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L’hybridité générique dans Syngué Sabour. Pierre de patience d’Atiq Rahimi

100%
Körömi G.
e-Scripta Romanica
|
2019
|
vol. 7
1-14
EN
For Atiq Rahimi, the Afghan-born Prix Goncourt winner French-language writer, belonging to two different cultures and languages is an inexhaustible source of inspiration. Therefore, it is no coincidence that all his works are based on some form of hybridity (cultural, genre, identity, language, etc.). The analysis of Rahimi’s novel titled Syngué Sabour (2008) shows that the main organising element of the text is its genre hybridity. The present study aims to investigate the contribution of this hybridity to French literature. The analysis has a double objective: firstly, it seeks to unfold the various intertwining art. forms (theatre, cinema, music) and writing modes (stage direction-like mode of writing, cinematographic mode of writing, minimalist prose) embedded in each other. Secondly, it examines in what ways the novel combines the poetic and narrative features of the Western minimalist novel with the symbolic and allegorical layers of meaning of Eastern tales. Finally, the study attempts to determine the functions of the genre hybridity resulting from the intercultural and transcultural features of the corpus and to detect the additional layers of meaning that the genre hybridity provides in the novel.
FR
Appartenir à deux cultures, deux civilisations, deux langues est une source de richesse dans laquelle puise Atiq Rahimi, écrivain et cinéaste franco-afghan. Il n’y a rien de surprenant à ce que toute son oeuvre soit construite sur l’hybridité identitaire, culturelle, générique ou dialogique. L’analyse de son premier roman écrit en français, Syngué Sabour. Pierre de patience (Prix Goncourt 2008), démontre que le ressort du texte est l’hybridité générique. La présente étude a pour objectif d’analyser, d’une part, la coexistence des différents arts (théâtre, cinéma, musique) dans le roman, et d’autre part, d’examiner par quels moyens et pour quelles raisons le romancier allie le roman, genre dominant de l’Occident, avec le conte, genre traditionnel oral de l’Orient, et ce que le dialogue de ces deux genres peut apporter à la littérature française.
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