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Nie taki wilk straszny… O edukacji ekologicznej w kontekście bajki Wilk Ambaras Tomasza Samojlika i jej wpływie na kształtowanie postaw proekologicznych dzieci i młodzieży względem wilków

100%
Naplocha A.
Studia Edukacyjne
|
2019
|
issue 53
321-340
EN
This article deals with the issue of achieving the goals of ecological education in the context of the fable The Wolf Called Ambaras by Tomasz Samojlik and its influence on shaping pro-ecological attitudes of children and adolescents towards wolves. The fable The Wolf Called Ambaras by Tomasz Samojlik is part of the literature trend promoting pro-ecological attitudes within the framework of ecological education. The main educational goal included in the story of the fable treating the adventures of the young wolf is to provide young readers and their parents the knowledge about the wolves’ life as well as public awareness of the need to protect the wolf by shaping positive attitudes of people towards this predator. Helpful in this assumption is taking up the problem of overthrowing negative stereotypes about wolves, on which the form of answers as well as attemption of demythologizing them are individual scenes of the fable. The plot of the analyzed fable attempts to answer the three main allegations of people towards wolves, which often appear in social, political and ecological discourse: the issue of wolves attacks on people, the impact of wolves hunting on forest game population and the public perception of a wolf as a bad animal, one unnecessary in the ecosystem. In addition, the bibliotherapeutic character of the fable was indicated. Through identificaiton with the character of the fable, readers can overcome their own fears related to their weaknesses and complexes based on the desensitization.
2
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Vladimir Tuchkov’s intertextual transgression: Folklore, parody, and social criticism

88%
Dreyer N.
Studia Rossica Posnaniensia
|
2022
|
vol. 47
|
issue 1
21-41
EN
This essay aims at analysing and illustrating a segment of the post-Soviet short fiction of the contemporary Russian writer Vladimir Tuchkov. It specifically discusses his collection of very short stories And he earned many dollars…: New Russian fairy-tales. These short stories exemplify many characteristics of Tuchkov’s oeuvre more generally. The discussion analyses the satirical contents of these miniature fictions, which the author places in the tradition of the Russian classics and of Russian folklore, within the theoretical context of parody, pastiche, intertextuality, and folklore. Tuchkov’s short narratives create a de-familiarised, quasi-mythological space where pre-modern, Soviet, and post-Soviet times converge. This results in the critical, satirical foregrounding of certain continuities in Russian culture, society, and mentality throughout the centuries despite the enormous political and social change, which it has experienced, as much as constituting, like Russia’s traditional fables, a critical and satirical engagement with contemporary social reality in Russia. The contribution examines the specific intertextuality with a satirical folkloristic genre as a literary expression, which reverberates with a post-Soviet readership, given its inherent concern with social structures. It is suggested that the employment of these concepts and literary forms in this combination serves to reinforce their overall effect of creating a hyperbolised, satirical representation of social reality.
3

W świecie bajek… leksykologicznych. O atrakcyjnym nauczaniu semantyki (na przykładzie polonistyki lwowskiej)

88%
Krawczuk A.
Kształcenie Językowe
|
2013
|
vol. 11 (21)
41 - 56
EN
The author of the article presents a method — applied in Lviv — of making university lexicology classes more attractive. Using examples of specific student tasks, the author shows how a fable written by the learners about a suggested lexicological subject can both consolidate their knowledge of a semantic theory and develop their communicative competence in Polish learned by them as a foreign language.
4
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Motywy folklorystyczne w przestrzeni artystycznej opowiadania Herberta Georga Wellsa Piękny strój

88%
Jankowska T.
Acta Neophilologica
|
2012
|
issue XIV/2
129-140
EN
The elements of symbiosis between a literary work and fable are clearly reflected in the structure of Herbert George Wells short story The Beautiful Suit that was published originally as A Moonlight Fable. The distinct allusion of the author about the title as well as the fact of two titles indicates similarity to folkloristic genre and gives posibility to perceive the story in two ways: literary work and fable. The typical semantics of folkloristic works is introduced by a number of constant formulas and motifs. They are conditioned by the function of moonlight topos that creates the opposition man – moon. The determining character of this antithesis implies the main division of the text and provides the paradigmatic sequence man – earth – mortal life versus moon – heaven – eternity that constitutes the fundamental element to model the basic relationships of the space and time structure. As well as in the sources of mythology and folklore the motif of the moon in the Wells’s short story introduces the aspect of duality of the depicted world, has an allegorical effect on the protagonist’s fate that touches the secret of existence and happiness.
5
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IMAGE OF PEOPLE WITH DISABILITIES IN WARMIAN FABLES AND FAIRY TALES (INCLUDING FOLK FABLES AND FAIRY TALES)

75%
ZAORSKA M.
Szkoła Specjalna
|
2015
|
vol. LXXVI(4)
260-267
EN
Each nation is distinguished by a specific historical and cultural tradition that is expressed in its linguistic, literary, living and existential achievements and works. These achievements and works contain various characteristics of peoples’ lives, various subjects of human existence, including the subject of disability. This article attempts to outline the image of people with disabilities in selected folk Warmian fables and fairy tales and in the fables by the outstanding Enlightenment poet bound up with Warmia – Ignacy Krasicki.
6
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RECEPCJA BAJKOPISARSTWA IWANA KRYŁOWA W ŚWIETLE PRASY POLSKIEJ PIERWSZEJ POŁOWY XIX WIEKU

75%
Dąbrowska M.
Acta Neophilologica
|
2014
|
vol. XVI/1
153-163
EN
Ivan Krylov (1769–1844) was a Russian fabulist, called “The Russian La Fontaine”, dramatist and journalist. The article contains an overview of the publications about him in the Polish newspapers and periodicals in the fi rst half of the 19th century: the notes to the translation of the fables in “Tygodnik Petersburski” (1837), the biographical notes in the newspaper “Rozmaitości” (1834, 1838), the article Russian Literature in the periodical “Zabawy Przyjemne i Pożyteczne” (1804–1806), the article The Krylov’s Fables in the “Rozmaitości” (1826). The fi rst half of the 19th century was the period of a gradual development of the Polish-Russian relations in the area of the periodical press.
7
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Sustavna i kritička katalogizacija djela Ivane Brlić-Mažuranić 2

63%
Kos-Lajtman A.
Libri & Liberi
|
2012
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vol. 1
|
issue 1
135-138
HR
Prikaz knjige Vinka Brešića "Bajke i basne. Sabrana djela Ivane Brlić-Mažuranić. Kritičko izdanje." objavljene 2011. godine.
EN
A book review of "Bajke i basne. Sabrana djela Ivane Brlić-Mažuranić. Kritičko Izdanje." published in 2011.
8

Lexikalische Archaismen im Märchen Die Karawane von Wilhelm Hauff

63%
Guz M.
Prace Językoznawcze
|
2014
|
issue 16/1
63-72
EN
The subject of this article are lexical archaisms presented in the fable Caravan by the German writer Wilhelm Hauff, who died in his prime. The purpose of the work is to find an answer to, among others, the following questions: How may the excerpted anachronistic vocabulary be divided? Which parts of speech do occur among the gathered archaisms and what is their structure? The analysed material is categorised into four groups: 1. lexemes with chronological label, 2. lexemes with chronological label and label concerning stylistic range, 3. anachronistic lexemes with label concerning stylistic range and 4. supposed archaisms. In three groups, nouns are the most frequently occurring parts of speech and only in the second group there are more verbs than nouns. Most of the nouns are basic words.
9

Przewartościowanie tradycji ezopowej w bajkach Juliana Ejsmonda Konik polny i mrówka oraz Pszczoła i gołąb

63%
Igliński G.
Prace Literaturoznawcze
|
2013
|
issue 1
47-59
EN
The article discusses two youthful fables of Julian Ejsmond. He analyses them in the context of ancient Greek Aesop’s fables and fables of Jean de La Fontaine. He also exploits fables of Franciszek Dzierżykraj-Morawski and Jan Lemański. He shows transformations of the ancient prototype above all. Fables of Ejsmond are an example of the return to sources, but being parodic redefining the tradition. These fables try to put widespread motifs straight. So occurring relations between texts of different authors, taking the same Aesopian subject up are an object of the work.
10
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Dawno, dawno temu… O roli baśni w wychowaniu i edukacji

63%
Tychmanowicz A.
Annales Universitatis Mariae Curie-Skłodowska, sectio J – Paedagogia-Psychologia
|
2018
|
vol. 31
|
issue 3
EN
Folk fairy tales constitute an important element of culture in most societies. They refer to universal human experiences, they present the course and sense of life in a metaphorical way. Because of the simplicity of plot, explicitness of characters’ behaviour and expressively presented good and evil, fairy tales are eagerly used in nurture and education, especially in didactic work with pre-school and early-school children. This article presents the role of fairy tales in nurture and education. It also demonstrates some common concerns about fairy tales regarding stereotyping of gender roles or brutality of the message in fairy tales.
PL
Baśnie ludowe stanowią istotny element kultury większości społeczeństw. Odwołują się do uniwersalnych ludzkich doświadczeń, w sposób metaforyczny ukazują przebieg i sens życia. Ze względu na prostotę fabuły, jednoznaczność zachowań bohaterów oraz wyraziście ukazane dobro i zło są one chętnie stosowane w oddziaływaniach wychowawczych i edukacyjnych, szczególnie w pracy dydaktycznej z dziećmi w wieku przedszkolnym i wczesnoszkolnym. W niniejszym artykule ukazano znaczenie baśni w wychowaniu i edukacji. Zaprezentowano także pewne zastrzeżenia formułowane wobec baśni, dotyczące m.in. archaiczności czy brutalności baśniowego przekazu.
11

Frazeologizmy i przysłowia w przekładzie bajek Iwana Kryłowa z języka rosyjskiego na kaszubszczyznę

63%
Makurat H.
Prace Językoznawcze
|
2017
|
issue XIX/4
93-105
EN
The article discusses the methods used to translate phrasemes and proverbs in the Kashubian translation of Ivan Krylov’s fables. The translator, Leszek Szulc, was unable to find some equivalent phrasemes and proverbs in the target language. He translated them word-for-word or described their meaning. Moreover, he also used the compensation strategy and introduced phrasemes in places in which they were absent in the original.
12
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Tropy akowskie w poezji Jerzego Ficowskiego

55%
Kandziora J.
Poznańskie Studia Polonistyczne. Seria Literacka
|
2012
|
issue 20
251-270
EN
The article presents the evolution of the theme of Armia Krajowa (Home Army) and the Warsaw Uprising, in Ficowski’s poetry. The theme, engaged by the poet in the late 1940s (Ołowiani żołnierze, 1948), was quickly abandoned as incompatible with the imaginary, magical direction in the development of young Ficowski’s poetry. Neither was the theme fostered by the general political background of the “dead season” of Communist Poland, by censorship, and by Ficowski’s fear of settling for the post-Romantic stereotype and patriotic myth-making. The theme returned in the 1970s (Gryps, 1979; Errata, 1981), which was related to Ficowski’s decision to liberate himself from self-censorship, and his readiness to express the once repressed content in his own, mature poetic idiom. The present study presents two aspects of historical narration in the Home-Army poems from the 1970s: the fabulous quality, which positions history in Ficowski’s private topics and intimate memory, and the scientific, naturalistic quality, which relates history to physical and cosmic categories. Both aspects redeem the poetry from the narrow specificity of Polish national myth, and make it possible to reconcile individual truth of the experience of death and suffering with the discourse of concepts and historiosophy, which also touches upon the cosmic order.
13
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Bajkowe vocanda – tematyka prawnicza a budowa i narracja bajki Fedrusa pt. Poeta de credere et non credere (III,10)

51%
Skwara J.
Studia Prawnicze KUL
|
2014
|
issue 1 (57)
203-216
PL
Artykuł analizuje sposób, w jaki motywy prawne wpłynęły na fabułę konkretnej bajki Fedrusa (III,10). Już sam gatunek literacki, jakim jest bajka, stawia przed badaczami wyjątkowe wyzwania, zwłaszcza pod względem formalnym, lecz także w zakresie budowy. W świecie bajek nie ma miejsca dla indywidualnych cech charakteru, dylematów filozoficznych lub przemiany wewnętrznej. Rozwiązanie konfliktu zawartego w treści zależy głównie od dwóch kryteriów: kto jest głównym bohaterem i kogo spotka on na swej drodze. Najlepszym przykładem tego zjawiska jest oczywiście bajka zwierzęca, w której los krwiożerczego wilka zależy od tego, czy spotka on łagodną owieczkę (i pożre ją na kolację), czy też sforę psów (i sam z kolei zostanie rozszarpany). W przypadku bajek, w których kwestie prawne stanowią główny temat, sytuacja wygląda nieco inaczej. Utwór „Poeta de credere et non credere” jest właśnie jedną z tych bajek. Dodatkowo jest to najdłuższy i najbardziej wyjątkowy w swej strukturze utwór Fedrusa. Autorka artykułu postuluje, by nie klasyfikować go jako bajki per se, ale raczej jako element zbioru bajek, który, choć w swej pierwszej wersji nie wykraczał poza ramy tego gatunku, został poprawiony, zredagowany i rozszerzony. W rezultacie przypomina bardziej anegdotę niż bajkę.
EN
The paper „Fabled vocanda – legal themes and narrative structure in Phaedrus’ Poeta de credere et non credere” analyses the way in which the legal theme influenced the plot of this particular fable. The literary genre in itself poses unique challenges not only in formal terms but also in terms of construction. In the world of fables there is no room for personalized character traits, philosophical dilemmas or inner transformation. The solution of the conflict presented in the plot depends mostly on two criteria: who is the main character and whom will he meet? The best example of this phenomenon is of course the animal fable in which a bloodthirsty wolf's fate depends on whether he will meet a meek lamb (and devour it for dinner) or a pack of dogs (and he in turn will be torn to pieces). In the case of fables in which legal issues constitute the main topic, the situation seems different. The work Poeta de credere et non credere is one of those fables. Additionally it is the longest and in its structure the most unique of Phaerus’ creations. The paper postulates that it should not be categorised as a fable per se, but rather as a piece, that started out as a fable, but was revised, rewritten and extended. In result it resembles more an anecdote than a fable.
RO
В статье анализируется, каким образом юридические мотивы влияют на фабулу конкретной басни Федро (ІІІ,10). Уже конкретный литературный жанр, которым является басня, ставит перед исследователями исключительные вызовы, особенно формальные, но и также относительно структуры. В мире басен нет места для индивидуальных черт характера, филоссофских диллематов или внутренних перемен. Развязка конфликта содержания зависит в основном от двох критериев: кто является главным героем и кого он встретит на своем пути. Наилучшим примером этого явления есть басня о животных, в которой судьба хищного волка зависит от того, встретит ли он покорную овцу (и съест ее на ужин), или стадо собак (и его растерзают). В баснях, в которых юридические вопросы являются главной темой, ситуация выглядит несколько по-другому. Сочинение «Poeta de credere et non credere» есть, собственно, одной из этих басен. Кроме того, это очень длинное и исключительное относительно структуры сочинение Федро. Автор статьи предлагает не класифициравать его как басню, а скорее как элемент собрания басен, который хотя в своей первой версии не выходит за пределы этого жанра, был улучшен, отредагирован и расширен. В результате напоминает более анекдот, чем баснь.
14
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Своєрідність поетики малої прози Клима Поліщука

51%
Maftyn N.
Studia Ucrainica Varsoviensia
|
2017
|
vol. 5
207-215
PL
The determination of genre end style paradigm of the small prose of the Ukrainian writer by main features of expressionism aesthetics is examined in the article. The dependence of genre-composition, singularities (fragmentation, underplot, with the inclusion of the complicated set of leitmotifs in the plot) as well as style peculiarities (especially the apocalyptical, imagery, the tendency to saturation and the phrase expression) on the epiphany of death as one of the dominating artistic devices of K. Polishchuk`s prose is considered.
15
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Zmierzch i odradzanie się wartości humanistycznych (O świecie poetyckim Hansa Magnusa Enzensbergera)

51%
Krasoń K. J.
|
2013
|
vol. 11
|
issue 2(21)
201-212
EN
Hans Magnus Enzensberger uses fabulous and fairy-tale motifs in his poetry, as well as refers to myth, legend or topos, in order to show present conflicts. Sometimes he brings a child character into his works, at times adopts a puerile view of the world, mocks at human stupidity, expresses his critical approach to imperfect adult world, but at the same time manifests his negative attitude to global imperialism and social and political relationships prevailing in Germany. He sees in them the end of such values as human dignity, courage to express own thoughts or respect for another human being. Aware of civilisation threats, he fights in his poetry for human subjectivity by referring to the world of childish imagination, fairy tale and myth, in particular to the myth of childhood an parents, which he recalls in order to express his critical approach to declining society being based on money-worship and authoritarian power, which contributes to the objectification of human beings. In this study, using concrete examples, Enzensberger has been presented as a committed poet who tries – like Zbigniew Herbert – to support reality change and improvement in artistically valuable manner.
16
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Approaching the Bible Through Fables. A Commemoration of the 25th Anniversary of the Publication of The Interpretation of the Bible in the Church

45%
Dzikiewicz D.
Poznańskie Studia Teologiczne
|
2020
|
issue 36
67-81
PL
Dzisiaj egzegeci prowadzą badania biblijne za pomocą różnorodnych metod i podejść. Najważniejsze z nich zostały wymienione w dokumencie zatytułowanym Interpretacja Biblii w Kościele. Od ukazania się tej publikacji minęło ponad 25 lat. Artykuł jest formą upamiętnienia tego wydarzenia. Proponuje się w nim podejście do Biblii przez bajki, co wzbogaca interpretację Pisma Świętego. Opracowanie wykazuje to za pomocą aplikacji bajkowych motywów ryby i śmiechu. W bajkach ryba i śmiech oznaczają między innymi początek nowego etapu w życiu danego bohatera lub stają się nawet przyczyną sprawczą ciąży, czyli powstania nowego życia. Uwzględnienie owych idei umożliwia lepsze zrozumienie tych tekstów biblijnych, w których również występują wątki ryby i śmiechu.
EN
Nowadays, Catholic exegetes interpret the Bible using a variety of methods and approaches. The most important of these are mentioned in the document entitled The Interpretation of the Bible in the Church. More than 25 years have passed since this act was published. This article wants to commemorate this event. It proposes an approach to the Bible through fables. The application of the proposed approach undoubtedly enriches the interpretation of the Scriptures. This thesis is demonstrated by the application of two fables motifs: fish and laughter. In fables, fish and laughter quite often mark the beginning of a new stage in the life of a certain protagonist or even become the causative agent of pregnancy, i.e. a new life. Paying attention to these ideas enables a better understanding of those biblical texts that also contain themes of fish and laughter.
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„Niewygodna dla władzy” twórczość poetycka Antoniego Goreckiego

45%
Kowal J.
Toruńskie Studia Bibliologiczne
|
2014
|
vol. 7
|
issue 1(12)
9-30
PL
Twórczość literacka Antoniego Goreckiego sprowadza się w zasadniczej mierze do tzw. literatury okolicznościowej. Poeta wielokrotnie, przy użyciu pióra, komentował aktualne wydarzenia polityczne i społeczne. Ze szczególnym upodobaniem pisywał bajki polityczne, które przysporzyły mu największej popularności. Gatunek ten, poprzez częste wykorzystywanie tzw. języka ezopowego, stwarzał możliwość przemycania niewygodnych dla caratu treści. Nie zawsze jednak udawało się poecie uniknąć konfliktu z cenzurą, w wyniku czego znalazł się nawet w więzieniu. Co znamienne, twórczość Goreckiego była cenzurowana nawet po jego śmierci, na co przykłady odnajdujemy w lipskich wydaniach zbiorowych Pism z roku 1877 i 1886.
EN
Literary work of Antoni Gorecki essentially resembles so-called occasional literature. The poet repeatedly made comments about the current political and social events by the use of a pen. He wrote political fables which were his real predilection and brought him the most popularity. This genre, by the frequent use of the so-called Aesopian language, created the opportunity to smuggle content inconvenient for the tsarism. Not always, however, did the poet manage to avoid a conflict with the censorship. As a result, he was even imprisoned. Significantly, Gorecki’s work was censored even after his death, as the examples can be found in the Writings of Leipzig collected editions of 1877 and 1886.
18
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Felietonowe gry z konwencjami gatunkowymi w „Rzucie z autu” Waldemara Lodzińskiego

32%
Iwańczyk P.
Językoznawstwo
|
2014
|
issue 8
31-38
EN
The purpose of the present article is to fill up a distinct gap in the state of media studies research by characterising selected columns written by Waldemar Lodziński. The texts were published as a part of „Rzut z autu” cycle (1994–1998) in the „Piłka Nożna” weekly. The text contains conclusions from linguistic analysis of gathered press material made from an angle of interesting genre adaptations present in the texts. Numerous examples of original references can be found in Lodziński’s columns: to other press genres (a letter to the editor, commentary, editorial), various forms characteristic of literature (story, fable, riddle) and usable texts (instructions, regulations, declaration). Conclusions from three sport columns are presented in the present article, stylised to be a folk fable, school descriptive evaluation and a riddle.
PL
Celem niniejszego artykułu jest wypełnienie wyraźnej luki w badaniach nad mediami poprzez scharakteryzowanie wybranych felietonów autorstwa Waldemara Lodzińskiego. Teksty te były publikowane w cyklu „Rzut z autu” (1994–1998) w tygodniku „Piłka Nożna”. Artykuł zawiera wnioski z analizy językowej zgromadzonego materiału prasowego, przeprowadzonej pod kątem interesujących adaptacji gatunkowych obecnych w tych tekstach. W felietonach Lodzińskiego można znaleźć liczne przykłady oryginalnych odniesień do innych gatunków prasowych (list do redakcji, komentarz, artykuł wstępny), różnych form charakterystycznych dla literatury (opowiadanie, bajka, zagadka) oraz tekstów użytkowych (instrukcje, regulaminy, deklaracje). W artykule przedstawiono wnioski z analizy trzech felietonów sportowych, stylizowanych na ludową bajkę, szkolną ocenę opisową i zagadkę.
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