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PL
This article reviews current basic methods of lyrics episation in the context of literary genres and forms evolution. The role of the poetry size accompanied by epic characteristics, such as diff erent descriptions, additional characters and plot elements are discussed. The study analyzes poetry peculiarities caused by narration, in particular, the narrator type and narrative. The author uses the narrator typology, proposed by W. Schmid. The poetry composition peculiarities related to the plot are defi ned. The article reveals the uniqueness of time and spatial relations and the function of descriptions and additional characters in poetry. It also investigates the infl uence of genres characters borrowed from traditional epic on the generic nature of poetry. The correlation of certain poetries with the genres of parables, fairy tales and fables are partially examined.
EN
for the centuries long theoretical researches doesn’t imply neither the precise terminology nor the unique and final definitions of fundamental concepts of literary theory. We need to look for the cause of this situation, primarily, in the fact that literature develops all the times, it accommodates to social conditions in the times it was emerging in. Literature is a result of the interaction with other areas of human creation or with other areas of arts, philosophy, psychology, religion... The literary genre is a very controversial concept in the history of the literary-theoretical thinking. These problems attract the attention of literary researchers for centuries. This article tries to answer a question of the definition of literary genres and their volatility, paying a special attention to the theoretical views of Emil Staiger and his conception of the lyric, epic and dramatical, and theory of drama of Manfred Pfister.
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