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EN
Fr. Franciszek Blachnicki put the teaching of the Second Vatican Council into practice. Rooted in his personal conversion (experience of the living Jesus), the formation of the baptized he proposed was based on the example of the catechumenate and took the form of the Light-Life Movement, which offers a way of spiritual growth still followed by many groups of believers. The work of Fr. Blachnicki may be an inspiration for the universal Church, especially with respect to the significance of a personal spiritual encounter with the risen Jesus, inner life being set in active participation in the liturgy, personal prayer based on the Bible, commitment to a small community of growth, and service in various areas of the Church’s life, particularly evangelization. It is therefore worthwhile to discover the depth of the spiritual and pastoral heritage of Fr. Blachnicki. His guidelines may be very helpful in responding to the challenges the Church is facing now.
Vox Patrum
|
2005
|
vol. 48
153-158
IT
La strada della vita spirituale comincia, secondo San Ambrogio, dall’abbandonare del male e dell'eccessivo impegno nelle cose terrene. L'uomo sente il grande desiderio del Dio, e Lui gli elargisce la luce della conoscenza soprannaturale.
XX
Тамара Тарасава - Мiнск
PL
Twórczość Michasia Zareckiego w latach 1920–1930 świadczy o wieloaspektowości problemów, z jakimi musi borykać się człowiek. Artyzm romantyzmu pozwolił autorowi modelować integralność okresu post-rewolucyjnego w trakcie jego rozwoju wskazując na ciągłość życia, duchowe wartości człowieka, który potrafi postrzegać świat jako całość i dialektyczne przeciwieństwa. Obraz człowieka nowych czasów z głębią jego subiektywnych wrażeń, wpływ ukrytego wewnętrznego życia jednostki na historię są decydujące w twórczości mistrza słowa i dały grunt dla nowej fali utworów na temat kolektywizacji wsi, egzystencjalnego „ja” w nowych warunkach ekonomicznych.
EN
Mikhas Zaryetzky’s 1920–1930works display his multiaspect vision of problems of man. Romantic art gave M. Zaryetzky an opportunity to model the integrity of the post-revolutionary times in the process of its development bringing to light the continuous movement of life, spiritual constants of man who is able to apprehend the world in its cosmic integrity and dialectical contradictions. The image of man of new times with the depth of his subjective experience, the influence of his internal life on historical processes were in the centre of the writer’s works and gave way to works devoted to collectivization, country, existential “I” of man in new economic conditions.
EN
In Norwid's works continuation is seen of the Romantic predilection for details, for concrete facts, but the poet moves them from the space of the outer world to the dimension of man's inner reality. The first generation Romantics approach history, for example, through a detail of the landscape. For Norwid history is a context for revealing the inner man (Kleopatra i Cezar). It also happens that history, like in Promethidion, appears in its entanglement in relations with art, beauty and work. In such a configuration the key character of conscience is revealed as a category in a special way connected with the flow of time, with history.
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