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Amor fati Fryderyka Nietzschego (konieczność i przypadkowość losu człowieka)

100%
Pałasiński P.
Racjonalia. Z punktu widzenia humanistyki
|
2013
|
vol. 3
EN
This article is about the concept of amor fati in the Friedrich Nietzsche’s philosophy. In philosophy of Beyond Good and Evil the author’s idea of amor fati combines reflections on fortuitousness and necessity in the context of human life. In this paper, the author attempts to show the significance of this idea by the interpretation of Nietzsche’s statements about the following concepts: fortuitousness and necessity. The other issue is Nietzsche’s writing about his own attitude to life and the world. The amor fati idea appear to be an existential challenge that Nietzsche confronts with people who want to see their life as meaningful. By Nietzsche fortuitousness as the essence of the world is subordinate to the human life requiring the purpose. The amor fati concept appears as one way of life in the world without purpose.
PL
This article is about the concept of amor fati in the Friedrich Nietzsche’s philosophy. In philosophy of Beyond Good and Evil the author’s idea of amor fati combines reflections on fortuitousness and necessity in the context of human life. In this paper, the author attempts to show the significance of this idea by the interpretation of Nietzsche’s statements about the following concepts: fortuitousness and necessity. The other issue is Nietzsche’s writing about his own attitude to life and the world. The amor fati idea appear to be an existential challenge that Nietzsche confronts with people who want to see their life as meaningful. By Nietzsche fortuitousness as the essence of the world is subordinate to the human life requiring the purpose. The amor fati concept appears as one way of life in the world without purpose.
2
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Tragizm vs. Ironia – spór o sensowność „tego, co ludzkie”

57%
Kopeć A., Jagielloński U.
Internetowy Magazyn Filozoficzny Hybris
|
2016
|
vol. 33 (2)
EN
The article compares two approaches of subjectivity: ‘tragic subjectivity’ and ‘ironic’ one. Both of them include different anthropology. Tragic subjectivity is most fully expressed in commitment to values. Tragic protagonist is the one who by acting according to his commitment to values becomes self–conscious. However, subjectivity which emerges from tragic vision cannot exist in postmodern times, because of some reductions which postmodern philosophy has brought. Ironic subjectivity took the place of the tragic one. This subjectivity manifests in negation. Ironic protagonist understands freedom as being uncommitted, as an abstraction from the externality. This escape from reality brings to the subject the feeling of self–doubt. In the end of the article the author shows that ironic project is not a remedy for the problems which appear from postmodernity and suggests that new form of tragic vision (which again brings to the notion of ‘humanity’ special content) is possible.
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