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EN
The present article describes the phenomena of experimental electronic music from Portugal, which is founded on concepts originating from the vanguards of the XX century. Starting from the crisis, which affected the 1900’s music, this short study presents the evolution of the noise connotation and the development of experimental electronic music. That, being always a cultural phenomena linked to alternative culture is also present in Portugal. For the current article were chosen three musical projects: structura, Eletrólise and M‑Pex, which can be considered representative for the topic of the article.
EN
In the article there is a whole range of the different examples related to the culture of experiment, especially in the context of the interrelations between literature and visual arts, music and photography. The paper touches upon the questions of mediality, intermediality, the relationship between word and picture, as well as sound and movement. The main aim of the article is to demonstrate the phenomenon of interweaving various types of arts worldwide.
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