians. In the final part of the article the development of a model of conical settlement excavations in Siedlątków published by Janina Kamińska in 1968 is discussed.

PL

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10

W kwestii datowania wczesnośredniowiecznego grodziska w Rogoźnie. Komunikat

63%

Wawrzyniak P.

Studia Lednickie

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2020

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vol. 19

245-252

EN

The partially destroyed gord in Rogoźno has not been well explored archaeologically. The only excavations at the site were conducted by J. Delekta in the beginning of the 30s of the previous century. They had an interventional character and were conducted due to the washing of the south-east part of the gord together with the dyke during river Wełna engineering, where the gord had been built. Research was principally limited to the description of the occurrent destruction, with a very sketchy description of the exposed cultural layers, as well as to collecting a small set of moveable sources. On the basis of the collected pieces of pottery, J. Delekta assumed that the gord had been created before the 10th century. A similar chronology (phase C of the early Middle Ages) was assumed for the gord in Rogoźno in the post-war studies, and in the recent ones – phase D0 of the early Middle Ages. In the last quarter of 2019, when an electrical wire was being laid down in the close vicinity to the gord, 4 oaken beams were excavated from the construction of the dyke ruined before war (including 2 with characteristic “hooks”). From these beams, samples were taken in order to date them with the use of dendrochronological methods. The analysis revealed that the beams were obtained after the year 900, most probably in 914, which was indicated by one of the samples with yearly dating. It should be therefore assumed that the construction of the stronghold and its further functioning should be connected with the beginnings of the formation of the state of the first Piasts. This process began around the year 900 and continued until the middle of the 19th century within the Gniezno region and its adjoining areas, hence also in the Rogoźno region.

11

Modlitwa „Sub Tuum praesidium”: czas powstania, miejsce w liturgii oraz recepcja w kulturze muzycznej. Zarys problematyki

63%

Towarek P.

Vox Patrum

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2021

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vol. 80

239-268

EN

Sub Tuum praesidium is considered to be the oldest prayer of petition addressed to the Blessed Virgin Mary. Its Greek text is found in a papyrus found in Egypt in the early 20th century, which was purchased in 1917 by the John Rylands Library in Manchester and published in 1938 by Colin Henderson Roberts. Until now it was believed to be the oldest surviving version of this prayer. In the discussion on the question of its dating, many researchers pointed, for example, to the 3rd century (Giamberardini, Starowieyski). It turns out, however, that in the light of the latest palaeographic research, this time should be moved to the 6th/7th or even 8th/9th century (Hans Förster, Theodore de Bruyns, Arne Effenberger). According to Förster, it is the Viennese transcription of the antiphon, dating from the 6th/7th century, that should be considered the oldest today (ed. Treu and Diethart, 1993). In the Middle Ages the Sub Tuum praesidium was incorporated into the framework of the Office of the Breviary, as attested by the following liturgical books: the Compiègne Antiphonary (9th century), the Lectionary of Cluny (11th century), the Saint-Maur-des-Fossés Antiphonary, the Ambrosian Antiphonary (12th century). The prayer also found a place in the rite of blessing the image of the Blessed Virgin (Durand Pontifical) and in the Mass liturgy in the Ambrosian rite (Missale Ambrosianum). After the Second Vatican Council, it was included at the end of the Complite (Liturgy of the Hours) and in the Graduale romanum. The antiphon Sub Tuum praesidum also influenced the formation of great musical forms inspired by its text and gregorian melodies. This group includes, among others, two Mass cycles (Obrecht, La Rue), motets (Palestrina, Mielczewski, Pękiel, Charpentier, Zelenka, Mozart, Gounod, Saint-Saëns, Moniuszko) and contemporary compositions written in the 20th century (Perosi, van Looy, Sawa, Bartolucci) and the 21st century (Villard, Molinari, Ward, Pandolfo, Militello, Majka, Czerniewicz, Łukaszewski, Kramarz).

PL

Sub Tuum praesidium uważane jest za najstarszą modlitwę prośby skierowanej do Najświętszej Maryi Panny. Jej grecki tekst znajduje się odnalezionym w Egipcie na początku XX w. papirusie, który został zakupiony w 1917 r. przez John Rylands Library w Manchester i wydany w 1938 przez Colina Hendersona Robertsa. Dotychczas uważano, że jest to najstarsza zachowana wersja tej modlitwy. W dyskusji nad kwestią jej datacji wielu badaczy wskazywało np. na III wiek (Giamberardini, Starowieyski). Okazuje się jednak, że w świetle najnowszych badań paleograficznych, należy przesunąć ten czas na VI/VII, a nawet VIII/IX wiek (Hans Förster, Theodore de Bruyns, Arne Effenberger). Według Förstera to wiedeński zapis antyfony, pochodzący z VI/VII w. powinien być dziś uważany za najstarszy (ed. Treu i Diethart, 1993). Sub Tuum praesidium włączono w wiekach średnich w ramy oficjum brewiarzowego, co potwierdzają księgi liturgiczne: Antyfonarz z Compiègne (IX w.), Lekcjonarz z Cluny (XI w.), Antyfonarz z Saint-Maur-des-Fossés, Antyfonarz ambrozjański (XII w.). Modlitwa ta znalazła także miejsce w obrzędzie błogosławieństwa obrazu Najświętszej Dziewicy (Pontyfikał Duranda) oraz w liturgii mszalnej w rycie ambrozjańskim (Missale Ambrosianum). Po Soborze Watykańskim II włączono ją w zakończenie komplety (Liturgia Godzin) oraz do Graduale romanum. Antyfona Sub Tuum praesidum miała także wpływ na ukształtowanie się wielkich form muzycznych inspirowanych jej tekstem i gregoriańską melodyką. Do grupy tej należą m.in. dwa cykle mszalne (Obrecht, La Rue), motety (Palestrina, Mielczewski, Pękiel, Charpentier, Zelenka, Mozart, Gounod, Saint-Saëns, Moniuszko) oraz kompozycje współczesne, które powstały w XX w. (Perosi, van Looy, Sawa, Bartolucci) oraz XXI wieku (Villard, Molinari, Ward, Pandolfo, Militello, Majka, Czerniewicz, Łukaszewski, Kramarz).

12

Zmiany w sposobie poszukiwania partnera życiowego – przegląd badań dotyczących użytkowników portali randkowych

63%

Kacprzak K.

Teraźniejszość – Człowiek – Edukacja

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2014

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vol. 17

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issue 4(68)

147-162

EN

The article presents the results of research and analyses in the English-language literature regarding the users of online dating services – their characteristics, preferences, expectations, self-presentation and experiences connected with online dating. The structure of presenting the results is set up by a nine-stage prototype of the process of starting a romantic relation with a person met in the online dating service. The effect of the undertaken considerations was an attempt to describe the changes which appear while seeking a life partner. There are a lot of differences between online dating and conventional dating – the use of modern technologies, access to potential candidates, selection stages and the very process of getting to know the other person. Despite these differences it is not possible to explicitly say whether the relationship which started online and not in the offline world will diversify the relations between partners who remain in the relationship.

PL

Niniejszy artykuł zawiera prezentację wyników badań i analiz przedstawionych w literaturze anglojęzycznej dotyczących użytkowników portali randkowych – ich charakterystykę, preferencje, oczekiwania, autoprezentację i doświadczenia związane z randkowaniem online. Strukturę prezentowania wyników wyznacza dziewięcioetapowy prototyp procesu nawiązywania romantycznych relacji z osobą poznaną na portalu randkowym. Efektem podjętych rozważań była próba opisania zmian, jakie zachodzą w sposobie poszukiwania partnera życiowego. Randkowanie online różni się od konwencjonalnego randkowania pod wieloma względami: korzystaniem z nowoczesnych technologii, dostępem do potencjalnych kandydatów, etapami selekcji i samego procesu poznawania drugiej osoby. Pomimo tych różnić nie można jednoznacznie stwierdzić, czy zainicjowanie związku w sieci, a nie w świecie offline różnicuje relacje między partnerami pozostającymi w związku.

13

Two Repousse Icons Preserved in the Golden Fund of Shalva Amiranashvili Museum of Fine Arts – Eustace Placida with a Hunting Scene and the Image of Infantry Placida (Dating and Iconographic Features)

63%

Goderdzishvili N., Gengiuri N.

Studia Orientalne

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2023

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issue 2(26)

31-59

RU

В грузинском христианском искусстве средневековья, сцена охоты св. Евстатия и связанные с ней истории занимают важное место. С упомянутой тематикой мы встречаемся почти в каждом столетии в разных формах и интерпретацияхб начиная с V по XVIII век. Встречается как в монументальной живописи, так и в образцах резьбы по камню и скульптуре по металлу. В настоящей статье представлено исследование двух чеканных икон, хранящихся в Золотом фонде Музея искусств Грузии им. Шалва Амиранашвили: плита каредской иконы св. Евстатия, Евстатия со сценой охоты Плакиды (747) и дощечка изображением пехотинца Плакиды (60)1. Согласно описанию музея, один – с изображением композиции охоты, из Ертацминда и указанный экспонат, по информации куратора Золотого фонда Элене Кавлелашвили, вошел в коллекцию музея в 1926 году; а вторая плита, с изображением святого Евстатия- -пехотинца, из Сиони в Тбилиси. Задачей труда является датировка неизученных чеканных икон, художественно-стилистический анализ иконографической схемы, выяснение вопроса о происхождении тф. 60 на обеих иконах идентификация Святых происходит надписью: «Ца е (в) стат». Она дает важную информацию для датировки иконы. Надпись на иконе с палеографической точки зрения должна относиться к позднему средневековью, примерно к XVI–XVII векам. Надо отметить то, что обе надписи выполнены одной рукой. Общий содержательный контекст, стилистическое решение, палеографический анализ указывают на одно происхождение. Согласно палеографическому анализу, основанному на изучении иконографической схемы и художественно-стилистических особенностей, мы полагаем, что плита каредской иконы св. Евстатия, Евстатий со сценой охоты Плакиды (747 г.) и плита с изображение пехотинца Плакиды (60), датируются XVII–XVIII веками.

EN

Hunting scene of St. Eustace and related storylines hold an important place in the Christian art of the middle centuries. We find this theme, in various forms and interpretations, in almost every century from V to XVIII. It is found in monumental paintings, as well as in stone carving and metalwork. The article presents a study on two repousse icons kept in the Golden Fund of Shalva Amiranashvili Museum of Fine Arts: Plate of Saint Eustace with doors, with a hunting scene of Eustace Placida (Q. 747) and plate with Infantry Placida (Tf. 60). The aim of the work is the dating of unexplored repousse icons, artistic-stylistic analysis of the iconographic scheme, and Clarifying the issue of the origin of Tf. 60. On both icons, the inscription identifies the Saint: “წა ე (ვ)სტატი”. It provides important information for dating the icon. From a paleographic point of view, the icon’s inscription should belong to the late Middle Ages, approximately XVI-XVII centuries. It is worth noting that both inscriptions are made with one hand. The overall content context, stylistic solution, and paleographic analysis speak of a single origin. Based on the paleographic analysis, the study of the iconographic scheme and artisticstylistic features, according to our assumption, the plate of Saint Eustace with doors, with a hunting scene of Eustace Placida (Q. 747) and plate with Infantry Placida (Tf. 60) date back to the XVI–XVII centuries.

14

Невідома повість з української історії Бориса Грінченка

63%

Єсипенко Д.

Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe

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2017

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issue 3

174-195

RU

Впервые печатается незавершенное прозаическое произведение украинского писателя Бориса Гринченко о событиях XVII в. Этот художественный текст прямо не упоминается в критической литературе. В сопроводительной статье освещается история его создания, в частности обстоятельства, помешавшие автору реализовать свое намерение. Особое внимание обращено на оригинальность произведения: показ событий глазами женщины, благородной польской дамы. В печатаемом тексте прослежены аналогии в изображении частных и общественных коллизий как следствия отличного социального и национального происхождения героев, а также в драме Николая Костомарова Переяславская ночь и романе Пантелеймона Кулиша Черная рада.

EN

The unfinished novel by Ukrainian writer Borys Hrinchenko about the 17th century has just been published for the first time. Literary critics have never directly mentioned this literary text. The article examines the history of the creation of the novel; in particular, the circumstances that prevented the author from finishing it. Special attention is paid to the originality of the work, the displaying of the events through the eyes of a woman, a Polish noble lady. The article also traces similarities in the representation of private and public conflicts caused by social and issues found in Hrinchenko’s novel and Mykola Kostomarov’s drama Pereyaslav’ska Nich (Pereyaslav night) and Panteleimon Kulish’s novel Chorna Rada (The Black Council).

15

Datowanie Apokalipsy w świetle głosów tradycji

54%

Jańczuk L.

Ruch Biblijny i Liturgiczny

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2018

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vol. 71

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issue 1

EN

Christian tradition has not been consistent with regards to the date of the Book of Revelation. According to ancient sources, the book was written under Claudius, Nero, Domitian, or Trajan. Among these four traditions, the strongest is that associated with Domitian. The first proponent of this view was Irenaeus. He was quoted by Eusebius, Victorinus, Jerome and several other Church Fathers, because they believed he was a disciple of a disciple of John the Apostle, the author of the Book of Revelation. Consequently, Irenaeus was commonly treated as the best source of information on this subject. This view was dominant among Biblical scholars until to the present day. Evidence for the earlier date under Nero is even older, but not as strong. This view was rejected by majority of Church Fathers. At the present time, only some scholars prefer the Neronic date.

PL

Głosy tradycji dotyczące daty Apokalipsy są niejednorodne. Według starożytnych źródeł księga ta została napisana za cesarza Klaudiusza, Nerona, Domicjana oraz Trajana. Wśród tych wskazań najsilniejsze wsparcie uzyskuje cesarz Domicjan. Pierwszym zwolennikiem takiego datowania był Ireneusz. Pogląd Ireneusza był cytowany przez Euzebiusza, Wiktoryna, Hieronima i kilku innych Ojców Kościoła, stał się poglądem dominującym ze względu na przekonanie, że Ireneusz był uczniem ucznia Jana Apostoła, autora Apokalipsy. W rezultacie Ireneusz był powszechnie traktowany jako najlepsze źródło informacji na ten temat. Ten pogląd dominuje wśród biblistów po dzień dzisiejszy. Świadectwa na rzecz powstania Apokalipsy w czasach Nerona są nawet starsze, ale nie mają tak silnego oparcia wśród autorytetów. Pogląd ten był odrzucany przez większość ojców Kościoła. Obecnie jedynie niektórzy bibliści opowiadają się za czasami Nerona, jako datą powstania tej księgi.

16

Obraz "Ruiny willi rzymskiej" Henryka Siemiradzkiego w świetle ostatnich badań

51%

Sarkowicz D.

Ochrona Zabytków

|

2015

|

issue 1

141-151

EN

Henryk Siemiradzki is well known to a wide audience mainly for his biblical and genre scenes from the ancient Rome depicted against Italian sunny landscapes, as well as for his leading masterpiece, Nero’s Torches. The romantic and nocturne sceneries are present in his pictures quite rarely. These kind of paintings gained less popularity among buyers as they were not so easy and nice in perception. The picture Ruins of a Roman Villa belongs to this group. From the very beginning, this painting was important for the artist and his work. The precise examination of the picture based on the use of modern analytical spectroscopic techniques, analytical photography, visual analysis and the investigation in the archives shed new light on the creation process and allowed us to complete the quest for the comprehensive knowledge of the painting’s technology and technique. Thanks to the analytical photography in the X-ray and infrared radiation, some significant changes of the author’s concept have been discovered. The content and the character of the initial painting’s layer turned out to be analogous to some other Siemiradzki’s works, which allowed us to determine with more certainty the time of the creation of this unsigned and undated painting. The palette used by the painter in this work has been identified. We have also determined the method of binding paints in the picture. The performed analysis of the painting’s technique and of the method of preparing the support and the remaining evidence of the picture’s history contribute to the data base which supports authentication of other, (sometimes uncertain) works attributed to Siemiradzki.

17

Architektūros ir urbanistikos objektų natūros tyrimų metodikos problemos

23%

Zilinskas R.

Town Planning and Architecture

|

2009

|

vol. 33

|

issue 2

114-125

LT

Nagrinėjamos niekad anksčiau publikacijose nenagrinėtos architektūros natūrinių tyrimų problemos. Yra žinomi 5 atvejai, kai bandyta parengti tokių tyrimų normatyvus, visų bandymų produktai yra iš dalies išlikę ir saugomi Vilniaus apskrities archyve. Pateikiamas šių bandymų nagrinėjimas ir pasiūlymai, paremti straipsnio autoriaus 22 metų asmeniniu įdirbiu tyrimų srityje, kaip pritaikyti kolektyvinę pirmtakų ir savo patirtį nustatant natūros tyrimų principus dabartinėmis paveldosaugos sistemos sąlygomis.

EN

The paper deals with previously unpublished problems of life (live) research in architecture. There have been 5 known cases of attempts to develop standards of such a research, and the results of all the attempts are partially preserved and stored in the Vilnius County archive. Analysis of these attemps and suggestions on applying personal and collective experience of predecessors in determining the principles of life (live) research for the current system of heritage are based on the personal 22-year experience of the author of this paper.

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