Search results - CEJSH

1

Świrszczyńska (za)poznana? Feministyczne odkrywanie poetki

100%

Biedrowska A.

Poznańskie Studia Polonistyczne. Seria Literacka

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2018

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issue 32

143-162

EN

This paper encourages to renew a reflection on poetry of Anna Świrszczyńska – a well-known but also unknown author. It discusses the subject of motherhood in this poetry (pregnancy, childbirth, puerperium) and shows, how relevant Świrszczyńska’s works still are. Her poetry is nowadays continued not only by others women writers and poets, but also – or maybe: first of all – by feminist opinion journalism.

2

Politologia wobec feminizmu a feminizm wobec politologii

98%

KOŁODZIEJCZAK M.

Przegląd Politologiczny

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2011

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issue 2

7-18

EN

The paper discusses the issue of the complex relationship between political science as a branch of academia and modern trends in feminism, understood as a collection of mutually related ideologies. The author emphasizes that both science and ideology are forms of politi- cal practice exercised in the same social and political reality. However, they are fundamen- tally different with respect to the hierarchy of their functions. The ‘clash’ of these two products of human activity produces political science on women and the politological analysis of feminism (subjected first and foremost to the scientific function) on the one hand, and various proposals of feminist modifications of political science that produce feministically re- formed political science and gynocentric political science (where the scientific function is subjected to social objectives) on the other.

3

Emancipácia žien v západoukrajinských regiónoch na začiatku dvadsiateho storočia: spoločenský a jazykový aspekt

98%

Machek V.

Moderní dějiny: sborník k dějinám 19. a 20. století (Modern History: Studies into 19th and 20th century history)

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2021

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vol. 29

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issue 2

83-111

EN

This paper presents an outline of development of the emancipation movement in the territory of present-day Ukraine from the last third of the nineteenth century to the end of the 1930s (when the Sovietization of Ukraine culminates), the development of women’s self-awareness, and the increasing presence of women in Ukrainian public life – and its influence on dissemination of women’s official and managerial names in Ukrainian press releases. It focuses mainly on the research of feminist ideas and the nature of their spreading in various regions of western Ukraine in the 1920s and 1930s which, in this period, were part of different state arrangements (Poland, Romania, Czechoslovakia) compared to the Soviet Ukraine; the role of women’s organizations in shaping women’s public awareness and public opinion of a woman as a full-fledged active person, and the role of periodicals in this process. Explored are the changes in the position of women in western Ukraine, reflection on the processes of feminization of society in the dynamics of the female lexicon at the beginning of the twentieth century. The problems of women’s emancipation in Ukrainian society are observed against the background of intensifying feminization processes in the West Ukrainian version of the Ukrainian language in the 1920s–1930s. The research material consisted of the texts of the West Ukrainian press releases from the 1920s and 1930s. The material used for illustration testifies to the spheres and facts of functioning of the then established, as well as newly created language designations of the female person, especially the official and managerial names in the language of West Ukrainian periodicals.

4

In the clutches of melancholy. Interpretive analysis of Gilles Renard’s student film “Late Afternoon”

93%

Drąg F.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2018

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vol. 24

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issue 33

179-184

EN

The aim of the analysis is to present the film (Late Afternoon) by Gilles Renard as a study of melancholy. Both the plot and the cinematographic means used to shape the form of this short film correspond with the theoretical texts by Julia Kristeva and Melanie Klein on depression in women. The author of the text considers Late Afternoon as a feminist and affirmative film, strongly inspired by the aesthetics of Krzysztof Kieślowski’s cinematic output.

5

Oblicza feminizmu

93%

Szydło J.

Marketing i Rynek

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2014

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vol. 21

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issue 2

172-180

PL

Feminizm jako ruch społeczny, jako ideologia i jako teoria czerpie swoją energię z tego, że od początku swego istnienia zyskał zasięg ponadnarodowy. Przekraczał granice państw i kontynentów. Wpływał na życie i mentalność ludzi z różnych kultur, wspólnot etnicznych i warstw społecznych. Tekst pokazuje, że zjawisko to obejmuje szeroką gamę postaw, zachowań, strategii. Zatem, w jaki sposób zjednoczyć kobiety mimo dzielących je różnic i właśnie za pośrednictwem tych różnic? Artykuł jest próbą ukazania wewnętrznego dialogu feminizmu. Eksponuje sposób różnicowania się odpowiedzi feministek na powtarzające się pytania. Przedstawia wewnętrzną dynamikę feministycznych wędrówek po drogach i bezdrożach filozofii, historii tak, aby podkreślić zarówno ograniczenia, jak też różnorodność i bogactwo otwieranych horyzontów.

EN

From its inception feminism drew its energy from its supra-national coverage as a social movement, an ideology, and as a theory. Overcoming national and continental borders. Influencing the life and mentality of people of diverse cultures, ethnic communities, and social levels. The text shows that the phenomenon encompass a wide range of attitudes, behaviours, and strategies. Therefore, how to unite women with dividing differences, and particular using this differences? This article is an attempt to show the internal dialog of feminism. It used the method of differing replies of feminists to recurring questions. Exhibiting the internal dynamics of the philosophy of feminism travelling on explored and unexplored paths; and history to emphasize equally the limits, diversity, and wealth of open horizons.

6

Krótka historia macierzyństwa w ujęciu feministycznym

93%

Wodzik J.

Analiza i Egzystencja. Czasopismo Filozoficzne

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2011

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issue 16

91-104

EN

Feminist thought of motherhood begins with First Wave, when thinkers were convinced of naturalistic point of view according to which women are predestined to be a mother (M. Wollstonecraft, J. S. Mill, H. Taylor). Women’s liberation was put down for a while by given them vote rights. The next wave of women’s liberation came back after II World War. Denaturalization of motherhood starts with Simone de Beauvoir’s Second Sex where she presents an analysis of mother stereotypes and social processes of promoting specific motherhood-mode, which works for the patriarchal culture. She does not treat motherhood and child rearing as something natural for every woman. Beauvoir’s critics set up a debate about the possibility of non-patriarchal motherhood where being a mother is independent from patriarchal order, as ground for woman’s identity. S. Macintyre postulates division off motherhood and marriage, which is opposite to traditional sociology paradigm. A. Rich creates a definition of motherhood institution so different from intimate experience of mother, she gives mothers voice to speak about motherhood. N. Chodorow suggests non-patriarchal rule of „double parenting”, which is to reduce differences between sexes. E. Badinter proves that maternal instinct does not exist (in biological way), but it is the social construct exploited by patriarchal system. Works of Beauvoir, Macintyre, Rich, Firestone, Chodorow, Badinter exemplify the slow process of denaturalization of motherhood in feminist thought.

7

Victim-Warriors and Restorers-Heroines in the Post-Apocalyptic World of Mad Max: Fury Road

93%

Reglińska-Jemioł A.

Text Matters: A Journal of Literature, Theory and Culture

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2021

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issue 11

106-118

EN

The article discusses the evolving image of female characters in the Mad Max saga directed by George Miller, focusing on Furiosa’s rebellion in the last film-Mad Max: Fury Road. Interestingly, studying Miller’s post-apocalyptic action films, we can observe the evolution of this post-apocalyptic vision from the male-dominated world with civilization collapsing into chaotic violence visualized in the previous series to a more hopeful future created by women in the last part of the saga: Mad Max: Fury Road (2015). We observe female heroes: the vengeful Furiosa, the protector of oppressed girls and sex slaves, the women of the separatist clan, and the wives of the warlord, who bring down the tyranny and create a new “green place.” It is worth emphasizing that the plot casts female solidarity in the central heroic role. In fact, the Mad Max saga emerges as a piece of socially engaged cinema preoccupied with the cultural context of gender discourse. Noticeably, media commentators, scholars and activists have suggested that Fury Road is a feminist film.

8

Paula Meehan’sCell: The Imprisoned Dialogue of Female Discourses

93%

Poloczek K.

Research in Language

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2014

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vol. 12

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issue 4

401-421

EN

The paper discusses Paula Mehan’s play Cell with focus on the female discourses present in the context of this literary work and the multifold metaphorisation that both the title of the work and the contents invite. The discourses are analysed against the relevant social background and critical literature. The focal types of discourses under discussion involve imagery from maternal and familiar discourse, the “biological” discourse related to hygiene, the sexual discourse, the mock feminist discourse, the discourse of the military and the propaganda of the common good, and the discourse related to the animal world.

9

Simone de Beauvoir: "Druhé pohlaví" - a kletba překladu

93%

Pichová D.

Filosofický časopis (Philosophical Journal)

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2019

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vol. 67

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issue 2

241-250

EN

The article deals with a Czech, a Slovak and two English translations of Simone de Beauvoir’s work The Second Sex (Le deuxième sexe, 1949). The first English translation (1953), as well as the Czech (1966) and Slovak (1967) versions, were selective; the only complete translation is the second English translation (2009). However, even this complete English version is considered problematic by the academic public. A comparative analysis of the four translations of The Second Sex presents the choices made by different translators and illustrates the impact of the (incomplete and/or erroneous) translations on the general reception of Simone de Beauvoir’s work.

FR

Cette étude propose une comparaison des traductions tchèque et slovaque et de deux traductions anglaises du chef-d’oeuvre de Simone de Beauvoir, Le deuxième sexe (1949). La première traduction anglaise (1953), ainsi que les versions tchèque (1966) et slovaque (1967) sont partielles. La seule traduction intégrale étant la deuxième traduction anglaise de 2009. Mais elle est également considérée comme problématique par les spécialistes. L’analyse comparative des différentes traductions du Le deuxième sexe indique d’autres procédés de traduction et montre l’influence des traductions (non intégrales et/ou fautives) sur la réception de l’oeuvre de Simone de Beauvoir en tant que telle.

10

Female Food-Induced Dreams in Advertising: A Case Study of Three Polish TV Commercials

93%

Augustynowicz N.

Acta Philologica

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2014

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issue 45

85-92

XX

Celem artykułu jest analiza reklam telewizyjnych pod kątem występującego w nich przedstawienia kobiety wpadającej w stan marzenia sennego pod wpływem spożyciareklamowanego produktu i zaproponowanie nowego sposobu ich czytania w oparciu o współczesne teorie reklamy oraz prace Susan Bordo dotyczące ideologii głodu w kulturze popularnej. Dzięki zastosowanej metodologii autorka pokazuje, iż pomimo powierzchownego odczucia wyzwolenia, które mogą one wywoływać, te przedstawienia wskazują na istnienie głęboko zakorzenionych restrykcji dotyczących satysfakcji cielesnej u kobiet. Związek łączący kobiety i jedzenie ma dużą wartość emocjonalną, która zmusza do negocjowania delikatnej równowagi pomiędzy przerażającą żarłocznością a bezcielesną transcendencją. Wreszcie, przeprowadzona analiza ukazuje, że reklamy te mocno podkreślająz jednej strony kwestie samokontroli i samoograniczania się, a z drugiej kładą nacisk na występujące zakłócenia percepcji siebie i otoczenia, co stanowi cechy charakterystyczne dyskursu zaburzeń odżywiania.

11

Naise kujutamine eesti nuudisanekdootides: kriitiline ulevaade

93%

Ojam I.

Mäetagused

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2012

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vol. 52

47-64

EN

This article discusses the representation of woman in Estonian punch-lined jokes. After brief introduction to the problems and approaches of this field the author presents the results of the extensive research, which consisted of the survey of 1869 jokes. Jokes representing female characters had to contain one of the four most neutral keywords: woman, mother, wife and maiden (young woman in Estonian). These jokes were collected from the Internet and stem from the years 1960–2010 and are categorised using the program QDA-miner, which enables both quantitative and qualitative methods. However, the main emphasis in the approach is on the critical interpretation of the results. The jokes were divided into 4 major subcategories: 1) location of the joke; 2) the interaction partners of woman; 3) sexual content; 4) the role of the woman (active, submissive, neutral). The most frequent location for the joke was homely environment. Woman interacted in the jokes mostly with her husband, children and other family members. Surprisingly, only 27% of the material contained any kind of sex-related circumstances. The fourth and most ambiguous (open to interpretation) category was the role of the woman. It was also the focal point of my critical approach. The results show generally, that the picture of woman in Estonian jokes is rather passive and one-sided. In literally half of the jokes, woman had merely episodical role. Woman was clearly the target of the joke in 32% of the jokes and active protagonist in the rest 18%. Although it seems, that the female character had often something meaningful to say in jokes, closer look reveals that it was not the case. Even in the jokes where the woman was active, her role was still very stereotypical and reflected rather the point of view of men telling the jokes or the construction of male identity in general. These tendencies show, that the representation of woman in estonian joke material is quite static throughout the period of 1960s until the first decade of the 21st century. I maintain, that this phenomenon cannot be explained with the simple persistence of sexism and misogyny in society. One other way of explaining it, is that the inherent stability of the genre of punch-lined joke does not let new discourses appear in it. Researchers should look for other new humorous genres for more critical and complex representation of gender and femininity.

12

Rzecz o wiernej Penelopie. Reinterpretacja mitu o Odyseuszu jako propozycja lekcji o żeńskiej perspektywie

93%

Miksiewicz N.

Filoteknos

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2022

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issue 12

147-160

EN

The protagonists created by the Canadian writer Margaret Atwood are characterized by a constant struggle for survival, searching for identity and the voice that was taken away from them for various reasons. One of such protagonists is Penelope, immortalized in history thanks to Homer and addicted to the story of a man – her husband Odysseus. The article aims to present Penelopiada not only as a reinterpretation of a myth but also as an interesting reading proposal for high school students, which can be presented as an interpretative context when discussing texts from antiquity.

13

Alice Walker’s Womanism: Perspectives Past and Present

93%

Izgarjan A., Markov S.

Gender Studies

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2012

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vol. 11

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issue 1

304-315

EN

The article charts the development of womanism as a movement which has presented an alternative to feminism. It advocates inclusiveness instead of exclusiveness, whether it is related to race, class or gender. Womanism provided political framework for colored women and gave them tools in their struggle with patriarchy which imposed restrictive norms and negative stereotypes on them. It also tackled the restrictiveness of feminism which was especially evident in the field of literary scholarship. Womanism is also related to new movements within feminism such as womanist theology and eco-feminism

14

Feminism – difficult conversation

93%

Szydło J.

Journal of Intercultural Management

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2014

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vol. 6

|

issue 4-1

101-112

EN

Feminism is a conflict between the female identity and female differences. Yet, all feminist thoughts aim at protecting specific subjects - women. In its current, rather chaotic form it allows to discover, understand and learn something from women who live and work in different countries. Feminism is not monolithic. It comprises a large array of attitudes, interests and ideas. These in turn, are differently represented across countries. Women took and still take various paths in combating inequality, therefore perhaps it would be wise to refer to ‘feminisms’ instead of a singular form ‘feminism’. My goal is to present a concise summary of a particular set of meanings of this term, ones that are relatable in the broadest sense.

15

Suturing a Wounded Body-Wounded Mind in Red Silk on White Linen: Embodied and Hand(Y) Knowledge of Trauma

93%

Goggin M. D.

Linguaculture

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2012

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vol. 2012

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issue 1

27-46

EN

In 1830, Elizabeth Parker, daughter of a day laborer and of a teacher in Ashburnham, East Sussex, England, cross-stitched in red silk thread an extraordinarily complex text that participates in several genres, including a memoir of her then brief life of some seventeen years, a confession, a suicide note, and a prayer. These various genres cohere around one momentous event in Parker’s young life: the sexual violation and physical abuse at the hands of her employer, Lt. G. After suturing 46 lines, 1,722 words, and 6,699 characters, she stops mid-line and mid-way down her cloth with the powerful plea, “What will become of my soul[?]” This paper argues that Parker’s sampler was a robust site in which Parker was able to grapple with her wounded body and mind. To justify the claim that a woman’s stitching can be interpreted as an epistemic activity, the proposed paper turns to two key concepts “situated knowledges” and “embodied knowledge”- both of which have been posited by feminists as a way to destabilize the dominant validation of disembodied, abstract thinking where the eye serves as the mind’s tool of investigation. (Haraway; Knappett; Frank; Driver)

16

FEMINIDAD INSTITUCIONAL Y FEMINISMO ¿UN BINOMIO IMPOSIBLE?

93%

ESQUIROL SALOM M.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

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2013

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vol. 5

7-21

17

Ukrainian Theater Actresses in Eastern Galicia

93%

Rosa-Lavrentii S.

Pamiętnik Teatralny

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2020

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issue 3(275)

151-170

EN

This article offers a typology of the experiences of Ukrainian theater actresses in Eastern Galicia from the end of the 19th to the first half of the 20th centuries, identifying the most common artistic and biographical trajectories that make up the particular continuities of women’s collective cultural experience. The “images” of these Ukrainian actress are delineated according to how they were constructed by the contemporary Ukrainian press, and their peculiarities are identified in accordance with the specifics of the activities of Ukrainian theater in Eastern Galicia during the period in question.

18

Virginia Held: Etika péče : osobní, politická a globální

93%

Drozenová W.

Filosofický časopis (Philosophical Journal)

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2018

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vol. 66

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issue 6

951-960

EN

The Czech translation of the book Virginia Held: The Ethics of Care: Personal, Political, and Global (Etika péče. Osobní, politická a globální. Praha, Filosofia 2015) by Petr Urban has made views of the ethics of care available to the broad public; its ideas are relevant also to bioethics and the caring professions. This study is focused on the question of the ethics of care as a moral theory, and comes to the conclusion that it is a species of empiricist ethics based on moral sentiments, in combination with a feminist starting point. The strength of Held’s standpoint is its awareness of the variety of women’s experience in different societies.

DE

Das Buch von Virginia Held: The Ethics of Care: Personal, Political, and Global (Etika péče. Osobní, politická a globální. Praha, Filosofia 2015), das in der tschechischen Übersetzung von Petr Urban erschienen ist, bietet dem breiten Publikum einen Einblick in Standpunkte der Ethik der Pflege, deren Ideen auch für die Bio-Ethik und für Pflegeberufe wichtig sind. Die vorliegende Studie befasst sich mit der Frage der Ethik der Pflege als Ethiktheorie und kommt zu dem Schluss, dass es sich um eine empirische Ethik handelt, die auf dem moralischen Empfinden gründet, freilich mit einem feministischen Ansatz. Ein Vorteil des Ansatzes von V. Held ist dabei ihr Sinn für die Verschiedenartigkeit der Erfahrungen von Frauen in verschiedenen Arten von Gesellschaften.

19

Reclaiming Adolescent Sexuality: Images of Girlhood in Petra Collins’s Babe

93%

Kamińska A.

Adeptus

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2017

|

issue 9

EN

Reclaiming Adolescent Sexuality: Images of Girlhood in Petra Collins’s BabeThis paper examines photographs, drawings, collages and other art forms collected in the book Babe, edited by photographer Petra Collins and published by Prestel in 2015. I read the collected artwork as an attempt to present the image of the girl (including her sexuality) from a young woman’s perspective. Babe, which includes works such as photographs of teenagers with visible period blood on the underwear or a to-do list with the goal of never faking another orgasm, asks who a contemporary girl is and how young artists can challenge traditional images of femininity. In my analysis I focus on the excessive use of the color pink in Babe, characterizing the way artists blend innocence with eroticism. I argue that by playing with artifacts of “girlishness,” artists can both expose the absurdity of the image of the girl in popular culture and reclaim symbols of girlhood. I suggest that Collins – despite her ambitions to create an inclusive platform for female artists – does not present a diverse image of girls, who in Babe is still predominantly white and able-bodied. I introduce the potential reading of Babe as a feminist visual manifesto, in reference to the Riot Grrrl movement and the cultural phenomenon of “girl power.” I suggest that the book offers a possibility of exploring the figure of the girl from the perspective of young female artists. Odzyskując młodzieńczą seksualność: wizerunki dziewczyńskości w „Babe” Petry CollinsArtykuł jest analizą fotografii, rysunków, kolaży i innych prac zebranych przez fotografkę Petrę Collins w albumie „Babe", wydanym w 2015 roku przez Prestel. W artykule odczytuję zebrane prace jako szansę zaprezentowania wizerunku dziewczyny (w tym jej seksualności) z perspektywy młodej kobiety. Babe – w której znajdują się zarówno fotografie nastolatek z widoczną krwią menstruacyjną na bieliźnie, jak i zdjęcie listy zadań, na której artystka umieszcza postanowienie, by nigdy więcej nie udawać orgazmu – zadaje pytanie kim dzisiaj jest dziewczyna i w jaki sposób młode artystki mogą kwestionować utarte obrazy kobiecości. Podczas analizy skupiam się na przewadze różu w warstwie wizualnej albumu, ukazując sposób, w jaki artystki łączą pozorną niewinność z erotyzmem. Twierdzę, że poprzez grę z konwencjami „dziewczyńskości” autorki prac mogą zarówno eksponować sztuczność wizerunku młodej kobiety w kulturze popularnej, jak i odzyskiwać symbole dziewczęcości. Sugeruję, że Collins – mimo próby stworzenia inkluzywnej platformy dla artystek – nie oferuje zróżnicowanego obrazu dziewczyny, która w Babe wciąż jest przeważnie biała i pełnosprawna. W odczytaniu Babe jako feministycznego wizualnego manifestu odwołuję się do ruchu Riot Grrrl i fenomenu kulturowego reprezentowanego przez hasło „girl power”. Sugeruję, że album oferuje zgłębienie postaci dziewczyny z punktu widzenia młodych artystek.

20

Gendered Figurational Strategies in Norbert Elias’s Sociology

93%

Bucholc M.

Polish Sociological Review

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2011

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vol. 176

|

issue 4

425-436

EN

Norbert Elias conceptualized social inequality as a result of shift in relative social forces of individuals in figurations, in which framework he also viewed the inequality between men and women. In this paper I examine the main thesis of what could be named Elias’s gender sociology: firstly, men and women use different strategies in their striving for an increase in relative power depending on their social position, and secondly, one of the most effective strategies which may be successfully used by the weaker party in order to change the distribution of power between the sexes is redefining the arsenal of cultural weapons used in this struggle. The antagonism between men and women trying to draw as much power as possible to themselves in the zero-sum social game can become very fierce, especially if the use of physical violence is legitimized on a respective level of civilization. On the other hand, according to Elias’s basic theoretical assumptions all individuals in a figuration are interrelated and interdependent, which restrains direct violence as well as suppresses radical liberation tendencies. This makes it easier for women to engage in strategies of coping with oppression on institutional, symbolic and proxemic level, which are discussed in the final part of the paper.

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