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Dramat, dramaturgia, dramatologia – retroperspektywy

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Kosiński D.
Przestrzenie Teorii
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2021
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issue 36
17-32
EN
The article is an attempt to reconsider, reinterpret and, at the same time, summarize the concepts of dramaturgy and dramatology as they were developed by the author mainly in his research realized within the framework of the Chair of Drama and then the Chair of Performance Studies at the Jagiellonian University. Despite the fact that efforts to establish a broad understanding of drama and dramaturgy that is not restricted to art but is used to analyse and interpret performative aspects of social life were not fully successful, the main goal of the article is to support this idea by claiming the need for a ‘return to dramatology’.
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Interpretacje nowego dramatu polskiego. Przypadek „Pętli” Ewy Madeyskiej

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Sobiecka A.
Białostockie Studia Literaturoznawcze
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2018
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issue 12
151-167
EN
The matter under consideration is the shaping and the creation of the dramatic structure in Ewa Madeyska’s Pętla [Loop], a play by the finalist of the Gdyńska Nagroda Dramaturgiczna (Gdynia Drama Prize – 2013 edition). The play’s nature is determined by the unique placement inbetween,somewhere along the sacrum-profane continuum.Furthermore, the drama in questionis an interestingexample of a dramaturgical parabole referring to the biblical symbolism of the road and the stone. These considerations draw from Mircea Eliade’s remarks contained in the work Sacrum and the profane.The essence of the religious sphere (Le Sacr´e et le Profane), as well as the essay on the Hermetic hermeneutics. About the weakness of God and the theology of the event (Spectral Hermeneutics) by John D. Caputo.
3
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„…rozwiązania, które proponuję, są niepełne…”. Cztery scenariusze studenta Grzegorzewskiego

86%
Karow J.
Didaskalia. Gazeta Teatralna
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2023
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issue 174
134-156
EN
This article is a discussion of four adaptations that Jerzy Grzegorzewski prepared during his studies at the Directing Department of the State Higher School of Theatre in Warsaw. The works, which were prepared based on The Literary Life of Thingum Bob, Esq. by Edgar Allan Poe, An Episode of the Reign of Terror by Honoré de Balzac, King IV by Stanisław Grochowiak, and The Balcony by Jean Genet, have not yet been analysed more extensively in research on the director’s work. Adaptations in the form of typescripts are documents of work that probably have not been staged. This is a special type of content, very rarely taken into account in research on theatre archives. The aim of the analysis was to analyse the various operations that Grzegorzewski used in his adaptations and to reconstruct the staging potential recorded in them. This procedure is consistent with W.B. Worthen’s approach in which the tension between the literary and the performative identity of a work is the focus of interest.
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