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Dve herecké podoby prvého slovenského Kráľa Leara

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Mišovic K.

Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

2023

vol. 26

issue 2

137-156

With the beginning of the Normalisation period, the drama ensemble of the Slovak National Theatre lost its position as one of the most progressive Slovak theatres. From the group of in-house directors, only Pavol Haspra (1929–2004) was able to attract some attention. During this period, he began to choose titles seldomly performed in Slovakia. One of these was Shakespeare's King Lear (prem. 25. 10. 1975). The production was impressive mainly due to the acting, as the reviewers especially praised the double casting of the title role – Gustáv Valach (1921–2002) and Karol Machata (1928–2016). However, to this day, no study has been written that would evaluate their acting from the current perspective. This paper aims to present the significance of Haspra's production and to demonstrate the different conceptual and acting shapes of the first King Lear in the Slovak language.

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1 Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

1 Mišovic K.

1 2023

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Dve herecké podoby prvého slovenského Kráľa Leara