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PL
Edukacja rzadko przyciąga uwagę współczesnych literatów. Tym bardziej interesująca powinna być dla pedagogów ostatnia powieść Michela Houellebecqa Uległość. Przedstawiono w niej zaskakującą wizję przyszłości francuskiego systemu oświaty, w której świecki model szkolnictwa zostaje zastąpiony przez model wyznaniowy. Zdaniem autorki, wizja ta współgra z narastającym nurtem politycznego konserwatyzmu i wymaga od pedagogów przemyślenia wartości stojących za współczesnym szkolnictwem.
EN
Education rarely attracts the attention of contemporary writers. That’s why educators should be particularly interested in Michel Houellebecq’s latest novel, Submission. The book presents a surprising vision of the future of the French education system – replacing the current secular model of education by a religious one. In the opinion of the author of the article, Houellebecq’s vision fits in with the rising tide of political conservatism. This requires a rethinking of the values standing behind contemporary education.
EN
The author aims to identify elements of dystopia in three unfinished manuscripts by Mickiewicz which were published in one volume entitled A History of the Future. The article first examines the terminological difficulties associated with differentiating between the notions of “anti-utopia” and “dystopia”. It then proceeds to discuss aprose work by Mickiewicz which exists only in the form of a summary written by Antoni Edward Odyniec, a friend of the poet. The analysis of Odyniec’s depiction leads to a conclusion that Mickiewicz was writing an innovative work according to the poetics of science fiction, a genre largely unknown at the time, a work which would predict the directions of Europe’s development in the areas of ethics, politics, civilization and technology. It is impossible, however, to determine the potential significance of dystopian factors in that work. The largest number of dystopian features was found in the second fragment of A History of the Future which describes the final stage of aPan-European revolution against monarchal order. The last fragment of A History of the Future, which predicts the course of a political coup in France, is connected in the present article not so much with the poetics of dystopia as with the genre of “political fiction”.
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