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The present paper concentrates on the descriptions of Tunisia in the diary by Aline Réveillaud de Lens (1881–1925), a French painter and writer who in 1911, shortly after her marriage, came to live in Tunis. Reluctant to French norms and conventions, de Lens sees Tunisia as an ideal, fascinating land where she may finally be happy. This fascination is reflected in her descriptions of spaces which are to be analysed through the prism of geocriticism in three movements: Tunisia as a land of light and colours, Tunisian symbolic spaces – desert and oasis, and stereotypical Oriental spaces – palace, harem and hammam.
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