Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  enchantment
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Ranger le monde. 'Féerie générale' d’Emmanuelle Pireyre

100%
Lis J.
Studia Romanica Posnaniensia
|
2013
|
vol. 40
|
issue 4
23-32
EN
To describe the world and to put some order into our contemporaneity, Emmanuelle Pireyre gathered in his novel titled Féérie générale (2012) numerous examples of situations that are symptomatic of the reality of the last years. Written in a way that highlights all the nuances of everyday life and interspersed either with the narrator’s opinions on modern society, or with dreams, extracts of electronic notices, anecdotes, or even with the presentation of a collection of kisses, the stories summarize the discontinuous and complex world. Denouncing the aberrations of society, the narrator confronts the clichés and the ideas people do not have time to think about, suggesting that we see in this world only the beautiful things, love and happiness, feelings considered futile by the thinkers and the creators. In this collection of magic things, Pireyre invites at the same time the readers to distance themselves from the disorder of the world and to live on a kind of islands of happiness.
2
Publication available in full text mode
Content available

JÓZEFA TISCHNERA KONCEPCJA TRAGEDII ESTETYCZNEJ: OCZAROWANIE I UWODZENIE

84%
Ziółkowski W.
Studia Gilsoniana
|
2016
|
vol. 5
|
issue 2
345-363
EN
The article analyzes essential factors for Józef Tischner’s conception of aesthetic tragedy, namely enchantment and sedution. For Tischner, the aesthetic tragedy takes place in the realm of interpersonal relations. The article describes the discoverer of the beauty as the one who becomes aware of that he cannot appropriate the beauty discovered; nevertheless, he still hopes that there must be a form of persuasion able to convince the beauty to be his possession voluntarily. According to Tischner, the way in which the enchanted and the beauty discovered by him seek to possess each other is the relation of seduction. Seduction, however, by its nature is a paradoxical phenomenon; for it is always associated with the consciousness of a renouncement which is to come. The fact that the artist and his work are doomed to part shows that the aesthetic tragedy is a drama not only of the work, but also of the artist; it is their mutual tragedy which stems from an illusory hope for the overcoming of the irremovable necessity of parting. The act of seduction undertaken in hope for having each other as a property becomes the reason of a parting for participating subjects, a parting which—according to Tischner—is announced in drama as the bane of man.
3
Publication available in full text mode
Content available

Tu i teraz: literatura. Używaj, przeżywaj, doświadczaj

60%
Marzec L.
Forum Poetyki
|
2017
|
issue 8-9
184-195
EN
The article discusses arguments in favour of the importance (or irrelevance) of literature in social life and that appears with a psychological dimension in the work of J. H. Miller, Pierre Bayard, Michał Paweł Markowski, Ryszard Koziołek and, above all, Rita Felski (in her book Uses of Literature), dealing with the most important currents and trends in theoretical reflection on literature in the last quarter century. The author of the article finds the affective turn and the study of relations between life and literature within the context of the domination of discourse by other (new) media not based on writing to be a particularly important encounter in the re-evaluation of literature’s meaning. The author’s close and critical reading of Felski’s Uses of Literature involves a) discussion of the theoretical inclinations and problems that generate individual aesthetic categories; b) application of the American scholar’s proposed aesthetic categories to the interpretation of particular prose, poetic and essayistic works by Zofia Nałkowska, Inga Iwasiów, Justyna Bargielska, Dorota Masłowska, Szczepan Twardoch and Andrzej Leder.
PL
Artykuł omawia argumenty na rzecz znaczenia (albo jego braku) literatury w życiu społecznym i w wymiarze psychologicznym, które pojawiają się w publikacjach J.H. Millera, Pierre’a Bayarda, Michała Pawła Markowskiego, Ryszarda Koziołka i przede wszystkim Rity Felski (Użycia literatury), wskazując na najważniejsze prądy oraz trendy w teoretycznym namyśle nad literaturą w ostatnim ćwierćwieczu. Za szczególnie istotny kontakt przewartościowywania znaczeń literatury autorka artykułu uważa zwrot afektywny oraz namysł nad relacjami życia i literatury w kontekście dominacji innych, niż oparte na piśmie, (nowych) mediów. Bliska i krytyczna lektura Użyć literatury Rity Felski oparta jest na a) omówieniu teoretycznych inklinacji i problemów, które generują poszczególne kategorie estetyczne; b) przymierzaniu zaproponowanych przez amerykańską badaczkę kategorii estetycznych do interpretacji konkretnych utworów prozatorskich, lirycznych i eseistycznych Zofii Nałkowskiej, Ingi Iwasiów, Justyny Bargielskiej, Doroty Masłowskiej, Szczepana Twardocha, Andrzeja Ledera.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.