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EN
The article presents a study of taste epithets in the Russian poetry, their forms and image-creating function, especially in the 19th–20th centuries. Beginning in Romanticism, poets prefer direct and diverse taste epithets to present the sensual experiences of personality. Yet, they use metaphorical versions to form compound images and lyric plots. Different ways of connecting the direct and the metaphorical are illustrated in the article based on the example of poems of N. Nekrasov, I. Bunin, O. Mandelstam, A. Voznesensky, D. Samoilov and others.
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EN
The author presents epithets describing God’s Son, Jesus Christ in “Church Hymns” published by Instytut Wydawniczy “Pax” in 1978, translated by priest Tadeusz Karylowski. In the introduction the author informs about the studied and partly published epithets of the Blessed Virgin Mary, the Holy Spirit, God the Father, the Holy Trinity and saints in the mentioned “Church Hymns” and in “Church Songs” printed in “Church Songbook” by priest Jan Siedlecki. The author gives reasons why it is essential to publish those epithets and then presents quite extensive material, giving Latin titles and as far as the hymns are concerned, he locates the discussed names according to pages, strophes and lines.
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