Search results

1

Obraz medialny lubelskiej Fundacji HerStory

100%

Kamińska A.

Nowa Polityka Wschodnia

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2019

|

vol. 3(22)

107-126

RU

Целью данной статьи является описание и анализ деятельности фонда HerStory, который занимается восстановлением памяти женщин заслуженных в истории Люблина и, кроме того, способом представления деятельности фонда в местных СМИ. Контент-анализ сообщений СМИ, как более широких с точки зрения количества пользователей, таких как TVP Люблин (TVP Lublin) и местных информационных ежедневных газет «Dziennik Wschodni», «Gazeta Wyborcza Lublin» и «Kurier Lubelski», так и анализ местных информационных веб-порталов, подтвердили, что исходная информационная база о деятельности фонда является очень скупой. Средства массовой информации посвящают мало времени на распространение информации на тему мероприятий, связанных с антидискриминационной деятельностью, и сообщениям о её ходе. Напротив, печатанные в СМИ материалы содержат лишь самую важную информацию о мероприятиях, организуемых фондом, но при этом не освящают другие области его деятельности. В материалах, доступных в Интернете, нет также аудиовизуальных отчетов, о которых сообщает отправитель. Статья основана на доступных в Интернете газетных материалах, потому что они обычно содержат больше информации, чем бумажные издания. Прежде всего нужно отметить широкую область деятельности фонда HerStory, что не соответствует количеству материалов, доступных в СМИ. Статьи в прессе предоставляют информацию о мероприятиях, которые организует HerStory, на выборочной основе. Кроме того, отсутствуют также приложения в виде график, которые появляются на сайте фонда. СМИ также не представляют портретов женщин, которые являются героинями герсторических прогулок. Имена этих женщин представлены в этой статье. Фонд HerStory восстанавливает память и когда-то потерянную славу люблинским женщинам, которые внесли свой вклад в развитие города, благодаря своей социальной активности, а о которых по различным причинам история забыла.

EN

This article aims to describe and analyze the activities of the HerStory Foundation, which deals with restoring the memory of meritorious women in the history of Lublin and the way of presenting the activities of the foundation presented in local media. The analysis of the content of media coverage of both broader media in terms of the number of recipients, such as TVP Lublin and local news diaries “Dziennik Wschodni” and “Kurier Lubelski”, as well as local news portals, proved that the source database regarding the foundation’s activities is very scant. In the media, little space is devoted to promoting events related to anti-discrimination activities and reports on their course. In contrast, articles published by the media are usually limited to presenting the most important information about an event organized by the foundation without bringing the other areas of its activity closer. In the materials available on the Internet, there are also no audiovisual reports that the sender informs about. The article is mainly based on press materials available on the Internet, because they usually contain more information than paper editions. First of all, it should be noted how wide the area of the Herstory Foundation’s activity is, which does not translate into the amount of materials available in the media. Press articles provide information about the undertakings organized by HerStory in a selective manner. There are also missing attachments in the form of graphics that appear on the foundation’s website. The media also do not present the characters of women who are the heroines of herstoric walks, and whose names have been highlighted in this article. Figures of the Lubliners who have made a contribution to the city by their social involvement, but for some reason the story about them has been forgotten by the HerStory Foundation and restores to them their once-lost fame.

2

About Women in Conflicts and Wars: Theories of Violence and Collective Memory

94%

Kuźma I. B., Pietrzak E.

Polish Political Science Yearbook

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2019

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vol. 1 (48)

49-64

EN

The article deals with the subject of relations between theories of violence and the category of collective memory in relation to women’s war stories. The text introduces the issue of war and conflict, understanding the theory of violence, the category of collective memory and female war narratives, as well as the ways of their political interpretation. The interpretation is crucial because of method used in the research, meaning hermeneutics, but also because of the, presented here, perspective of polyphony.

3

Unworthy of History? On the Absence and Stereotypical Images of Women Scientists in Light of the Historical Narrative in Middle and Secondary School Textbooks

94%

Chmura-Rutkowska I., Głowacka-Sobiech E., Skórzyńska I.

Studia Edukacyjne

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2019

|

issue 53

117-142

PL

Our research project “Unworthy of History” focuses on discussing the historical narrative in Polishhistory textbooks that are used in teaching history at the middle school level. The aim is to analyze and describe ways of thinking about as well as presenting the role and place of women and men in history in schools. Research shows that women are portrayed in textbooks as playing a less important role than men – they are almost non-existent in public life. “(...) what is male is universal. What is female is accidental and secondary”. The few women that are mentioned in these textbooks are portrayed in traditional roles, usually family roles, and in those contexts and spheres of life that are culturally considered to be typically feminine. Women are not only under-represented in history textbooks; also, informationabout them is often distorted or simply untrue. The topic of the (in)equality between women and men as well as the history of women’s emancipation movements, which are related to the empowerment of half of humanity, is not considered worthy to be presented in Polish textbooks. Our presentation and study focused on the absence and stereotypical representations of women scientists in Polish history textbooks. The results reveal that although women could be as creative and hard working as men – not exclusively in the fields traditionally associated with women (e.g. Josephine Cochran invented the dishwasher in 1872, and Marion Donovan – disposable diapers in 1950) butalso in those associated with men (e.g. Mary Anderson created windshield wipers in 1903 and Grace Murray found the first computer bug in 1947) – their contribution to the development of societies is marginalised, trivialised or totally omitted by the authors Polish history textbooks. In every textbook analysed, men make up over 90% of characters introduced by name although they were not necessarily widely known. On the other hand, women who achieved professional success in science, art or social development get ignored.

EN

Our research project “Unworthy of History” focuses on discussing the historical narrative in Polishhistory textbooks that are used in teaching history at the middle school level. The aim is to analyze and describe ways of thinking about as well as presenting the role and place of women and men in history in schools. Research shows that women are portrayed in textbooks as playing a less important role than men – they are almost non-existent in public life. “(...) what is male is universal. What is female is accidental and secondary”. The few women that are mentioned in these textbooks are portrayed in traditional roles, usually family roles, and in those contexts and spheres of life that are culturally considered to be typically feminine. Women are not only under-represented in history textbooks; also, informationabout them is often distorted or simply untrue. The topic of the (in)equality between women and men as well as the history of women’s emancipation movements, which are related to the empowerment of half of humanity, is not considered worthy to be presented in Polish textbooks. Our presentation and study focused on the absence and stereotypical representations of women scientists in Polish history textbooks. The results reveal that although women could be as creative and hard working as men – not exclusively in the fields traditionally associated with women (e.g. Josephine Cochran invented the dishwasher in 1872, and Marion Donovan – disposable diapers in 1950) butalso in those associated with men (e.g. Mary Anderson created windshield wipers in 1903 and Grace Murray found the first computer bug in 1947) – their contribution to the development of societies is marginalised, trivialised or totally omitted by the authors Polish history textbooks. In every textbook analysed, men make up over 90% of characters introduced by name although they were not necessarily widely known. On the other hand, women who achieved professional success in science, art or social development get ignored.

4

Uwagi o feminizacji współczesnej polskiej prozy historycznej na przykładzie (o)powieści biograficznych

94%

Zaorska M.

Prace Literaturoznawcze

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2018

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issue 6

207-216

EN

This paper is concerned with the feminisation of contemporary Polish historical novel, especiallyof its biographical variant. Transforming traditional narratives and restoring the memoryof women in history are the most important tasks of herstory, a discipline born in the twentiethcentury out of the question about the role and place of women in the history of humankind. The authorof this paper pays particular attention to the texts of popular culture, especially biographical novelsabout women written by female writers, such as Ewa Stachniak, Janina Lesiak and Alina Zerling--Konopka. Historical novels written by female authors bring into sharp focus the postulates of feministliterary criticism, such as reclaiming the history of women by filling in the gaps in historicalnarratives and shifting the point of view, which allows for the depiction of the activity of womenin the fields traditionally considered male. What emerges from such novels are unobvious themes,but also the revision of the solidified images of famous figures. However, a considerable numberof those texts does not translate into their artistic merit.

5

Herstories. Digital social archives as a space for building memory about women (presentation of the research area)

84%

Ciesek-Ślizowska B.

Stylistyka

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2019

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vol. 28

347-359

PL

The aim of the article is to shape the field of scientific exploration which is opening in the internet space as a social archive. It is a space for building herstories – women’s histories as well as social memory about them. The author refers to the definition of herstory by presenting a variety of contexts in which the concept functions: ideological, scientific, and that which is created by bottom-up initiatives of social archival science. Herstoric discourse, being shaped in the space of digital social archives, fits into the intense and changing public discourse on equality. A discursive overview of herstory will enhance our knowledge not only of equality/ anti-discriminative discourse regulations, but also about civil or urban discourse. What is more, it will provide new findings on the topic of women’s style and point of view. There are also valuable social effects of discursive interest in herstories – they can contribute to including women’s histories, their voices and way of thinking about the world into the public sphere.

6

Jak kobiety opowiadają historię? [rec. Bożena Karwowska: Kobieta – Historia – Literatura. Warszawa: Instytut Badań Literackich PAN, 2016, ss. 145.]

84%

Boniecka M.

Śląskie Studia Polonistyczne

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2018

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vol. 11

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issue 1

221-231

EN

The paper is an attempt at tracing the relations between the title categories of Kobieta – Historia – Literatura [Woman – History – Literature]. While concentrating on female writing, the researcher finds there the issues which have not been yet analysed, for example the feminist perspective of Wisława Szymborska’s poetry in her understanding of history; the question of identity, sexuality, corporality in the texts of postwar and contemporary female immigrant writers; politics of gender roles and stereotypes in (literary and non-literary) descriptions of Holocaust; and finally, the spatial determination of the female writers’ (Pola Gojawiczyńska) narratives about the history of postwar Warsaw. However, the most significant purpose of this article is to present diverse literary contexts which make it possible to tell “grand history”/“grand narrative” with the use of various strategies of narration created by women or placing a female figure (”feminity”) inside it.

7

Łódzkie herstorie dla “Women, War and Peace”

83%

Kuźma I. B., Pietrzak E., Instytut Etnologii i Antropologii Kulturowej Uniwersytet Łódzki, Katedra Teorii Polityki i Myśli Politycznej Akademia Humanistyczno-Ekonomiczna w Łodzi, Inga B. Kuźma – związana z Instytutem Etnologii i Antropologii Kulturowej na Wydziale Filozoficzno-Historycznym Uniwersytetu Łódzkiego d. h. n. h. w. d. e. U. a. z. i. i. t. A. R. i. P. A. R. o. h. W. ł. I. S. G., Edyta Pietrzak – antropolożka i teoretyczka polityki d. h. n. s. w. d. n. o. p., inga.kuzma@uni.lodz.pl, edytapietrzak@ahe.lodz.pl

Władza sądzenia

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2016

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vol. 9

PL

Artykuł jest efektem badań prowadzonych w ramach projektu „Kobiety, woja pokój” realizowanego przy wsparciu programu Europa dla obywateli. Porusza kwestie kobiecej obecności w historii i przedstawia jej przykłady. Składa się z trzech części: wyjaśnienia czym jest herstory jako nurt badawczy, prezentacji symbolicznej relacji między kobietą, wojną i przemocą oraz przedstawienia wojennych opowieści łodzianek

EN

The article is the result of research conducted within the project “Women, peace Seekers” implemented with the support of the Europe for Citizens Programme. It raises issues of women’s presence in the history and presents examples of it. It consists of three parts: the explanation of herstory as current research area, the presentation of the symbolic relationship between a woman, war and violence and presentation war herstories of female Lodz residents.

8

The Sulptor Teresa Feodorowna Ries and Her Private Archive

83%

Habsburg V.

Sztuka i Dokumentacja

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2019

|

issue 21

133 - 141

EN

The article concerns the recently found private archive of Teresa Feodorowna Ries (1866-1956) who was a famous Viennese sculptor before the World War II. After the annexation to the German Reich in 1938, Ries, who was Jewish, remained in Vienna until probably 1942. Despite the imminent danger and difficult living conditions in Vienna, she tried to organise and regulate the preservation and whereabouts of her works. Her studio in the Gartenpalais Liechtenstein was evacuated and the works expropriated. The whereabouts of many of these works are still unclear, and many are considered lost. In 2018 this private archive was offered for sale in an auction house in Monaco. Since there was no interested party, the author of this article was lucky enough to acquire it about half a year later. The private archive contains letters, documents, photographs, a diary, poems, newspaper articles, lists of artworks, the last will and testament of her mother Bertha Ries and her own, handwritten by Ries. The term ‘archive’ includes different aspects which reflect in the work of Ries in both artistic and historical perspectives. The archive, the accumulation and the collection starting from the beginning, should be transferred into the here and now. The archive, as a place for the memory, for memories and records, returns to its starting point – Vienna. With all the collected documents and gathered information it is now possible to achieve an insight into the life of the artist Teresa Feodorowna Ries, and to continue the search for missing parts and links. The fact that today the original or complete form and condition of certain sculptures can only be seen in photographs is obviously a limiting factor when writing about the artist and her work, but also raises further interesting questions: how to write about something that does not exist any longer?

9

Kobiece „wymiary” czasopisma „Onomastica”

82%

Skowronek K.

Onomastica

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2017

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vol. 61

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issue 2

461-476

EN

The article is an evaluation of the contribution of women to the development of the “Onomastica” journal in the years 1955–2016. The author presents the “feminised” history of the journal as an equally valid alternative to the “typical” masculinised timeline. The theoretical context here is based on M. Foucault’s concept of power-knowledge and the idea of herstory in science. The article shows general numerical tendencies regarding women’s contributions to the article throughout 60 years of its existence and describes differences and discrepancies.The author outlines how during the first 30 years of the existence of the journal (1955–1985), there were not many female contributors, but their number grew between 1985 and 2016. The author argues that the reason for such changes is the emancipation of female scholars in the 1950s, 60s and 70s, and structural changes in the academic life in Poland after the Second World War. She highlights the work of scholars whose influence on the journal has been the most significant since the establishment of the journal, such as M. Karpluk, M. Malec or H. Popowska-Taborska.

10

Wybrana. O powieści Ewy Stachniak Bogini tańca

82%

Zatorska M.

Tematy i Konteksty

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2018

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vol. 13

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issue 8

185-193

EN

The article is review on the latest book by Ewa Stachniak, The Chosen Maiden. It is a fictionalised biography belonging to more and more popular femino-centric trend of the contemporary historical fiction. Stachniak based on the life of ballet dancer-choreographer Bronislawa Nijinska, sister of Vaslav Nijinsky. Having done much research, she convincingly articulates what she imagines to be the workings of Bronia’s mind, her passion and conviction as an artist, and her ability to endure privates tragedies.

11

Zapomniane uczone Uniwersytetu Poznańskiego: doc. dr hab. Wisława Knapowska – nauczycielka i historyczka (7.06.1889-8.05.1956)

82%

Głowacka-Sobiech E.

Studia Edukacyjne

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2018

|

issue 50

151-158

EN

The text introduces the figure of Wisława Knapowska, one of the first independent scholars of Poznań University, a researcher and teacher of the best schools in the interwar period. It shows her path to academic independence and the many barriers she encountered in her life. The text is part of the socalled herstory, asking for the past and history of women’s narratives.

12

Gendering Memory: Intersectional Aspects of the Polish Politics of Memory

72%

Kuźma I. B., Pietrzak E.

Przegląd Socjologii Jakościowej

|

2020

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vol. 16

|

issue 1

102-118

PL

Artykuł poświęcony jest procesowi zarządzania pamięcią w szczególnym aspekcie – ze względu na problematykę gender (nurt gendering memory), co zdaniem autorek tekstu jest kontrapunktem wobec tendencji upolitycznienia pamięci, które mają miejsce w Polsce. Autorki ilustrują tę problematykę lokalnym przypadkiem wiążącym kategorię gender z miejską sferą publiczną, a mianowicie odwołują się działań Fundacji Łódzki Szlaku Kobiet (https://www.facebook.com/ŁódźkiSzlakKobiet − jest to kobieca oddolna inicjatywa dotycząca zarazem płci społeczno-kulturowej, jak i przeszłości i pamięci miasta. Artykuł składa się z trzech głównych części odnoszących się do: 1. funkcjonowania pamięci w miejskiej sferze publicznej jako formy dialogu (antropologia hemerneutyczno-interpretacyjna w oparciu o teorie Jurgena Habermasa i Seyli Benhabiba), 2. procesu gendering memory (odzwierciedlającego pluralizację pamięci), 3. działań Fundacji Łódzki Szlak Kobiet (gdzie miasto jawi się jako zróżnicowany krajobraz pamięci). Artykuł dotyczy napięcia obserwowanego między polityką pamięci – praktyką polityczną – alternatywnymi pamięciami wynikającymi z idei wielości i polifonii, w tym obecności głosu kobiet. Autorki artykułu podnoszą kwestię genderyzacji pamięci w kontekście pytań, w jaki sposób rozwija się pluralizm pamięci zbiorowej i toczy się dywersyfikacja sfery publicznej jako rezultat oddziaływania dyskursów pamięci alternatywnej, w tym pamięci skoncentrowanej na płci.

EN

The article is devoted to the process of gendering memory as a counterpoint to the politicization of memory observed in the Polish context. The core problem of the paper is a description of a local case of this type of gender ‘memory practising’ in the area of the public urban sphere, specifically one created by the Łódź Women’s Heritage Trail Foundation (https://www.facebook.com/ŁódźkiSzlakKobiet) – a gender-profiled female grass-roots initiative that is concerned with the city’s past. The article consists of three main parts referring to, respectively, the functioning of memory in the urban public sphere as a form of dialogue (hemerneutic-interpretative anthropology with Jurgen Habermas’ and Seyla Benhabib’s theories is the theoretical foundation here), the process of gendering memory (appearing alongside the narrative phrase and feminist proposals for the interpretation of memory as a form of its pluralization), and the presentation of the activities within the Łódź Women’s HeritageTrail Foundation’s particular initiative – namely ‘Women Routes in Łódź’ – as a kind of case study for the city as a landscape of memory. The paper deals with the tension observed between the politics of memory and the political practice, and the alternative memories that arise from the idea of multiplicity and polyphony, including the voice of women. The authors raise the issue of the genderization of memory in the context of an inquiry into how the pluralism of collective memory and the diversification of the public sphere develops as a result of the discourses and operation of the alternative memory, including gender-focused memory.

13

Herstory in Young Adult Fiction by Joanna Rudniańska Based on the Examples of „Rok Smoka” and „Kotka Brygidy”

71%

Slany K.

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

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2019

|

issue 8

301-325

EN

The paper discusses young adult fiction by Joanna Rudniańska, whose works belong to the stream of non-conformist coming-of-age novels marked by experiences of exclusively teenage girls/women, developing in Poland since the 1990s. Both Rok Smoka and Kotka Brygidy emphasise the personal quality of teenage girls and women, and present their fates with a particular consideration of their fairly individualised processes of maturation and intentional development of their identities. The author of this paper employs feminist methodologies to emphasise the ambivalent, borderline, and negative female experiences in the analysed texts. She offers a detailed interpretation of how the protagonists of the above-mentioned novels experience the world; she applies a metaphorical and fantastic perspective of telling herstories, while searching for matrilineal traces, the phenomenon of sisterhood, drastic rituals inscribed in the feminine domain, and the special kind of coming-of-age which constitutes the starting point for personal and subjective herstories.

14

„1989” – fantazja non-fiction

71%

Majchrowski Z.

Didaskalia. Gazeta Teatralna

|

2023

|

issue 174

60-98

EN

Can a theatrical spectacle rectify the greatest neglect of Poland’s post-1989 transformation and create a ‘positive’ founding myth of the ‘Solidarity’? This is the ambition of the musical 1989 produced by a creative team led by Marcin Napiórkowski, Katarzyna Szyngiera, Mirosław Wlekły and Andrzej ‘Wolny’ Webber (co-produced by the Gdansk Shakespeare Theatre and the Juliusz Słowacki Theatre in Krakow). According to the announcements, it was to be the first musical in Poland in the likeness of the American Hamilton, for the first time with entirely rapped vocals, showing the fall of communism from a new perspective and finally giving women their rightful place in the struggle for a free Poland. What captivates the audience is undoubtedly the musical and dance qualities of the performance, but the vision of history presented raises serious questions. A major misunderstanding in 1989 is the complete erasure of the church and the figure of John Paul II from the life of Poles in the 1980s. Furthermore, the diminishing of the role played by Lech Walesa in 1980-1989 is also completely incomprehensible. In the stage history, the leader of the August strike remains in the shadow of Jacek Kuroń and his own wife Danuta, and becomes a character without charisma, rather resembling Ubu Roi from Jarry’s play. The show tries to capture the energy of the Polish women’s strikes of the autumn of 2020, but on stage they are mainly rebellious lonely wives of activists who find encouragement in a conservative vision of family (‘to be simply one of many families’). There is nothing subversive here. Unlike in Hamilton, this is not a look at Poland ‘then’ from the perspective of Poland ‘today.’ Despite the repudiation of the traditional narratives, the paradigm of Polish Romanticism still triumphs because the entire dramatic plot is based on an old romantic cliché: ‘He did not find happiness at home because there was none in the fatherland’ (Mickiewicz, Konrad Wallenrod). The artists create their own counter-history, which they are of course artistically entitled to do, but they do not answer the question of causal power, i.e. where did society draw its strength to survive during martial law, or what led to the fall of the communist regime in 1989.

15

Irlandia kobiet. Początki irlandzkiego ruchu kobiecego.

71%

Plata J.

Państwo i Społeczeństwo

|

2015

|

issue 1

227-241

EN

The aim of this article is to familiarize the Polish readers the most important events in the history of the beginnings of feminism in Ireland. The autor assumes that history, making heroes of events only male political, military and religious leaders, is one of those scientific discipline that significantly ignore the achievements of women. She focuses on herstory of Irish women – the first social activists, politicians, feminists and nationalists, at the same time retains the important historical context of their activity. Using the English-language literature dedicated to research of the history of Irish women, enriches Polish publications of authors rarely invoked or absent in Polish literature. The text contains information about the first Irish women’ organizations from the late nineteenth and early twentieth century, such as Ladies’ Land League, Daughters of Erin and Irish Women Workers’ Union. An important context of their activity is the evolution of the Irish independence movement, which was formed by many women too. As the author assumed, the article may provide a basis for further discussion of the history of the Irish women’s movement and its current status. Among quoted authors are such well-known researchers of Irish history, as Maria Luddy and Margaret Mac Curtain.

16

The Art of Women – form the Margin to the Mainstream

67%

Samborska M.

Art Inquiry. Recherches sur les arts

|

2014

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vol. XVI (XXV)

275-284

EN

Confronting the second wave of feminism with postfeminism allows us to show the change in the perception of art and the position of women in the art world. The activists of the 1970s aroused extreme emotions in the public, and attempts were made to downplay the value of their work. At the end of the 20th century, however, when ambiguity and controversy have become the desired quality of art, feminist ideas are sometimes a necessary ornament of the careers of celebrities. In this article I present the history of the difficulties that artists who debuted on the art scene in the 1970s had to overcome. I use the example of Judy Chicago and her iconic work Dinner Party. Other heroines of the pioneering times are Marina Abramowic, Carolee Schneemann, and Valie Export, whose attitude I compare to that of the star of the younger generation, Vanessa Beecroft. Beecroft leaves her attractive installations without any comment, she does not settle any controversies, which fits the characteristics of the post-modern game on the art market.

PL

Konfrontacja drugiej fali feminizmu z postfeminizmem pozwala ukazać zmianę w percepcji sztuki i pozycji kobiet w świecie sztuki. Aktywistki lat 70. budziły skrajne emocje odbiorców, próbowano bagatelizować wartość realizowanych przez nie prac. U schyłku XX wieku jednak, gdy pożądaną jakością sztuki stała się niejednoznaczność, kontrowersyjność, idee feminizmu stają się czasem niezbędną dekoracją dla karier celebrytek. W artykule przedstawiam historię trudności, jakie musiały pokonać artystki startujące na scenie sztuki w latach 70. Jako przykład występuje tu Judy Chicago i jej sztandarowa praca Dinner Party. Inne bohaterki pionierskich czasów to Marina Abramowic, Carolee Schneemann, Valie Export, których postawę porów-nuję z gwiazdą młodego pokolenia Vanessą Beecroft. Beecroft pozostawia swoje atrakcyjne instalacje bez komentarza, nie rozstrzyga kontrowersji, czym wpisuje się w znamienną dla postmodernizmu grę na rynku sztuki.

17

Historie awangardy filmowej na nowo (o)pisane

60%

Zawojski P.

Kwartalnik Filmowy

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2021

|

issue 115 Film formy, film treści

249-255

PL

Omawiany tom – Historie filmu awangardowego. Od dadaizmu do postinternetu (2020) pod redakcją Łukasza Rondudy i Gabrieli Sitek – jest efektem projektu edukacyjnego „Akademia filmu awangardowego” realizowanego przez Fundację Okonakino i Muzeum Sztuki Nowoczesnej w latach 2019-2020. Autor zwraca uwagę na próbę rewizji dotychczasowych ustaleń dotyczących awangardy filmowej wyrażającą się przede wszystkim w dowartościowaniu twórczości artystek dotąd często pomijanych lub niedocenianych. Tematyczno-chronologiczna kompozycja całości jest rozpięta między tradycją kina awangardowego od jego początków w XX w. do najnowszych realizacji wykorzystujących wideo oraz nowe media, ze szczególnym uwzględnieniem optyki feministycznej, queerowej, klasowej i postkolonialnej, oraz badaniem związków filmu dokumentalnego i awangardowego. Reinterpretacja wcześniejszych odczytań filmu awangardowego i prezentacja mało znanych fenomenów zarówno historycznych, jak i współczesnych stanowi o atrakcyjności publikacji.

EN

The discussed volume entitled Historie filmu awangardowego. Od dadaizmu do postinternetu [Histories of the Avant-garde Film: From Dadaism to Post-Internet] (2020), edited by Łukasz Ronduda and Gabriela Sitek, is the result of the two-year educational project “Avant-Garde Film Academy”, carried out by the Okonakino Foundation and the Museum of Modern Art in Warsaw in 2019-2020. The reviewer draws attention to the author’s attempt to revise the existing image of the avant-garde film; this revision is expressed primarily in the appreciation of the work of female artists, often overlooked or underestimated in the past. The thematic-chronological composition of the volume is stretched between the tradition of avant-garde cinema, from its twentieth-century beginnings to the latest productions and creators using video and new media, with particular emphasis on feminist, queer, class and postcolonial optics. It also presents research on the relationships between documentary and avant-garde film. Reinterpretation of the previous readings of avant-garde film and the presentation of little-known (especially in Polish film studies) phenomena, both historical and contemporary, make this publication attractive, significantly enriching the knowledge of avant-garde film and cinema.

18

Contribution of Polish Female Linguists to Pre-War Linguistics – Scientific Review

60%

Skowronek K.

Annales Universitatis Mariae Curie-Sklodowska, sectio N – Educatio Nova

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2018

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issue 3

EN

The article is a partial presentation of women who helped shape the Polish linguistics before 1939. The author analyses their contribution in the Polish Linguistic Society and their influence on the development of the “Poradnik Językowy”, an important journal of that period. The article is an overview: the author also describes the possible theoretical framework of the future “her-story” of Polish linguistics.

PL

Tekst jest fragmentarycznym przedstawieniem sylwetek kobiecych, które współkształtowały polską lingwistykę przed 1939 rokiem. Autorka analizuje udział kobiet w Polskim Towarzystwie Językoznawczym i ich wkład w rozwój „Poradnika Językowego”, znaczącego czasopisma tego okresu. Artykuł ma charakter rekonesansowy – opisano możliwe ramy teoretyczne przyszłej herstorii polskiej lingwistyki.

19

Od córki do matki - jak dziewczynka stawała się kobietą w starożytnym Rzymie [Rec. Anna Tatarkiewicz: Mater in statu nascendi. Społeczne i medyczne aspekty zdrowia reprodukcyjnego kobiet w starożytnym Rzymie. Poznań 2018]

60%

Marciniszyn J.

Wieki Stare i Nowe

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2020

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vol. 15

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issue 20

153-158

EN

The subject of this review is a study by Anna Tatarkiewicz devoted to the woman becoming mother in Ancient Rome. It delves into such aspects of lives and functioning of women in Ancient Rome as: the birth of a baby girl, her later wedding, pregnancy period, biologically giving birth, and dies lustricus, that is, acknowledging the social fact of childbirth by law, which equalled a mother being born symbolically.

PL

Przedmiotem recenzji jest opracowanie Anny Tatarkiewicz poświęcone kobiecie stającej się matką w świecie rzymskim. W książce przybliżone zostały takie aspekty życia i funkcjonowania kobiet w starożytnym Rzymie, jak: narodziny dziewczynki, jej ślub, ciąża, biologiczne narodziny dziecka oraz dies lustricus, czyli usankcjonowane prawnie społeczne narodziny dziecka, a także symboliczne narodziny matki.

20

Dramatopisarki w «republice braci»: Komu potrzebna jest (i jaka) kobieca historia polskiego teatru?

60%

Świerkosz M.

Pamiętnik Teatralny

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2020

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vol. 69

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issue 3

183-198

EN

This article discusses the results of the HyPaTia research project in the feminist history of the theatre, situating it in the wider context of the phenomenon of women’s history, as practiced since the 1970s. The author investigates the revisionist character of the project’s dialogue with the canon and the constructive gesture of (re)creation of a women’s history of Polish theatre. Through the figures of “Shakespeare’s sister” and “Hypatia’s sisters”, attention is drawn to the specific entanglement of the life and work of female playwrights in a patriarchal framework (referred to as the “republic of brothers”), problematizing the understanding of women’s empowerment as liberation from male oppression or escape into the margins. (Transl. Z. Ziemann)

PL

Artykuł omawia efekty projektu feministycznej historii teatru HyPaTia w kontekście szerszego zjawiska, jakim jest uprawiana od lat siedemdziesiątych XX wieku historia kobiet. Autorka stawia pytania o rewindykacyjny charakter podjętego w projekcie dialogu z kanonem i konstruktorski gest (od)tworzenia kobiecej historii polskiego teatru. Poprzez figury „siostry Szekspira” i „sióstr Hypatii” zwrócona zostaje uwaga na specyficzne uwikłanie biografii i twórczości dramatopisarek w patriarchalną ramę (określaną jako „republika braci”), które problematyzuje rozumienie emancypacji jako uwalniania się od męskiej opresji czy ucieczki na marginesy.

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Obraz medialny lubelskiej Fundacji HerStory

About Women in Conflicts and Wars: Theories of Violence and Collective Memory

Unworthy of History? On the Absence and Stereotypical Images of Women Scientists in Light of the Historical Narrative in Middle and Secondary School Textbooks

Uwagi o feminizacji współczesnej polskiej prozy historycznej na przykładzie (o)powieści biograficznych

Herstories. Digital social archives as a space for building memory about women (presentation of the research area)

Jak kobiety opowiadają historię? [rec. Bożena Karwowska: Kobieta – Historia – Literatura. Warszawa: Instytut Badań Literackich PAN, 2016, ss. 145.]

Łódzkie herstorie dla “Women, War and Peace”

The Sulptor Teresa Feodorowna Ries and Her Private Archive

Kobiece „wymiary” czasopisma „Onomastica”

Wybrana. O powieści Ewy Stachniak Bogini tańca

Zapomniane uczone Uniwersytetu Poznańskiego: doc. dr hab. Wisława Knapowska – nauczycielka i historyczka (7.06.1889-8.05.1956)

Gendering Memory: Intersectional Aspects of the Polish Politics of Memory

Herstory in Young Adult Fiction by Joanna Rudniańska Based on the Examples of „Rok Smoka” and „Kotka Brygidy”

„1989” – fantazja non-fiction

Irlandia kobiet. Początki irlandzkiego ruchu kobiecego.

The Art of Women – form the Margin to the Mainstream

Historie awangardy filmowej na nowo (o)pisane

Contribution of Polish Female Linguists to Pre-War Linguistics – Scientific Review

Od córki do matki - jak dziewczynka stawała się kobietą w starożytnym Rzymie [Rec. Anna Tatarkiewicz: Mater in statu nascendi. Społeczne i medyczne aspekty zdrowia reprodukcyjnego kobiet w starożytnym Rzymie. Poznań 2018]

Dramatopisarki w «republice braci»: Komu potrzebna jest (i jaka) kobieca historia polskiego teatru?